以技巧卓越聞名的鋼琴家李斯特，不僅引領了十九世紀炫技鋼琴家的風潮，同時也是浪漫時期將鋼琴特色發揮最極致的作曲家，其為數眾多的鋼琴改編曲，除了成功推廣不同領域許多作曲家的作品，也相輔相成地將鋼琴樂器的發展提升至新的境界，並成為日後音樂會中炫技之代表曲目。而改編自舒伯特藝術歌曲之創作，在李斯特的鋼琴改編曲當中占有相當大的比例，舒伯特作品簡單優美的旋律，經由李斯特的改編不僅未失其特色，更增添了華麗燦爛的風格。李斯特於一八四六年完成的《美麗的磨坊少女》，為改編自舒伯特藝術歌曲的最後一部作品，透過李斯特精湛的改編手法，在此鋼琴改編版本中仍成功地傳達樂曲的歌詞意境。
本文第一章介紹李斯特鋼琴改編曲之創作生涯，包含當時的社會背景，以及李斯特不同類型的鋼琴改編曲，並闡述李斯特與舒伯特藝術歌曲之關聯；第二章為鋼琴樂器發展與李斯特身處年代炫技風格之討論，第三章則針對《美麗的磨坊少女》此部作品做研究，比較李斯特改編版本與舒伯特原曲之不同，並進而以歌詞意境之角度，探討李斯特的改編手法。

Liszt, the pianist well-known for his outstanding performing style, has led a trend of 19th century virtuoso style and created a phonomonon for piano world in the Romantic period. A great deal of his piano transcriptions have helped to promote many composers’ works and also the development of modern piano manufacture to the new level. Those transcriptions have become the standard concert repertoire of modern virtuoso pianists. A large proportion of Liszt’s piano transcriptions is Schubert Lieder transcriptions which were increasing brilliant style within the beauty and simplicity of Schubert’s melody. The Müllerlieder is the last one of Schubert lieder transcriptions that Liszt composed in 1846. Through his superb compositional technique, this transcription conveys musical content of Schubert lieder successfully.
Chapter one in this paper will introduce Liszt’s compositional life of piano transcriptions, including the society background and different types of transcriptions. The connection between Liszt and Schubert lieder is also discussed in it. Chapter two includes the development of piano and the virtuoso style in the times of Liszt. The last chapter focuses on the research of Die Schöne Müller, comparing Schubert’s original song edition and the transcription of Liszt and concentrates on analyzing Liszt’s compositional technique in this piano transcription.

