十九世紀末的作曲家開始嘗試跳脫自巴洛克時期以來所使用的大、小調音階調性系統，沿用已久的傳統和聲語彙已無法完全滿足他們創作的需求，於是發展出如無調性、十二音列、複調性等嶄新的創作元素。西班牙作曲家費德里科．蒙波．丹科斯（Federico Mompou Dencausse, 1893-1987）在橫跨十九世紀末至二十世紀音樂史上劇烈的轉變中，他選擇追隨克勞德．德布西（Claude Debussy, 1862-1918）與艾瑞克．薩悌（Eric Satie, 1866-1925）的音樂理念，蒙波創作風格中傳承自法國音樂的精髓，並且融合自身的西班牙民族元素，實為二十世紀西班牙音樂開啟了新的一頁。
本文探討內容除前文以及結語之外，共分為三大部分論述，第一部分探究蒙波生平與音樂經歷，藉由文獻明瞭蒙波一生的音樂經歷。第二部分則概述蒙波的鋼琴作品創作分期，從其鋼琴作品切入蒙波創作之特色，進而由樂評家對於蒙波的看法與蒙波本身想法的闡述剖析其創作理念。第三部分探究蒙波鋼琴作品《寂靜音樂》（Musica Callada）之創作背景，並且藉由解析《寂靜音樂》素材應用之創作手法，深入理解蒙波《寂靜音樂》之特色。

In the late nineteenth century, the composers began to break away from tonal system which has been broadly used since Baroque period. The long-established tradition of harmony has been incapable of fulfilling the needs of composer’s creation, thus the development of atonal, twelve-tone; polyphony as well as other innovative elements are introduced. Federico Mompou Dencausse (1893-1987), a Spanish composer living in the drastic and fast-changing period in music history of the nineteenth century to the twentieth century, chose to follow the musical ideas of Claude Debussy (1862-1918) and Eric Satie (1866-1925). Mompou’s music style, which is inherited from the essence of French music whist integrating with Spanish element of his own, has paved the way and laid the foundation wrote for Spanish music in twentieth century.
Besides the preface and the conclusions, this report contains discussions of three chapters. The first chapter introduces Mompou’s life and his musical experience, and the second chapter is an overview of Mompou's composition period as well as some discussion of the Mompou’s composition style from the perspective of his piano works. The third chapter focuses on the compositional background and an in-depth analysis of the Mumsica Callada.

前言............................................................................................................1
第一章 蒙波生平與音樂經歷..................................................................3
第二章 蒙波鋼琴作品與創作風格
鋼琴作品分期............................................................................................8
創作風格..................................................................................................13
第三章 《寂靜音樂》（Musica Callada）
創作背景..................................................................................................20
主題素材與創作特色..............................................................................22
結語..........................................................................................................43
參考書目..................................................................................................46
附錄..........................................................................................................48

論文
王凱麗。〈 蒙波《歌與舞》第一首至第四首之鋼琴作品研究〉台灣：私立東吳 大學音樂系碩士論文，2008。
Ann, Zalkind. “Musica Callada Influences and style.” D.M.A diss., University of New York, 2000.
Chieh, Chien. “Beyond Debussy and Ravel: Impressionism in the Early Advanced Short Piano Works of Selected European and American Composers.” D.M.A diss., University of Arizona State, 2011.
Eric, MacDonald Daub. “The Musica Callada of Federico Mompou.” D.M.A diss., University of Texas at Austin, 1997.
Hammill, Jennifer. “The Development of Compositional Style in the Piano Music of Federico Mompou.” D.M.A diss., University of Washington, 1991.
Lynell Joy Kruckeberg. “Federico Mompou: A Style Analysis of Thirty-five songs. ” D.M.A diss., The University of Iowa, 2012.
Moisés Ruiz de Gauna. “Federico Mompou and The Piano: a Performer’s Guide” D.M.A diss., University of Cincinnati, 2009.
Sallye, Jeffcoat, York. “A Study of Federico Mompou's Variations sur un thème de Chopin” D.M.A diss., University of Alabama, 2011.

專書
Kent, Adam. The Use of Catalan Folk Materials in the Works of Federico Mompou and Joaquín Nin-Culmell. Juilliard School, 1999.
Marco, Tomás. Spanish Music in the Twentieth Century. Harvard University Press, 1993.
Powell, Lee. E. A History of Spanish Piano Music. USA: Indiana University Press, 1980.

期刊
Barela. “Mompou: “Piano Pieces, all (Music). ” American Record Guide. 67 , no.6(2004):140-141.
Mellers, Wilfrid. “The Music of Frederic Mompou. ” Le Jardin Retrouvé 50, no.2 (1993):596-598. http://links.jstor.org (Accessed 20 September 2014).
Rawlins, Joseph Thomas. “Frederic Mompou.” American Music Teacher. 56, no.3(2006): 34-39.
Siepmann, Jeremy. “Symposium ” International Piano. (Mar/Apr. 2013): 53-57.



線上資料
Oxford Music Online, “Federico Mompou.” by Richard Peter. www.oxfordmusico- line.com. (accessed Sep. 20, 2014).

樂譜
Mompou, Frederic. “Music Callada.”1er Cahier. International Music Co., 1959.
______. “Music Callada.”2er Cahier. International Music Co., 1962.
______. “Music Callada.”3er Cahier. International Music Co., 1965.
______. “Music Callada.”4er Cahier. International Music Co., 1974.

有聲資料
Mompou, Frederic. Volodos Plays Mompou. Performed by Arcadi Volodos. Sony Music 88765433262. 2013. Compact disc.