摘要
理夏德•史特勞斯（Richard Strauss, 1964-1949）是浪漫派後期傑出的音樂家之一，共創作了約兩百多首的藝術歌曲。本解說報告選取史特勞斯在中期階段所創作的作品，由四首歌曲組成編號二十二號的《少女之花》（Mädchenblumen），藉由解析這四首歌曲中所運用的浪漫抒情、表達情感的曲調及受到新德國樂派影響的寫作技巧，來探究理夏德•史特勞斯在聲樂、詩詞及鋼琴三者之間相互的關係。
本報告主要以三個部分來論述：理夏德•史特勞斯的生平、理夏德•史特勞斯的藝術歌曲與風格、《少女之花》的樂曲分析與詮釋。在這四首歌曲中，史特勞斯巧妙地將變化半音的運用、說話時的朗誦語調、抒情綿長的曲調及大跳音程的旋律進行融合在一起，使《少女之花》這組歌曲表現出史特勞斯唯妙唯肖的功力。

Abstract
Richard Strauss (1864-1949) was the one of excellent post-romancticism composers. He composed approximately 200 songs. This study mainly discusses Mädchenblumen, op. 22, accomplished in his middle composition period. For the purpose of this study with Strauss making use of lyric, expressive melodies and techniques of New German School, we can examine the kinship of vocal, poems, and accompaniment.
The lecture-recital document contains three main sections: the biographical information about Richard Strauss, the musical characteristics of Richard Strauss’ Lieder, and a performance analysis of Mädchenblumen. In these four songs, making a lot of tone colors by increasing chromatic techniques and paying much attention to the declamatory, lyric, continuous, leaping melodies, are all showed Strauss’s achievement of Mädchenblumen.

目錄
一、前言 2
二、理夏德․史特勞斯的生平 4
三、理夏德．史特勞斯的藝術歌曲與風格 9
四、《少女之花》（Mädchenblumen）樂曲分析與詮釋
1.〈玉米花〉（Kornblumen） 13
2.〈罌粟花〉（Mohnblumen） 18
3.〈長春藤〉（Epheu） 22
4.〈水仙花〉（Wasserrose） 24
五、結語 29
六、附錄一：《少女之花》（Mädchenblumen）歌詞翻譯 31
七、附錄二：施虹名解說音樂會節目單 34
八、附錄三：施虹名畢業音樂會節目單 36
九、參考文獻 38

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