管風琴與鋼琴相較之下，擁有更為廣闊的音域、更豐富的音色，巴赫、布克斯特胡德等作曲大師都曾為管風琴創作許多值得研究的經典作品。十九世紀時，歐洲開始復興巴赫音樂，在眾多作曲家的努力之下，將管風琴作品改由鋼琴演奏，演奏效果令人驚豔，讓這些崇高作品漸漸被聽眾熟知，其中巴赫的《D小調觸技曲與賦格》（Toccata and Fugue in D Minor, BWV 565）現今已成為舉世聞名的經典作品。
本文探討的內容除前言以及結語之外，共分為三大部分論述，第一部分介紹管風琴的樂器構造以及相關的鋼琴改編作品；第二部分則藉由布梭尼的生長歷程，探究其巴赫改編曲的動機與內涵；第三部分將以《D小調觸技曲與賦格》為例，探討布梭尼管風琴的改編技法，並透過樂曲分析，一窺布梭尼如何在鋼琴上重現這些偉大作品。

Compared with piano, the organ has the wider register and more colorful sonority. J. S. Bach, Buxtehude and other composers had written many organ works worthy to study. In the nineteenth century of Europe, many composers began to revive Bach’s music by adapting the organ’s works for piano playing, so these sublime repertoires became more and more well-known. Today, among the numerous transcriptions, Bach-Busoni Toccata and Fugue BWV 565 is one of the most often performed pieces.
There are three main chapters besides the preface and conclusion in this report. The first chapter introduces the construction of organ and piano transcriptions originated from organ pieces; the second chapter starts with the musical development of Busoni, looking for the motivation and inspiration of these works. The final chapter will focus on Bach-Busoni Toccata and Fugue BWV565 exploring Busoni’s organ transcribed techniques, and then offers detailed analytical discussion to understand how to reproduce these masterpieces on the piano.

中文摘要..............................................i
英文摘要..............................................ii
圖表目錄..............................................iv
譜例目錄..............................................v
附錄目錄..............................................viii

前言.....................................................1

第一章 巴赫管風琴作品之鋼琴改編曲
管風琴概述...........................................3
巴赫管風琴作品之鋼琴改編曲..............7

第二章 布梭尼生平與音樂歷程
生長背景..............................................15
音樂風格..............................................18

第三章 巴赫─布梭尼《D小調觸技曲與賦格》
作品背景..............................................26
改編手法..............................................28
樂曲分析..............................................39


結語.....................................................56
參考文獻..............................................59
附錄.....................................................62

外文書籍
Busoni, Ferruccio. The Essence of Music, and Other Papers. Trans. Rosamond Ley. Westport, Conn.: Hyperion Press, 1979.
Cramer, Alfred W. “Ferruccio Busoni” Musicians and Composers of the Twentieth Century, Volume 1. Pasadena, CA.: Salem Press, 2009.
Dent, Edward J. Ferruccio Busoni: a Biography. London: Oxford University Press, 1933.
Hinson, Maurice. The Pianist's Guide to Transcriptions, Arrangements, and Paraphrases. Bloomington: Indiana University Press, 1990.
Jones, Richard Douglas. The Creative Development of Johann Sebastian Bach. New York: Oxford University Press, 2007.
Kogan, Grigoriĭ. Busoni As Pianist. translated and annotated by Svetlana Belsky. Rochester, NY: University of Rochester Press, 2010.
Morgan, Robert P. Twentieth-Century Music: A History of Musical Style in Modern Europe and America. New York: Norton, 1991.
Rimm, Robert. The Composer-Pianists: Hamelin and The Eight. Hillsdale, NY: Pendragon Press, 2009.
Robergr, Marc-Andrè. Ferruccio Busoni : A Bio-Bibliography. New York : Greenwood Press, 1991.
Sitsky, Larry. Busoni and the Piano: the Works, the Writings, and the Recordings. Hillsdale, NY: Pendragon Press, 2009.
Stinson, Russell. The Reception of Bach's Organ Works from Mendelssohn to Brahms. New York: Oxford University Press, 2006.
Thym, Jürgen. Mendelssohn, The Organ, and The Music of The Past: Constructing Historical Legacies. Rochester, NY: University of Rochester Press, 2014.
Williams, Peter. The Organ Music of J. S. Bach. Cambridge: Cambridge University Press, 2004.

