「改編曲」(Transcription)，在音樂史的發展過程中扮演著相當重要的角色，尤其到了十九世紀浪漫時期的發展最為顛峰。由於鋼琴不斷的改良，使得十九世紀的鋼琴成為最普及也是最容易展現樂曲的樂器，許多演奏家紛紛將管弦樂的名曲…等，改編成能夠使用鋼琴演奏的版本，因此改編曲成為鋼琴演奏的曲目之一。伊果．斯特拉溫斯基(Igor Stravinsky, 1882-1971)以芭蕾舞劇《火鳥》(L’oiseau de feu)成為家喻戶曉的音樂家，其代表作品為《火鳥》和《彼得羅西卡》(Pétrouchka)以及《春之祭》(Le sacre du printemps)。除了創作三大芭蕾舞劇的管弦樂版本，也親自將其改寫成獨奏版或是雙鋼琴版，由此可知鋼琴對於斯特拉溫斯基是相當重要的詮釋樂器。而《火鳥》版本的改編，以近代義大利音樂家桂多‧阿戈斯悌(Guido Agosti, 1901-1989)改編的鋼琴組曲《火鳥》最受現代演奏家青睞，其改編之手法與樂章排序之選擇，和斯特拉溫斯基相異之處為何，為本篇研究之方向。
本文內容除了前言和結論之外，共分為五個部分論述，第一部分是介紹改編曲的發展歷史以及定義；第二部分是介紹斯特拉溫斯基三大芭蕾舞劇的創作背景；第三部分是芭蕾舞劇《火鳥》之版本介紹；第四部分是桂多‧阿戈斯悌的介紹與著作；第五部分是阿戈斯悌鋼琴組曲《火鳥》之素材分析，最後為此研究的內容總結。

Transcription, plays an important role in the development of the music history, reached into the climax in nineteenth century romantic period. Due to the improvement of the piano instrument, made the piano the most popular to perform and to compose. In order to display the technique and musicianship, lots of the musicians start to transcript the orchestral works into the piano version. Therefore piano transcriptions become one of the loved programing pieces. Igor Stravinsky (1882-1971) was famous for his ballet suites and orchestra works. His representative works include L’oiseau de feu, Pétrouchka and Le sacre du printemps. He not only composed these ballets but also transcribed them into piano solo or duet. However, especially L’oiseau de feu, the transcription of Guido Agosti(1901-1989) is much more popular than Stravinsky’s. The version of Agosti consists only three movement － Danse infernale, Berceuse and Finale.
This thesis consists of five parts besides the introduction and conclusion. The first part is historical development and definition of “Transcription”. The second part is composing background of Stravinsky’s three ballets. The third part is the investigation of L’oiseau de feu’s orchestra versions. The fourth part is introducing of Guido Agosti and his works. The fifth part is analysis of Guido Agosti’s piano suite L’oiseau de feu.

前言………………………………………………………………………1
改編曲的定義及背景……………………………………………………2
斯特拉溫斯基三大芭蕾舞劇之創作背景………………………………5
斯特拉溫斯基芭蕾舞劇《火鳥》之介紹………………………………9
桂多‧阿戈斯悌之介紹與著作……………………..…….…….………15
鋼琴組曲《火鳥》之素材分析………………………………………..16
結論……………………………………………………………………..67
參考書目………………………………………………………………..69
附錄……………………………………………………………………..71

參考書目
Brendel, Alfred. Musical Thoughts & After-thoughts. New York : Farrar Straus Giroux, 1991.
Boucourechliev, André. Stravinsky. New York : Holmes & Meier, 1987.
Cross, Jonathan. The Stravinsky Legacy. New York : Cambridge University Press, 1998.
Haimo, Ethan and Paul Johnson. Stravinsky Retrospectives. Lincoln : University of Nebraska Press, c1987
Hinson, Maurice. Music for Piano and Orchestra : an Annotated guide. Bloomington : Indiana University Press, c1981.
Hinson, Maurice. The Pianist's Guide to Transcriptions, Arrangements, and Paraphrases. Bloomington : Indiana University Press, 1990.
Howard-Jones, Evlyn. ”Arrangements and Transcriptions.” Music and Letters 16, no.4, 1935.
Horlacher, Gretchen Grace. Building Blocks [electronic resource] : Repetition and Continuity in Stravinsky's Music. New York ; Oxford :Oxford University Press, 2011.
Stravinsky, Igor and Robert Craft. Memories and Commentaries. Berkeley : University of California Press, c1960.
Steshko, Joni Lynn.“Stravinsky's Firebird: Genesis, Sources,and the Centrality of the 1919 Suite.” University of California Los Angeles, 2000.
The New Grove Dictionary of Music and Musician(2004),s.v. “Stravinsky, Igor.” by Stephen Walsh.
The New Grove Dictionary of Music and Musician(2001),s.v. “arrangement” by Malcolm Boyd.
The New Grove Dictionary of Music and Musician(2001),s.v. “Transcription” by Ter Ellingson.
The New Grove Dictionary of Music and Musician(2001),s.v. “Reminiscence motif”.
Taruskin, Richard. Stravinsky and the Russian Traditions : a Biography of the Works through Mavra. Berkeley : University of California Press, c1996.
Van den Toorn, Pieter C.. Stravinsky and the Rite of Spring [electronic esource]:the Beginnings of a Musica Language. Berkeley : University of California Press, c1987.
White, Eric Walter. Stravinsky : a Critical Survey, 1882-1946. Mineola, N.Y. : Dover Publications, 1997.
William Norman Fried. “The Rite of Spring: An Original Solo Piano Transcription of Stravinsky's 1913 Ballet with Annotations and Historical Notes.” University of California, San Diego, 2011.



中文書目
伊果．斯特拉溫斯基(Igor Stravinsky)。《史特拉汶斯基—春天加冕》，施寄青譯。
台北市：北辰文化股份有限公司，1988。
葉綠娜譯。《牛津音樂辭典》中文版。台北：麥克股份有限公司，1994。
林勝義譯。《新訂標準音樂辭典》。台北市:美樂出版社，1999。


樂譜
Stravinsky, Igor. The Firebird Suite 1945 for Orchestra. Ernst Eulenburg & Co GmbH, 1974.
Stravinsky, Igor. The Firebird Suite 1919 for Orchestra. London: J. & W. Chester, 1920.
Stravinsky, Igor. The Firebird Suite for Piano Solo. Moscow: P. Jurgenson, n.d. 1910.
Stravinsky, Igor. Petrushka for Piano Solo. Editions Russes de Musique, n.d. 1911.
Stravinsky, Igor. L’oiseau de feu. Piano Transcription by Guido Agosti. Edition Schott, 1962.