圖例目錄………………………………………ii

表格目錄...........................................................iii

譜例目錄............................................................iv

前言……………………………………………1

第一章 李斯特之鋼琴改編曲創作生涯……3

李斯特之鋼琴改編曲創作 …………… 5

李斯特與舒伯特藝術歌曲 …………13

第二章 李斯特鋼琴改編曲之時代背景

鋼琴的演進…………………………………20

李斯特之炫技風格…………………………22

第三章 李斯特─舒伯特《美麗的磨坊少女》

舒伯特《美麗的磨坊少女》之創作背景…25

李斯特《美麗的磨坊少女》之改編手法…26

結論…………………………………………48

參考書目……………………………………50

附錄…………………………………………53　

【外文書籍】
Bellak, Richard Charles. “Compositional Technique in the Transcriptions of Franz Liszt.” PhD diss., University of Pennsylvania, 1976.
Cellier, Alexandre; Rothwell, Fred. “ Is Transcription Permissible? ” The Musical Times 66, no. 992 (Oct. 1, 1925): 900-2.
Dolge, Alfred. Pianos and Their Makers. New York: Dover Publications, 1972.
Friedheim, Philip. “The Piano Transcriptions of Franz Liszt.” Studies in Romanticism,(Winter, 1962): 83-96.
Gerig, Reginald R. Famous Pianists & Their Technique. Bloomington : Indiana University Press, 2007.
Gibbs, Christopher H., ed. The Cambridge Companion to Schubert, Cambridge : Cambridge University Press, 1997.
Gibbs, Dan Paul. “A Background and Analysis of Selected Lieder and Opera Transcriptions of Franz Liszt.” PhD diss., North Texas State University,
1980.
Gillespie, John. Five Centuries of Keyboard Music : An Historical Survey of Music for Harpsichord and Piano. New York : Dover Publications, 1972.
Gorrell, Lorraine. The Nineteenth-Century German Lied. Portland : Amadeus Press, 1993.
Hallmark, Rufus, ed. German Lieder in the Nineteenth Century. New York : Routledge, 2010.
Hamilton, Kenneth, ed. The Cambridge Companion to Liszt. Cambridge: Cambridge University Press, 2005.
_____ . After the Golden Age. New York: Oxford University Press, 2008.
Jerger, Wilhelm, ed. The Piano Master Classes of Franz Liszt, 1884-1886 : Diary Notes of August Göllerich. Richard Louis Zimdars. Bloomington : Indiana University Press, 1996
Katz, Martin. The Complete Collaborator. New York: Oxford University Press, 2009.
Kimball, Carol. Song : a Guide to Art Song Style and Literature. Milwaukee, WI : Hal Leonard, 2006.
Mitchell, Mark. Virtuosi. Bloomington : Indiana University Press, 2000.
Modika, Geroge, J. Jr., Franz Liszt's Transcriptions of Schubert's Songs for Solo Pianoforte : A Study of Transcribing and Keyboard Techniques. The University of Iowa, 1976.
Rosen, Charles. The Romantic Generation. Cambrige: Harvard University Press,1995.
Rowland, Davis, ed. The Cambridge Companion to the Piano. Cambridge: Cambridge University Press, 1998.
Schonberg, Harold C. The Great Pianists. New York: Simon& Schuster, 1987.
Searle, Humphrey. The Music of Liszt. New York: Dover Publications, 1966.
Siepmann, Jeremy. “The Poacher’s Paradise.” International Piano, no. 4 ( Nov/Dec, 2010): 54.
Sitwell, Sacheverell. Liszt. New York : Dover Publications, 1967.
Spillman, Robert. The Art of Accompanying: Mater Lessons from the Repertoire. New York: Schirmer Books, 1985.
Walker, Alan. Franz Liszt: The Virtuoso Years: 1811-1847. Ithaca, N.Y. : Cornell University Press, 1987.
_______ . “ Liszt and the Schubert Song Transcriptions.” The Musical Quarterly 75, no.4 ( Winter, 1991): 248-62.
_______ . “ Liszt and the Keyboard.” The Musical Times 118, no. 1615 (Sep., 1977): 717-21.
Weitzmann, C. F. A History of Pianoforte-Playing and Pianoforte-Literature. New York: Da Capo Press, 1897.
Westerby, Herbert. The History of Pianoforte Music. New York: Da Capo Press, 1924.
White, William B. Theory and Practice of Piano Construction. New York: Dover Publications, 1975.
Witten, David, ed. Nineteenth-Century Piano Music : Essays in Performance and Analysis. New York : Garland Publishing, 1997.
Youens, Susan. Schubert, Die Schöne Müllerin. Cambridge : Cambridge University Press, 1992.

【線上資料】
Feinberg, Samuil. “The Art of Piano Playing.” http://www.scribd.com/doc/20026877/
Feinberg-the-Art-of-Piano-Playing (accessed Mar. 10, 2010).

【中文書籍】
席慕蓉。 《舒伯特三大連篇歌曲》。 台北市：世界文物出版，1995。
鄭世文譯。 《無愧的伴奏家》。 台北市：世界文物出版，1995。

【樂譜】
Liszt, Franz. Klavierwerke Piano Works. Editio Musica Budapest, 1988.

【參考辭典】
Oxford Music Online, S. v. “Transcription” by Arnold Whittall
http://www.oxfordmusiconline.com/subscriber/ (Aug. 05, 2010) .
Oxford Music Online, S. v. “Arrangement” by Malcolm Boyd.
http://www.oxfordmusiconline.com/subscriber/ (Aug. 05, 2010)
Oxford Music Online, S. v. “Paraphrase” by Richard Sherr
http://www.oxfordmusiconline.com/subscriber/ (Aug. 05,2010)