羅伯特•舒曼是十九世紀德國浪漫樂派的代表人物之一。舒曼是一位作曲家，他創作許多類型的作品，包括鋼琴曲、聲樂曲、交響曲、協奏曲、室內樂；舒曼亦是音樂評論家，他經常以不同的筆名在自己創辦的「新音樂雜誌」中，發表個人對音樂的看法與評論。
鋼琴音樂在舒曼的音樂創作中占有重要的地位。對舒曼而言，研讀多方面的文學與詩詞是他創作的靈感來源，因此他的鋼琴音樂常會與文學、詩詞做結合。在舒曼的鋼琴音樂中，最具特色是性格小品的寫作，《森林情景》為此代表作品之一。
本論文將會先闡述舒曼的生平；探究舒曼鋼琴音樂的創作分期、性格小品的發展、鋼琴音樂與文學的相關性；進一步就《森林情景》的創作背景加以描述，並探討其作品中的詩詞與意境；最後，將《森林情景》中使用的創作手法，加以分析與整理。

Robert Schumann is one of the greatest representatives of Germany Romanticism music in the early nineteenth century. As a composer, he had written many types of works, including piano music, vocal music, symphony, concerto and chamber music; Schumann was also a music critic. He frequently published his personal viewpoints and commentaries on music with different pseudonyms in Neue Zeitschrift für Musik, a magazine founded by himself.
Piano music plays a vital role in Schumann’s music creation. To Schumann, it is literature that inspires his creativity. Therefore, he prefers to combine his music with literal works. Take Schumann’s Waldszenen op. 82, for example, the composer used poems to help elaborate the great piece.
The thesis sets out from the introduction of Schumann’s biography, and then further explores the features of Schumann’s piano music in different phases, the development of his Characteristic piece, and the interrelationship between Schumann’s piano music and literature. Besides, the motive and background of writting Waldszenen is mentioned, and the poetic imagery in Waldszenen is clearly discussed. Last, the composing method and technique of this great work will be analyzed.

論文審定書................i
誌謝........ii
中文摘要........iii
英文摘要........iv
表次........vi
前言................1
舒曼生平................4
舒曼的鋼琴音樂................7
創作分期........7
性格小品........11
鋼琴音樂與文學的相關性........13
《森林情景》創作背景................16
《森林情景》詩與音樂................18
《森林情景》創作手法................29
曲式........29
調性........32
節奏........34
旋律........41
和聲........48
結語................53
參考文獻................55
附錄................58

西文
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中文
Chissell, Joan 著。 《舒曼鋼琴曲》，林勝儀 譯。
台北市：全音樂譜出版社，民國七十七年。
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林公欽。 《舒曼鋼琴曲集》。 台北市：國立編譯館，
民國九十四年。
陳玉芸。 《舒曼鋼琴代表作之研究》。 台北市：全音
樂譜出版社，民國八十六年。
康謳 主編。 《大陸音樂辭典》。 台北市：全音出版
社，民國六十九年。
劉忠欣。 《舒曼〈森林情景，作品八十二〉之探
究》。 國立台北藝術大學音樂研究所，碩士論文，民國九十二年。
萬怡君。 《探討舒曼作品〈森林情景，作品八十二〉音
樂的分析與詮釋》。 東吳大學音樂研究所，碩士論文，民國九十二年。

樂譜
奧圖•范•伊爾梅 編訂。 《舒曼：森林情景》。 台
北市：全音樂譜出版社。.