貝多芬是一位集古典主義於大成的作曲家，也是一位介於古典與浪漫時期的關鍵人物。他大多使用古典的曲式與技巧來作曲，但同時也賦予了這些傳統的曲式更多的音樂張力及表現力，許多貝多芬創新的作曲手法對之後的作曲家們有著深遠的影響。
《小提琴協奏曲》是貝多芬為小提琴做的唯一一首協奏曲，寫於一八○六年，為貝多芬最重要的作品之一。本論文的第一章介紹貝多芬的生平、在維也納的音樂生活及《小提琴協奏曲》的創作背景，第二章著重於此作品的樂曲分析、第三章則以演奏技巧與音樂詮釋來探討貝多芬《小提琴協奏曲》(作品第61號)，第四章為結語，敘述此作品在小提琴曲目中的特殊性和重要性，及其對後世小提琴演奏者的影響。

Ludwig van Beethoven was one of the most important composers in the Classical period as well as a crucial figure between the Classical and Romantic eras in Western music history. He often composed with classical form and technique, but his music were filled with more musical expression than before. Many composers were deeply influenced by his creative compositional skills.
Being one of Beethoven’s most important works, completed in 1806, Violin Concerto Op.61 was the only violin concerto he wrote. First chapter of this study introduced Beethoven’s life in Vienna, offering the background of this work. The second chapter focused on the analysis of the form. The third chapter discussed performance skills and the interpretation of Beethoven’s Violin Concerto Op.61. The conclusion in the final chapter was about the reason why the concerto is important and unique in violin repertoire and its influence to violinists after years.

前言 -------------------------------------------------------------------------------------------------- 1

第一章 《小提琴協奏曲》創作背景

第一節 貝多芬生平簡介 ---------------------------------------------------------- 2
第二節 貝多芬在維也納的音樂活動 (1792-1802) --------------------------- 6
第三節 《小提琴協奏曲》的初演及當時的樂評 ---------------------------- 10

第二章 《小提琴協奏曲》之樂曲分析 ----------------------------------------------- 13

第一節 第一樂章 ------------------------------------------------------------------- 14
第二節 第二樂章 ------------------------------------------------------------------- 33
第三節 第三樂章 ------------------------------------------------------------------- 40

第三章 《小提琴協奏曲》之演奏技巧與詮釋探討----------------------------------- 51

第一節 第一樂章 ------------------------------------------------------------------- 52
第二節 第二樂章 ------------------------------------------------------------------- 59
第三節 第三樂章 ------------------------------------------------------------------- 63
第四節 當代小提琴家之演奏版本比較 ---------------------------------------- 69

第四章 結論 -------------------------------------------------------------------------------- 72

參考文獻 -------------------------------------------------------------------------------------- 74

(一) 西文書目

Fiske, Roger. Beethoven Concertos & Overtures. London: BBC Music, 1970.
Grove, George. “Beethoven's Violin Concerto.” The Musical Times, vol. 46, no. 749
(Jul. 1, 1905): 459-460, 469-471.
Jarosy, Albert, and Herma E. Fiedler. “Three Editions of Beethoven's Violin
Concerto.” Music & Letters, vol. 15, no. 4 (Oct., 1934): 329-335.
Kolisch, Roudolf. “Tempo and Character in Beethoven's Music.” The Musical
Quarterly, vol. 77, no. 1 (Spring, 1993): 90-131.
______________. “Tempo and Character in Beethoven's Music (Continued).” The
Musical Quarterly, vol. 77, no. 2 (Summer, 1993): 268-342.
Kerman, Joseph, and Alan Tyson. The New Grove Beethoven. London: Macmillan
London , 1983.
Lockwood, Lewis. Beethoven: the music and the life. New York: W.W. Norton &
Company, Inc., 2003.
Pierce, Edwin H. “The Significance of the "Trill," as Found in Beethoven's Most
Mature Works.” The Musical Quarterly, vol. 15, no. 2 (Apr., 1929): 233-245.
Plantinga, Leon. Beethoven’s concertos : history, style, performance. New York:
W.W. Norton & Company, Inc., 1999.
Stowell, Robin. Beethoven violin concerto. United Kingdom: Cambridge University
Press, 1998.
____________. Performing Beethoven. “The Violin Concerto Op.61: text and
editions.” New York: Cambridge University Press, 1994.
Sommers, Lawrence. “Beethoven’s violin concerto.” Music & Letters, vol. 15, no. 1
(Jan., 1934): 46-49.
Tyson, Alan. “The Text of Beethoven's Op. 61.” Music & Letters, vol. 43, no. 2
(Apr., 1962): 104-114.
__________. “ The Textual Problems of Beethoven's Violin Concerto.” The
Musical Quarterly, vol. 53, no. 4 (Oct., 1967): 482-502.



(二) 中文書目
邵義強 《貝多芬》 天同出版社，1986年。
胡金山 《貝多芬》 巨英國際股份有限公司，1993年。

(三) 樂譜
Beethoven, Ludwig van. Concerto in D major for violin and Orchestra, opus 61. New York: Bärenreiter-Verlag, Kassel, 2009.
Beethoven, Ludwig van. Concerto in D major for violin and Orchestra, opus 61. Leipzig: VEB Breitkopf ＆ Härtel Musikverlag, 1973.
Beethoven, Ludwig van. Concerto in D major for violin and Orchestra, opus 61. New York: Intrtnational Music Company, 1965.
Kreisler, Fritz. Theree Cadenzas to the Violin Concerto Ludwig van Beethoven, opus61. New York: Carl Fischer, 1928.

(四) 有聲資料 (Compect Disc)
Beethoven, Ludwig van. Violin Concerto in D major, opus 61. Perf. David Oistrakh. Berlin Radio Symphony Orchestra. Hermamn Abendrotb. Scribendum, 1952.
Beethoven, Ludwig van. Violin Concerto in D major, opus 61. Perf. Anne-Sophie Mutter. New York Philharmonic. Kurt Masur. Deutsche Grammophon. 2002.
Beethoven, Ludwig van. Violin Concerto in D major, opus 61. Perf. Kyung-Wha Chung. Royal Concertgebouw Orchetra. Klaus Tennstedt. EMI, 1992.
Beethoven, Ludwig van. Violin Concerto in D major, opus 61. Perf. Leonid Kogan. Orchetra de la société des concerts du conservatoire. André Vandernoot. Testament, 2002.
Beethoven, Ludwig van. Violin Concerto in D major, opus 61. Perf. Viktoria Mullova. Orchetre Révolutionnaire et Romantique. John Eliot Gardiner. Decca Music Group, 2003.
Beethoven, Ludwig van. Violin Concerto in D major, opus 61. Perf. Jascha Heifetz. Boston Symphony Orchestra. Charles Munch. BMG, 1985.
Beethoven, Ludwig van. Violin Concerto in D major, opus 61. Perf. Itzhak Perlman. Phiharmonia Orchestra. Carlo Maria Giulini. EMI, 2010.
(五) 影音資料 (Digital Video Disc)
Beethoven, Ludwig van. Violin Concerto in D major, opus 61. Perf. Arthur Grumiaux. Orchestre National de I’ORTF. Antal Dorati. EMI, 1965.
Beethoven, Ludwig van. Violin Concerto in D major, opus 61. Perf. Leonid Kogan. Orchestre National de I’ORTF. Louis de Froment. EMI, 1966.
Beethoven, Ludwig van. Violin Concerto in D major, opus 61. Perf. Yehudi Menuhin. London Symphony Orchestra. Sir Colin Davis. EMI, 1962.