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博碩士論文 etd-0529116-012617 詳細資訊
Title page for etd-0529116-012617
論文名稱
Title
海頓《D大調大提琴協奏曲》之探討
A Study of Haydn’s Cello Concerto in D Major
系所名稱
Department
畢業學年期
Year, semester
語文別
Language
學位類別
Degree
頁數
Number of pages
46
研究生
Author
指導教授
Advisor
召集委員
Convenor
口試委員
Advisory Committee
口試日期
Date of Exam
2016-06-23
繳交日期
Date of Submission
2016-06-30
關鍵字
Keywords
古典樂派、大提琴協奏曲、海頓
Classical period, Cello Concerto, Haydn
統計
Statistics
本論文已被瀏覽 5673 次,被下載 31
The thesis/dissertation has been browsed 5673 times, has been downloaded 31 times.
中文摘要
海頓(1732-1809)是維也納古典時期的代表音樂家,海頓的兩首大提琴協奏曲為古典樂派協奏曲中的經典作品,在大提琴的協奏曲中佔有非常重要的地位,是大提琴作品中不可或缺的曲目,也是音樂系大提琴學生必學曲目之一,更是音樂會或者錄製唱片的首選曲目之一。
本篇論文共三個章節,第一章介紹海頓的生平與《D大調大提琴協奏曲》之創作背景,第二章是海頓作品的風格發展,從兩首大提琴協奏曲創作背景進行介紹,第三章為《D大調大提琴協奏曲》演奏詮釋與技巧,並通過曲式分析,使演奏者能夠從結構上理解作品,希望可以為演奏者提供有益的幫助與參考。
Abstract
Franz Joseph Haydn (1732-1809) is a prominent and prolific Austrian composer of the Classical period. Haydn's two cello concertos, in the classical period of the classic works took a very important role in the cello repertoire. The cello works are indispensable for every cellist to learn and is also a top choice for concerts and recordings.

This study includes three chapters. The first chapter introduces Haydn's life and compositional background of Cello Concerto in D Major. The second chapter is the development of style by Haydn and introducing the background of the two cello concertos. Lastly, the third chapter talks about the concerto’s interpretation through a detailed analysis of the musical form and structure. This study aims to better prepare future players of this piece through a detailed analysis of the piece as a whole.
目次 Table of Contents
論文審定書--------------------------------------------------------------------i
中文摘要-----------------------------------------------------------------------ii
英文摘要-----------------------------------------------------------------------iii
第一章 海頓生平及創作背景-----------------------------------------1
第一節 海頓生平簡介------------------------------------------------1
第二節 《D大調大提琴協奏曲》創作背景----------------------3
第二章 海頓作品的風格發展-----------------------------------------6
第一節 海頓各時期的代表作品與作曲風格---------------------6
第二節 C大調與D大調大提琴協奏概述------------------------9
第三章 《D大調大提琴協奏曲》演奏詮釋與技巧-------------14
第一節 第一樂章------------------------------------------------------14
第二節 第二樂章------------------------------------------------------28
第三節 第三樂章------------------------------------------------------31
結語----------------------------------------------------------------------------39
參考書目----------------------------------------------------------------------40
參考文獻 References
(ㄧ)西文
Adler, Guido, and W. Oliver Strunk. “ Haydn and the Viennese Classical School. ” The Musical Quarterly 18, No.2 (April 1932): 191-207.
Down, Philip G. Classical music : The era of Haydn, Mozart, and Beethoven. New York : W.W. Norton, 1992 : 12-54.
Freeman, F. Robert. Joseph Haydn and the eighteenth century: collected essays of Karl Geiringer. Harmonie Park Press, 2002.
Geiringer, Karl. The Life of Haydn. London : Cambridge University press, 2009.
____________. Haydn a creative life in music. ( Berkeley: University of California Press,
c 1982 ) : 25-30.
Grout, Donald Jay. A History of Western Music, 7th ed. New York: W.W. Norton, c 2005: 525-544.
Harrison, Bernard. Haydn’s Keyboard Music. New York: Oxford University Press, 1997: 253.
Heartz, Daniel. Haydn, Mozart and the Viennese School. New York :W.W. Norton, 1994: 288.
____________. Mozart, Haydn and early Beethoven, 1781-1802. New York :W.W. Norton, 2009: 158.
Hausmann, John. “Engaging Haydn: Context, Culture, and Criticism.” Music Research Forum 28 (2013): 105-115.
Hughes, Rosemary. “Haydn and Folk-Song.” Music & Letter 31, No. 4 (Oct. 1950): 383-385.
Klima,“Haydn Cello Concerto in C.”The Musical Times, Vol. 105, No. 1457 (Jul. 1964): 531.
Landon, H.C. Robbins. Haydn: The Early Years,1732-1765. The Chronicle and works in five volumes. London: Thames and Hudson, 1994.
_____________. Haydn at Esterhaza, 1766-1790. The Chronicle and works in five volumes. London: Thames and Hudson, 1994.
Nowak, Leopold.“Concerto, D Major by Joseph Haydn.”Music & Letters 44, No.1 (January 1963): 85-88.
Sctucliffe, W. Dean. Haydn studies. Cambridge University Press, 1998: 283.
__________. “Haydn’s Musical Personality.”The Musical Time 130, No. 1756 (Jun. 1989): 341-344.

(二)中文
邵義強。《音樂的源流》。台南:大夏出版社,1998年。122-142。
林勝儀。《大音樂家的生涯》。全音樂譜出版社,1983年。84-86。
森林真由美。《古典音樂圖解》。台北:商周出版社,2007年。59。
宗柏。《海頓兩首大提琴協奏曲》。中央音樂學院學報,1991年。74-78。


(三)樂譜
Haydn, Joseph Franz. Cello Concerto in D Major, Hob. VIIb: 2. Ed. By Maurice Gendron. London: Schott Music, 1954.
Haydn, Joseph Franz. Cello Concerto in D Major, Hob. VIIb: 2. New York: Broude Bros.
Haydn, Joseph Franz. Cello Concerto in D Major, Hob. VIIb: 2. Vienna: Orfeo Mandozzi, 2014.
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