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博碩士論文 etd-0622118-201740 詳細資訊
Title page for etd-0622118-201740
論文名稱
Title
亨德密特《葬禮音樂》之研究
A Study of Paul Hindemith Trauermusik
系所名稱
Department
畢業學年期
Year, semester
語文別
Language
學位類別
Degree
頁數
Number of pages
61
研究生
Author
指導教授
Advisor
召集委員
Convenor
口試委員
Advisory Committee
口試日期
Date of Exam
2018-06-21
繳交日期
Date of Submission
2018-07-22
關鍵字
Keywords
樂曲分析、演奏詮釋、葬禮音樂、保羅˙亨德密特、中提琴
viola, Trauermusik, analysis, interpretation, Paul Hindemith
統計
Statistics
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中文摘要
亨德密特為二十世紀的重要作曲家之一,出於對早期音樂的喜愛,因此在亨德密特的創作中,可以看到他融合早期音樂創作手法。中提琴協奏曲《葬禮音樂》於一九三六年創作,屬於他的晚期作品,在作品中可以看到亨德密特借用了他的兩個作品-交響曲《畫家馬帝斯》的旋律以及中提琴協奏曲《烤天鵝的男人》的創作素材,並在第四樂章借用了巴哈聖詠的旋律。
除此之外,亨德密特在創作手法上也運用了傳統的創作素材,比如:巴洛克時期教堂奏鳴曲的架構、循環曲式以及巴哈聖詠的寫法。在這首作品中,也能夠看見有受到實用音樂的影響,亨德密特運用到實用音樂的概念,透過一些熟悉的素材來拉進與觀眾之間的距離。
在本篇論文中,除了前言以及結語外,可以分為四個章節,第一章為亨德密特生平,第二章為亨德密特創作風格,第三章為亨德密特《葬禮音樂》之創作緣由及分析,第四章為亨德密特《葬禮音樂》之樂曲詮釋。
Abstract
As one of the most important composers of the 20th century, Paul Hindemith has a strong interest in early music. The idea of combining elements from the early music with modern tonal language and compositional techniques is in Hindemith’s works.
Trauermusik, belongs to Hindemith’s late period, was composed in 1936. In this piece, Hindemith combines elements and compositional techniques from his Symphony and Concerto with the Bach’s chorale, Baroque’ s church sonata and cyclic form. In this piece, the influence of Gebrauchsmusik and through the familiar elements to narrow the gap between the audience.
This essay consists of four chapters, an introduction, and the conclusion. The first chapter introduces Hindemith’s life. The second chapter explores the Hindemith’s composition style. The third chapter presents the compositional background of the Trauermusik and analysis. The fourth chapter presents the interpretation of the Trauermusik.
目次 Table of Contents
前言………………………………………………………………………………….…………1
第一章 亨德密特生平……………………..………………………………………..……..3
第二章 亨德密特創作風格………..………………………………………..…………….12
第三章 亨德密特《葬禮音樂》之創作緣由及樂曲分析
第一節 《葬禮音樂》之創作緣由…………………………………..……………….......19
第二節 第一樂章樂曲分析………………………………………………………………..24
第三節 第二樂章樂曲分析………………………………………………………………..31
第四節 第三樂章樂曲分析………………………………………………………………..34
第五節 第四樂章樂曲分析………………………………………………………………..38
第四章 亨德密特《葬禮音樂》之演奏詮釋
第一節 第一樂章………………………………………………………………………..…41
第二節 第二樂章…………………………………………………………………………..46
第三節 第三樂章………………………………………………………………………..…48
第四節 第四樂章………………………………………………………………………..…51
結語……………………………………………………………………………………….…..54

參考文獻……………………………………………………………………………………...55
參考文獻 References
(一) 書籍:
Burkholder, J. Peter, Donald J. Grout and Claude V. Palisca, A History of Western Music. W.W. Norton& Company, 2010.
Hindemith, Paul, and Geoffrey Skelton ed. Selected letters of Paul Hindemith. New
Haven: Yale University Press, 1995.
Morgan, Robert P.. Twentieth- Century Music: A History of Musical Style in Modern
Europe and America. New York: Norton, 1991.
Neumeyer, David. The Music of Paul Hindemith. New Haven: Yale University Press,
1986.
Noss, Luther. Paul Hindemith in the United States. Urbana: University of Illinois Press, 1989.
Salgman, Eric. Twentieth-Century music. New Jersey: Prentic Hall, 2002.

(二) 期刊:
Fischer, Kurt von. "Hindemith's Early Songs for Voice and Piano." Proceedings of the   
 Royal Musical Association, Vol. 109, 2018.
Muser, Frani B., and Paul Hindemith. "The Recent Work of Paul Hindemith." The
Musical Quarterly, vol.30, No.1, 1994, 29-36.
Scherzinger, Martin. "Heideggerian Thought in the Early Music of Paul Hindemith (With a Foreword to Benhamin Boretz ). " Perspectives of New Music, Vol. 43/44, Vol. 43, no. 2 - Vol. 44, no. 1, 80-125.
Rothe, Alexander. "The problematic Nature of Hindemith’s ‘Das UnaufhÖrliche’: A
Critical Response." Tempo, vol.61, No.230, 2007.


(三)論文:
Trombetta, Domenico L. " Early Music Influences in Paul Hindemith's Compositions for the Viola. PhD., JMES Madison University, 2014.

(四)網頁資料:
Schubert, Giselher. " Paul Hindemith" Oxford Music Online. (Accessed 22, Feb. 2018) http://www.oxfordmusiconline.com.ezproxy.lis.nsysu.edu.tw:8080/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000013053?rskey=cK8QSs&result=1.
Solare, Carlos María. " Viola Sonatas op.11 no.4 & op.25 no.4, Solo Viola Sonatas op.11 no.5& op.25 no.1" Strad. (Accessed 10, May.2018)
https://www.thestrad.com/hindemith-viola-sonatas-op11-no4-and-op25-no4-solo- viola-sonatas-op11-no5-and-op25-no1/2825.article.
Pasler, Jan. " Neo-romantic", Oxford Music Online. (Accessed 2, May. 2018)
http://www.oxfordmusiconline.com.ezproxy.lis.nsysu.edu.tw:8080/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000040720?rskey=CYRNcI&result=1.
Predota, Georg. " Shooting the Messenger Hindemith and the Folk Tradition"
Interlude. (Accessed 10 Jun. 2018)
http://www.interlude.hk/front/shooting-the-messengerhindemith-and-the-folk- tradition/

(五)樂譜:
Hindemith, Paul. Der Schwanendreher. Mov. II. Imslp.
http://petruccilibrary.ca/files/imglnks/caimg/2/28/IMSLP324635-PMLP500073-
hindemithDerSchwanendreherscoremvt2.pdf
Hindemith, Paul. Symphony Mathis der Maler Symphony Mov. II. Imslp.
http://petruccilibrary.ca/files/imglnks/caimg/0/06/IMSLP312732-PMLP504968-
Hindemith_-_Symphonie_Mathis_der_Maler_-_II._Grablegung.pdf
Hindemith, Paul. Trauermusik. For Viola and Piano.(New York: Schott Music Corp.,
1964)
Hindemith, Paul. Trauermusik. For Orchestra and Viola. Imslp.
http://petruccilibrary.ca/files/imglnks/caimg/2/22/IMSLP311730-PMLP500070- Hindemith_-_Trauermusik.pdf
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