法蘭茲˙李斯特(Franz Liszt, 1811-1886)在音樂歷史上留下大量的音樂作品，其中以鋼琴改編曲最為多數；同一時期的費得列克˙蕭邦（Frédéric Chopin, 1810-1849），也以創作鋼琴作品聞名。除了鍵盤作品，歌劇、藝術歌曲亦深受蕭邦喜愛，並將歌唱性的風格與元素融入其鋼琴語法中。

一八二九至一八四七年間，蕭邦創作了十九首聲樂作品；蕭邦過世後，在《波蘭歌曲集》(Polish Songs, op.74)出版之際，李斯特取其中六首改編為鋼琴曲《六首波蘭歌曲》(Six Polonaise chants, S.480)。李斯特的改編曲雖以炫技聞名，然而在彈奏他所改編的《六首波蘭歌曲》後，筆者欲探究李斯特如何融合自身的彈奏技巧與蕭邦精神，因此選擇此首鋼琴改編曲為本論文研究之曲目。

本文除了前言和結語之外，分為三個部分，依序為李斯特的改編曲、蕭邦《波蘭歌曲集》，最後為李斯特《六首波蘭歌曲》之分析與改編手法之歸納。

Franz Liszt (1811-1886) composed amounts of piano works in his life, piano transcription in particular. During his time, as a pianist and Liszt’s competitor, Frédéric Chopin(1810-1849) is also famed for composing piano repertoire. Moreover, operatic and vocal character often became his pianistic language.

During 1829 to 1847, Chopin had written nineteen songs. After his death, Polish Songs,op.74 was published in 1857. Later on, Liszt transcribed six songs from op.74: Six Polonaise Chants, s.480.

This thesis consists three parts with the introduction and conclusion. The first part is Liszt’s piano transcription. The second part is introducing of Chopin’s Polish Songs, op. 74. The third part is analysis of Liszt’s piano transcription Six Polonaise Chants, s.480.

前言.................................................................................................1
一、李斯特的改編曲
改編曲之定義.............................................................................2
李斯特與鋼琴改編曲...................................................................5

二、蕭邦《波蘭歌曲集》，作品七十四................................................7

三、李斯特《六首波蘭歌曲》，作品四八○
樂曲分析..................................................................................10
改編技巧之歸納........................................................................42

結語................................................................................................56
參考書目.........................................................................................58
附錄................................................................................................62

參考書目
【英文參考書目】
Allsobrook, David Ian. Liszt: My Travelling Circus Life. London: Macmillan Press, 1991.
Brown, Maurice.“The Posthumous Publication of Chopin's Songs” The Musical Quarterly 42, no. 1(1956): 51-65.
Chopin, Frederic. Chopin’s Letters. Henryk Opieński, ed. New York: Dover, 1988.
Czekanowska, Anna. Polish folk music: Slavonic heritage, Polish tradition, contemporary trends. New York: Cambridge University Press, 1990.
Huneker, James. Chopin: The Man and his Music. New York: Dover Publications, 1966.
Hinson, Maurice. The Pianist’s Guide to Transcriptions, Arrangements, and Paraphrases. Bloomington: Indiana University Press, 1990.
Howard-Jones, Evlyn.“Arrangement and Transcriptions.” Music and Letters 16, no.4, 1935.
Rosen, Charles. The Romantic Generation. Cambridge: Cambridge University Press, 1998.
Swartz, Anne. “Chopin’s op.74: The Vernacular in the art Song”Revue de Musicologie, T.75, No.2 (1989):243-264
Samson, Jim. The Cambridge Companion to Chopin. Cambridge: Combridge University Press, 1992.
___________. The Music of Chopin. New York: Oxford University Press, 1994.
Modica Jr., George Jame. “ Franz Liszt’s Transcriptions of Schubert’s Songs for Solo Pianoforte: A Study of Transcribing and Keyboard Techniques.” PhD diss., The University of Iowa, 1976.
The New Grove Dictionary of Music and Musicians (2001), s.v.“Liszt, Franz”by Alan Walker.
The New Grove Dictionary of Music and Musicians (2001), s.v.“Copin, Frédéric” by Jim Samson.
The New Grove Dictionary of Music and Musicians (2001), s.v.“Transcription”by Ter Ellingson.
The New Grove Dictionary of Music and Musicians (2001), s.v.“Arrangement”by Malcolm Boyd.
The New Grove Dictionary of Music and Musicians (2001). S. V.“Krakowiak” by Stephen Downes.
The New Grove Dictionary of Music and Musicians (2001). S. V. “Kujawiak” by Stephen Downes.
The New Grove Dictionary of Music and Musicians (2001). S. V. “Mazur” by Stephen Downes.
The New Grove Dictionary of Music and Musicians (2001). S. V. “Mazurka” by Stephen Downes.
The New Grove Dictionary of Music and Musicians (2001). S. V. “Polonaise” by Stephen Downes.
Walker, Alan. Reflections on Liszt. New York: Cornell University Press, 2005.
__________. Portrait of Liszt. New York: Oxford Unversity Press, 1990.
__________. The Chopin Companion. New York: W. W. Norton & Company, 1973.

 
【中文參考書目】
法蘭茲˙李斯特(Franz Liszt)。《李斯特論蕭邦》，張澤民等譯。台北：世界文物出版社，1993。
麥可˙甘迺迪(Michael Kennedy)。《牛津音樂辭典》，葉綠娜等譯。台北市：台灣麥克，1996。
布魯斯˙莫利森(Bryce Morrison)。《偉大作曲家群像：李斯特》，賴慈芸等譯。台北市：智庫文化出版，1995。
簡汝瑾。〈蕭邦靈魂之舞的泉源：波蘭傳統的民間音樂與舞曲〉。《美育》202(2014年11月)：25-35。
楊青琳。〈李斯特鋼琴改編曲中創作特色與技巧之探討─以舒伯特代表性藝術歌曲為例〉。《藝術學報》80(2007年4月)：61-83。
任祐慧。〈帕德烈夫斯基《原主題波蘭幻想曲》之研究〉。台灣：國立中山大學音樂學系碩士論文，2008。
涂雅茹。〈李斯特鋼琴改編曲—《六首波蘭歌曲》之分析與詮釋〉。台灣：輔仁大學音樂學系碩士論文，2014。