艾瑞克•薩替（Erik Satie 1866-1925）是橫跨於兩個世紀的作曲家，其性格怪僻，將自己的作品以可笑、荒誕的古怪標題而聞名。薩替以獨特的創作思想引領法國作曲家擺脫了浪漫主義和印象主義的束縛，並推動戰後法國音樂風格的形成，以簡單和主張明晰、單純的創作理念使其在音樂史上占有一席之地。
本研究以薩替的鋼琴四手聯彈作品為主，探討音樂作品中空間的運用。本文分為三部分，第一部分研究首先探討他的創作背景，了解其學習經歷與獨特的個性；第二部分介紹這三組四手聯彈的創作背景；第三部分探討音樂作品中空間的運用，將此三組作品分為織度、調式、節奏與力度、調性、表情文字及借用旋律等方面來探討空間在音樂作品中的運用。

Erik Satie (1866-1925), who lived between the 19th century and the 20th century, was well known for his eccentric character and always gave his works odd titles that seemed almost derisive and ridiculous. With unique and creative ideas, Satie eagerly led the French composers to escape the constraint of Romanticism and Impressionism, and did a lot to promote the formation of music style in France after World War I. Created with simplicity and the pure idea, his works make him play an important role in the music history.
Based on Satie's works of piano duets, this study mainly investigates the space usage in music works. To do so, this essay is divided into three parts. First of all, the first part discusses his creation background and explores his educational background as well as his unique personality. In addition, the second part introduces the creation background of these three sets of piano duets. At last, the third part tries to illustrate the space usage in music works with these three piano duets in terms of texture, forms, rhythm, dynamics, tonality, expression marks and borrowed melody.

論文審定書 i
中文摘要 ii
英文摘要 iii
前言 1
生平概述 3
作品及分期 12
空間概念 18
三組四手聯彈作品的創作背景 21
三組音樂作品中的空間想像 25
結論 60

參考文獻 62

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中文書目
王次炤。《音樂美學新論》。台北市：萬象圖書，1997年。
伍蠡甫總編，張洪模主編。 《音樂美學》。 台北：洪葉文化事業有限公司，1998年。
Peter A. Angeles. 段德智、尹大貽、金常政譯。 《哲學字典》〈sense of space〉。 2007年。