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博碩士論文 etd-0123101-230514 詳細資訊
Title page for etd-0123101-230514
論文名稱
Title
費爾德鋼琴作品《夜曲》之研究
The nocturnes of John Field
系所名稱
Department
畢業學年期
Year, semester
語文別
Language
學位類別
Degree
頁數
Number of pages
93
研究生
Author
指導教授
Advisor
召集委員
Convenor
口試委員
Advisory Committee
口試日期
Date of Exam
2000-12-18
繳交日期
Date of Submission
2001-01-23
關鍵字
Keywords
夜曲、費爾德
nocturne, John Field
統計
Statistics
本論文已被瀏覽 5667 次,被下載 1766
The thesis/dissertation has been browsed 5667 times, has been downloaded 1766 times.
中文摘要
中文提要:
提及鋼琴小品夜曲,蕭邦的夜曲或佛瑞的夜曲總是鋼琴演奏者的最愛,而似乎全然忽略了夜曲之創始者—愛爾蘭作曲家約翰•費爾德。從歷史文獻來看,在鋼琴音樂的發展及彈奏風格的改革中,費爾德的確佔有重要的地位,在浪漫時期初期是位優秀的鋼琴演奏者,同時對如歌似的彈奏風格具有重大貢獻。本論文研究的目的欲引起學習者對這位被遺忘已久的費爾德及其夜曲的興趣,並企圖探討身為首創夜曲之作曲家的重要歷史地位。
本論文共分為四個章節。第一章討論夜曲的定義以及十九世紀初鋼琴小品夜曲的興起,費爾德嘗試過幾個不同標題,最後決定以夜曲命名,而鋼琴小品夜曲興起之歷史背景,所探討的對象包括當時歐洲社會背景及音樂潮流、鋼琴及鋼琴音樂的發展以及費爾德的音樂生涯。第二章為費爾德鋼琴作品夜曲之創作背景及作曲風格的討論,針對曲式、織度及伴奏型態、旋律型態、節奏型態、和聲及調性、音樂中的情境等創作語法,加以分析研究。第三章為費爾德夜曲之重要性,在論文中引述音樂學者及評論家的評價以及探討這些作品對蕭邦鋼琴作品創作手法之影響,經由二人作品的比較,可發現蕭邦的作品有受到費爾德創作語法的影響。第四章為結論,並討論浪漫中後期夜曲的發展。
即使夜曲經由蕭邦的創作達至巔峰,成為獨樹一格的樂曲,但一般已公認費爾德是夜曲創始者,對於鋼琴音樂的革新有重大貢獻,本研究的目的是希望能喚起音樂學習者及音樂愛好者對費爾德及其音樂的認識,並能給予適當的詮釋。



Abstract
英文提要:
The nocturnes of Chopin’s and Faure’s are always considered as mainstay of the pianist’s repertoire. However, The Irish composer, John Field, is really the originator of the genre. Actually, Field was an outstanding pianist who occupied an important position of the development of piano music and establishment of piano playing in his time. His cantilena style of piano playing influenced a lot the later pianists. The purpose of this study is to arouse a new interest in John Field and his nocturnes in particular, which have suffered neglect for a long time. A detail investigation establish the historical significance of the composer who invent the nocturne.
This thesis consists of four chapters. Chapter One discusses the definition of Nocturne and the origin of piano nocturne in the early nineteenth century. The title was experimented with several other names before Field settled down Nocturne. The historical background includes the society of Europe at the time, the general musical environments in Europe during the period, the development of piano music and instrument itself, and musical life of John Field. Chapter Two is about creative processes and music style of Field’s nocturnes. A stylistic analysis focus on forms, texture, accompanying patterns, melodies, rhythms, harmony, and poetic idea if detail discussed. Chapter Three were concentrated on the importance of Field’s nocturnes. By quoting what musicians, historians and critics have said or written about the nocturnes of John Field. The influence of Field’s nocturne were be investigated in this chapter. Through the comparison between Field’s nocturnes and Chopin’s nocturnes, one can find that Field’s writing bring strong influence on the piano works of Chopin. Chapter Four concludes the study and discusses the influences on subsequent development of nocturnes in later nineteenth century.
Through Chopin the nocturne hold its great artistic status, yet Field was the inventor of nocturne. He was the innovation to the piano music in the music history. Hopefully, this study will help the music students and music lovers understand Field’s musical style and giving more authentic interpretation to Field’s music.


目次 Table of Contents
序 論.................................................................. 2

第一章 十九世紀初鋼琴小品「夜曲」的興起及其歷史背景...9
第一節 夜曲的定義、起源及發展...........................................9
第二節 十八世紀末十九世紀初的歐洲社會背景及音樂潮流.15
第三節 鋼琴及鋼琴音樂的發展...........................................21
第四節 費爾德的音樂生涯..................................................26

第二章 費爾德鋼琴作品《夜曲》創作之探討........................31
第一節 創作歷程及出版情形..............................................31
第二節 作曲理念及風格分析..............................................45
一、 曲式......................................................47
二、 織度及伴奏型態...............................................50
三、 旋律型態......................................................55
四、 節奏型態.....................................................61
五、 和聲與調性....................................................63
六、 音樂中的情境...................................................65

第三章 費爾德《夜曲》之重要性.............................................67
第一節 音樂學者之評價.................................................69
第二節 對蕭邦鋼琴作品創作手法之影響.........................74

第四章 結 論.................................................................84

參考書目................................................................89


參考文獻 References
中文書目
林春暉編。《百科大字典 8:世界歷史II》。台北市:光復書局,民國七十一年。

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溫擇爾。《歐洲文化史:自古代至今日》。辛達謨 譯。台北市:國立編譯館,民國八十四
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劉志明著。《西洋音樂與風格》。台北市:全音樂譜出版社,民國八十二年。

黎翁斯坦(Leon Stein)。《音樂的結構與風格:音樂形式的分析與研究》(Structure
and Style: The Study and Analysis of Musical Forms)。潘皇龍 譯。 台北市:
全音樂譜出版社,民國七十八年。



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