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博碩士論文 etd-0620106-100331 詳細資訊
Title page for etd-0620106-100331
論文名稱
Title
史特拉汶斯基《雙獨奏鋼琴協奏曲》:創作手法之探討
Stravinsky Concerto for Two Solo Pianos:Analytical Study
系所名稱
Department
畢業學年期
Year, semester
語文別
Language
學位類別
Degree
頁數
Number of pages
58
研究生
Author
指導教授
Advisor
召集委員
Convenor
口試委員
Advisory Committee
口試日期
Date of Exam
2006-06-14
繳交日期
Date of Submission
2006-06-20
關鍵字
Keywords
史特拉汶斯基、雙獨奏鋼琴協奏曲、雙鋼琴、協奏曲
Stravinsky, Concerto, Two pianos, Concerto for Two Solo Pianos
統計
Statistics
本論文已被瀏覽 5689 次,被下載 1345
The thesis/dissertation has been browsed 5689 times, has been downloaded 1345 times.
中文摘要
二十世紀上半葉的西方世界處於前所未有的動盪時期,二次世界大戰所帶來政治的變遷以及社會與經濟的急遽發展,使得人類的生活開始發生了劇烈的變化。相較於十九世紀以前的音樂創作環境,二十世紀求新求變的音樂風格中,其中一股新興的復古潮流所產生的「新古典主義」(Neo-classicism)更是極具爭議性的風格。
史特拉汶斯基的一生在不斷遷徙之下,使得他的音樂創作受到環境影響而具有多元化的特色,其中,因受到十七、十八世紀音樂風格薰陶而創作出的《雙獨奏鋼琴協奏曲》結合了傳統音樂素材與二十世紀音樂語法,新古典主義的創作特質在這首作品中充份展現。
《雙獨奏鋼琴協奏曲》所包含的創作手法除了採用四種傳統曲式及主題發展技巧,並改變一般協奏曲中以管弦樂團與獨奏樂器協奏的編制手法,而前所未有的使用兩架獨奏鋼琴編制呈現協奏曲之競奏型態。本文的第一章將介紹史特拉汶斯基的生平及其音樂風格之多變性;在第二章中將概述新古典主義風格之源起以及對史特拉汶斯基創作風格之深刻影響;第三章則將深入了解《雙獨奏鋼琴協奏曲》之創作背景、樂曲解析及特殊創作手法的結合運用;最後一章則是此報告之結語部份。
Abstract
Human life in Europe started to change radically in the first half of the twentieth century between two world wars. Comparing to the nineteenth-century Western musical environment, employing the early compositional technique and style of the past, mainly the Baroque and Classic period, Neo-classicism among the various movements in the twentieth century is extremely important but also controversial.
With diversity of the musical style, Igor Stravinsky composed Concerto for Two Solo Pianos in 1935, which combined the compositional principles of the seventeenth and eighteenth centuries and the new musical innovations of the twentieth century. The piece reveals characteristics of Neo-classicism thoroughly.
In addition to adopting four traditional forms and thematic development technique, Stravinsky replaced the orchestra part with the second piano and still kept the concertante textural treatment of a traditional concerto format. The first chapter will introduce the life and musical style of Stravinsky. In the second chapter Neo-classicism movement and how deeply Stravinsky was influence by it will be discussed. The third chapter focuses on the compositional background and formal analysis of the Concerto for Two Solo Pianos. And final part will be the conclusion of this topic.
目次 Table of Contents
前 言………………………………………………………………………………..1

第一章 史特拉文斯基的生平及創作風格演變…………………………...4

第二章 史特拉文斯基新古典主義之創作風格…………………………...8

第三章 《雙獨奏鋼琴協奏曲》
第一節 創作背景………………………………………………………..12
第二節 樂曲解析………………………………………………………..14

第四章 結語……………………………………………………………….51

參考書目…………………………………………………………………………53
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周耀群著。 《斯特拉文斯基:不倦的探索者》。初版。 台北市:世界文物出版社。民國九十年。


【樂譜】

Stravinsky, Igor. Concerto per due Pianoforti Soli. Germany: Schott, 1964.
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