尤金．波扎（Eugène Bozza, 1905-1991）是一位二十世紀的法國作曲家兼指揮家。他的創作風格主要受到印象主義和新古典主義的影響，作品有著優美的旋律線條，及豐富多變的和聲色彩。除了許多管弦樂作品、芭蕾舞劇、歌劇作品之外，他較廣為人知的是管樂室內樂音樂和管樂獨奏作品，並對於木管樂器的演奏技法有重要的影響力。
本研究報告的兩首低音管小品《宣敘調、西西里舞曲與輪旋曲，給低音管與鋼琴》和《幻想曲，給低音管與鋼琴》都被用於巴黎音樂院的低音管考試曲目。透過了解作曲家的生平背景，及分析樂曲內容與詮釋的方式中，來探討作曲家在創作時所要表達的構想及意涵。全文共分為三個章節：第一章簡述作曲家的生平及背景；第二章為兩首小品之樂曲分析；第三章以前一章之研究為依據，進一步做演奏詮釋。

Eugène Joseph Bozza（1905-1991）was a French composer and conductor in the twentieth century. His composing style was principally influenced by the Impressionism and Neo-Classicism. His music contains elegant lines, and variant harmonic colors. Among all of his works, such as symphonies, ballets and operas, he is best-known for his wind chamber music and solo works for wind instruments. He also gives significant impacts on developing performing technique in woodwind instruments.
The study consists of two bassoon pieces which are Récit, sicilienne et rondo for bassoon and piano and Fantaisie for bassoon and piano. Both pieces were composed for the Bassoon faculty Gustave Dherin, and were appointed as the jury pieces at the Conservatoire de Paris. Getting to learn the composer’s background and to analyze the pieces, I start to get the ideas of the composer and how the pieces are structured. This research contains three chapters: Chapter one is about Bozza’s life and how his life affects in his works. Chapter two focues on musical analysis of the two pieces. Chapter three consists of the interpretation of the works.

論文審定書 i
中文摘要 ii
英文摘要 iii
目錄 iv
譜例目錄 v
表格目錄 vii
第一章 波扎的生平與背景 1
第一節 波扎的生平 1
第二節 創作風格的背景 4
第二章 樂曲創作背景與樂曲分析 8
第一節 《宣敘調、西西里舞曲與輪旋曲，給低音管與鋼琴》 8
第二節 《幻想曲，給低音管與鋼琴》 18
第三章 兩首小品之創作手法與演奏詮釋 25
第一節 創作手法 25
第二節 演奏詮釋與建議 33
結語 42
參考資料 43
附錄 44

外文書目
Cocteau, Jean. Cock and Harlequin: Notes concerning Music. Trans. Rollo H. Myers. London: Egoist Press, 1921.
Douglass, M. Green. Form in Tonal Music: An Introduction to Analysis. New York: Thomson Learning Press, 1979.
Faas, Jason. “A Study of Compositional Technique and Influence in Three Bass Trombone Pieces by Eug̀ene Bozza.”PhD diss., University of Nebraska-Lincoln, 2007.
Kuyper-Rushing, Lois. “Reassessing Eugène Bozza: Discoveries in the Bibliothèque Municipale de Valenciennes Archive.”Music Library Association 69, no.4 (2013): 706-720.
Rogers, M. Robert. “Jazz Influence on French Music.” The Musical Quarterly 21, no. 1 (1935): 53-68.
Salzman, Eric. Twentieth-century Music: an Introduction. New Jersey: Prentice-Hall Press, 1988.
The New Grove Dictionary of Music and Musicians (2001). S.v. “Bozza, Eugène” by Paul Griffiths.
The New Grove Dictionary of Music and Musicians (2001). S.v. “Impressionism” by Jann Pasler.
The New Grove Dictionary of Music and Musicians (2001). S.v. “Neo-classicism” by Arnold Whittall.
The Oxford Dictionary of Music (2006), S.v. “Impressionism,” by Michael Kennedy.

網路資料
Brodsky, Seth. “Eugène Bozza.” http://www.eugenebozza.com/ (accessed March 21, 2016).
Costal Concerts. “Borealis Wind Quintet Program Notes.” http://coastalconcerts.gooberdev.com/2-uncategorised/19-borealis-wind-quintet-program-and-program-notes.html (accessed March 21, 2016).
Lussiez, Hervé. “Eugène Bozza.” http://www.musimem.com/prix-rome-1930-1939.htm (accessed March 21, 2016).

樂譜
Bozza, Eugène. Récit, Sicilienne et Rondo for Bassoon and Piano. Paris: Alphonse Leduc Editions Musicales, 1936.
Bozza, Eugène. Fantaisie for Bassoon and Piano. Paris: Alphonse Leduc Editions Musicales, 1945.