德國雙簧管家及作曲家路德維希．奧古斯特．勒伯冉（Ludwig August Lebrun, 1752-1790）在曼海姆樂派（Mannheim School）是位非常著名極具出色的演奏家。在他的一生中創作許多雙簧管和室內樂作品，此作品《D小調雙簧管協奏曲，作品第一號》創作於一七七○年中期，是勒伯冉當時為了歐洲巡迴演出替自己創作的協奏曲。
《D小調雙簧管協奏曲，作品第一號》是由三個樂章所組成；第一樂章為奏鳴協奏曲式，曲風富有精神。第二樂章為三段體，高雅而甜美的抒情風格。第三樂章為輪旋曲，整首樂曲充滿著活潑輕快的風格特色。
本研究報告主要分為四個章節，第一章為勒伯冉生平背景；第二章為風格特色與創作背景，包含曼海姆風格特色，以及勒伯冉所創作的雙簧管作品；第三章為《D小調雙簧管協奏曲，作品第一號》之樂曲分析；第四章為重要有聲資料版本運音法詮釋比較，包含四個演奏家的有聲資料介紹，及運音法詮釋比較。

Ludwig August Lebrun (1752-1790), a German oboist and composer, is well known as an outstanding musician in the Mannheim School. He composed manycompositions for oboe and chamber music in his lifetime.This Oboe Concerto in D Minor, No.1 was written in the middle of 1770s, and Lebrun also performed this piece on his European concert tour.
There are three movements in Oboe Concerto in D Minor, No.1. The first movement is in sonata-concerto form withspirit. The second movement is in ternary formwhich islyrical melodies. The third movement is in rondo form; it is very lively.
This research is divided into four chapters. The first chapter mainly focuses on the composer and his life. The second chapter is about the background of this compositionand the musical style of Mannheim school. The third chapter is an analysis of this concerto. Finally, the fourth chapter is comparison of different versions of interpretations, especially about the articulation.

目錄
論文審定書…………………………………………………………………………………………………ⅰ
致謝詞………………………………………………………………………………………………………ⅱ
中文摘要……………………………………………………………………………………………………ⅲ
英文摘要……………………………………………………………………………………………………ⅳ
目錄…………………………………………………………………………………………………………ⅴ
譜例目錄……………………………………………………………………………………………………ⅵ
表格目錄……………………………………………………………………………………………………ⅷ
圖片目錄……………………………………………………………………………………………………ⅸ
緒論 …………………………………………………………………………………………………………..1
第一章 勒伯冉生平背景……………………………………………………………………………………..3
第二章 風格特色與創作背景………………………………………………………………………………..7
第一節曼海姆風格特色……………………………………………………………………………………7
第二節勒伯冉創作背景………………………………………………………………………………......10
第三章《D小調雙簧管協奏曲，作品第一號》之樂曲分析……………………………………………...13
第一節 第一樂章樂曲分析…………………………………………………………………………………14
第二節 第二樂章樂曲分析…………………………………………………………………………………27
第三節 第三樂章樂曲分析…………………………………………………………………………………33
第四章 重要有聲資料版本運音法詮釋比較……………………………………………………………….42
結論…………………………………………………………………………………………………………..51
參考文獻……………………………………………………………………………………………………..52
附註…………………………………………………………………………………………………………..54

西文書目
Heartz, Daniel. Music in European capitals: The gallant style, 1720-1780. W. W. Norton & Company, 2003.
Joppig, Gunther. The Oboe and The Bassoon. Amadeus Press Portland, Oregon, 1988.
Kallen, Stuart A. The History of Classical Music. San Diego: Lucent Books, 2003.
Ratner, Leonard G. Classic Music: Expression, Form, and Style. New York: Schirmer Books; London: Collier Macmillan Publishers, 1980.
Zaslaw, Neal. ed. The Classical era: From the 1740s to the end of the 18th century. London: Macmillan, 1989.
期刊
Jones, Peter Ward. “The Concerto at Mannheim c. 1740-1780.” Proceedings of the Royal Musical Association, Vol.96 (1969-1970):129-36.
Lee, Catherine. “ The Language of the Oboe Virtuoso in the Late Eighteenth Century, Part Ⅲ.” The Journal of the International Double Reed Society,Vol. 33 No. 2（2010）.
Register, Brent and Sara Clement. “Oboe Music Reviews: The Concerti of Ludwig August Lebrun.” The Journal of the International Double Reed Society,Vol. 24 No. 4（2001）.
Ted DuBois.“C. F. D. Schubart’s Comments about Double Reed Instruments and Performers.”The Journal of the International Double Reed Society,Vol. 31（2001）.
辭典
Tyrrell, John. S. v.“Lebrun, Ludwig August.”The New Grove Dictionary of Music and Musicians Vol.14, Stanley Sadie, ed. New York: Grove’s Dictionaries Inc., 2001.
Tyrrell, John. S. v.“Mannheim Stayle.”The New Grove Dictionary of Music and Musicians Vol.15, Stanley Sadie, ed. New York: Grove’s Dictionaries Inc., 2001.
Tyrrell, John. S. v.“Mannheim.”The New Grove Dictionary of Music and Musicians Vol.15, Stanley Sadie, ed. New York: Grove’s Dictionaries Inc., 2001.
學術論文
陳郁涵。〈古典時期協奏曲第一樂章曲式研究〉。台灣：國立中央大學藝術學系碩士論文，2008。
李旻哲。〈研究曼海姆樂派之單簧管音樂特色：以卡爾．史塔密茲《第八號降E 大調單簧管協奏曲》為例〉。台灣：東吳大學人文社會學院音樂學系碩士論文，2015。
蔡孟純。〈莫札特鋼琴協奏曲中之曼漢姆音樂風格研究〉。台灣：國立臺北藝術大學音樂學系碩士論文，2012。
王怡佳。〈卡爾．史塔米茨《F大調低音管協奏曲》之作品研究與演奏詮釋〉。台灣：國立臺灣師範大學音樂學系碩士論文，2009。
Denton, Texas. “A Neglected Clarinet Concerto by Ludwig August Lebrun: A Performing Edition with Critical Commentary: A Lecture Recital, Together with Three Other Recitals.”PhD diss., North Texas State University, 1986.
樂譜
Lebrun, Ludwig August. “Konzert No.1 D mimor.” for Oboe and Ochestra. Germany: Schott Music GmbH & Co., 1977.
Lebrun, Ludwig August. “Konzert No.1 D mimor.” for Oboe and Piano. Germany: Schott Music GmbH & Co., 1977.
有聲資料
Holliger, Heinz, Oboe. Lebrun and Mozart: Oboe concertos. Deutsche Grammophon. B0015RZOGW. 2002. compact disc.
Indermühle, Thomas, Oboe. Lebrun 6 Oboe Concertos. Camerta Tokyo. CMCD 20066~7. 2006. compact disc.
Mayer, Albrecht, Oboe. Auf Mozarts Spuren In Search Of Mozart. Universal Music. LC00173. 2004. compact disc.
Schneemann, Bart, Oboe. L. A. Lebrun Concertos. Channel Classics. CCS 16198. 2001. compact disc.