外文期刊
Altschuler, Eric Lewin. “Were Bach’s Toccata and Fugue BWV 565 and the Ciacconia BWV1004 Lute Pieces? ” The Musical Times 146, no.1893 (Winter, 2005): 77-86.
Brent-Smith A.. “Ferruccio Busoni.” The Musical Times 75, no.1092 (Feb. 1934): 113-116.
Cellier, Alexandre. “Is Transcription Permissible?” The Musical Times 66, no.992 (Oct. 1925): 900-902.
Humphreys, David. “The D Minor Toccata BWV 565.” The Early Music 10, no.2 (Apr. 1982): 216-217.
Howard-Jones, Evlyn. “Arrangments and Transcriptions.” The Musical Times 16, no.4 (Oct. 1935): 305-311.
Knyt, Erinn E.. “How I Compose: Ferruccio Busoni's Views about Invention, Quotation, and the Compositional Process.” The Journal of Musicology 27, no. 2 (Spring 2010): 224-264.
Leichtentritt , Hugo. “Ferruccio Busoni as a Composer.” The Musical Quarterly 3, no.1 (Jan. 1917): 69-97.
Newman, Ernest. “A Note on Bach Transcription.” The Musical Times 53, no.833 (Jul. 1912): 435-440.
Paul, Leslie D.. “Bach as Transcriber.” The Musical Times 34, no.4 (Oct. 1953): 306-313.
Ross, J. M. “Bach's Trinity Fugue.” The Musical Times 115, no.1574 (Apr. 1974): 331-333.
Reich, Willi. “Busoni and England.” The Musical Times 77, no.1124 (Oct. 1936): 890-891.
Schnabel, Artur. “My Life and Music.” The Musical Times 102, no.1422 (Aug. 1961): 489-490.
Siepmann, Jeremy. “A Titan Abroad.” The International Piano 31 (May/June. 2015): 55-59.
Waterhouse, J. C. G.. “Busoni: Visionary or Pasticheur? ” Proceedings of the Royal Musical Association, 92nd Sess. (1965-1966): 79-93.
Wis, Roberto. “Ferruccio Busoni and Finland.” Acta Musicologica 49, Fasc.2 (Jun – Dec. 1977): 250-269.
Williams, Peter. “A Toccata in D Minor for Organ by J. S. Bach? ” The Early Music 9, no.3 (Jul. 1981): 330-337.

國外論文
Jung-Ok, Lee. “A study of two chorale preludes of Johann Sebastian Bach (1685-1750) transcribed by Wilhelm Kempff (1685-1991)” DMA Diss., The University of Iowa, 2013.

中文期刊
胡金山。〈巴哈的管風琴作品〉。《音樂大師》26 (1994年10月)：624-627。

中文書籍
彼得‧威廉斯（Peter F. Williams）。《巴哈：管風琴音樂》。師維譯。臺北市：世界文物，1996。
哈洛‧荀白克（Harold C. Schonberg）。《不朽的鋼琴家》。顧連理、吳佩華譯。臺北市：世界文物，1998。
陳茂生。《奇妙之音. 樂器之王：管風琴》。臺南市：人光出版社，1994。
錢劉善言。《管風琴的演譯》。香港：宣道出版社，1988。

國內論文
陳晏萱。〈布梭尼《D小調夏康舞曲》之樂曲分析與詮釋〉。台灣：台北市立教育音樂學系碩士論文，2014。
周美芳。〈巴哈－布梭尼《D小調夏康舞曲》改編手法之研究〉。台灣：國立中山大學音樂學系碩士論文，2007。
蔡宜珊。〈改編與再造－以李斯特與布梭尼改編巴赫《a小調前奏曲與賦格曲》與《d小調觸技曲與賦格曲》為例〉。台灣：實踐大學音樂學系碩士論文，2013。

網路資料
陳相瑜。〈管風琴簡史〉。《陳相瑜的音樂世界》
＜http://hysylvia.blogspot.tw/2014/05/blog-post_8386.html#more＞。2015年9月12日。

樂譜
Busoni, Ferruccio. “The First Twenty-four of The Well-Tempered Clavichord by J.S. Bach.” New York: G.Schirmer, 1897.
Busoni, Ferruccio. “Toccata and Fugue in D Minor BWV 565 by J.S. Bach” Leipzig: Breitkopf & Härtel, 1900.

參考辭典
The New Grove Dictionary of Music and Musicians (2001), S. v. “Organ,” by W. J. G. Ord-Hume.
The New Grove Dictionary of Music and Musicians (2001), S. v. “Busoni,” by Antony Beaumont.