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博碩士論文 etd-0624100-034304 詳細資訊
Title page for etd-0624100-034304
論文名稱
Title
前古典時期交響曲:樂曲名稱及結構之研究
The Pre-Classical Symphony: A Study of Terminology and Structure
系所名稱
Department
畢業學年期
Year, semester
語文別
Language
學位類別
Degree
頁數
Number of pages
161
研究生
Author
指導教授
Advisor
召集委員
Convenor

口試委員
Advisory Committee
口試日期
Date of Exam
2000-06-21
繳交日期
Date of Submission
2000-06-24
關鍵字
Keywords
交響曲、前古典時期
Pre-Classical, Symphony
統計
Statistics
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The thesis/dissertation has been browsed 5707 times, has been downloaded 2561 times.
中文摘要
中文提要:
前古典時期是交響曲發展過程中極為重要的階段,此時期的作品數量十分的豐富,但卻沒有因此而具有一個明確的定義和型式,再加上作曲家會為作品冠上各式各樣的樂曲名稱,因而形成交響曲發展之初混亂的局面。有鑑於此,本論文即是針對前古典時期交響曲發展的情形及其因樂曲名稱之不確定而產生的一些問題作為討論的重點。
本文共分為四個章節。第一章是相關背景的探討,涵蓋了時代背景、當時音樂家的社會地位、管弦樂團的發展及交響曲中心的形成。首先以十八世紀初期整個社會環境的變遷作論述,因受到啟蒙主義的影響有許多新觀念順應而生,尤其在音樂方面,作曲家的創作是朝多方面發展的。值得注意的是當時作曲家於社會上的地位,因他們多是受僱於貴族或中產階級,所以經常為了雇主的需要而不斷的創作樂曲,使得此時期的作品產量非常的豐富,除此之外,亦影響到樂團的組織及日後形成的五大交響曲發展中心。第二章則是以當時各種的樂曲名稱做一釋義及創作觀念上的釐清。首先針對「交響曲」此樂曲名稱的歷史淵源及於前古典時期所代表的意義做一闡述,再對當時被作曲家使用的多種樂曲名稱逐一提出作討論。第三章以討論交響曲的結構內涵為主,就其配器法之運用和樂曲的結構(包含樂章、曲式、織度、和聲)作深入的探討,並以兩個方向來討論:一是以「交響曲」為標題的樂曲﹔二是以非「交響曲」為標題的樂曲。第四章為最後的整理和歸納,及前古典時期交響曲之發展帶給日後的影響。
樂曲名稱對於一首作品來說是十分重要的,它不但是代表此首樂曲的型態,亦是帶給聽眾的第一印象,但前古典時期的作曲家卻給予「交響曲」各種不同的樂曲名稱,及在樂曲的配器和內容上也不一定依照交響曲的型式來創作,因而造成許多的誤解。而在經由從交響曲的配器和樂曲內容之中,更加了解到前古典時期交響曲作品除了會冠上各式各樣的樂曲名稱之外,對於樂曲創作方面的進步和貢獻亦是無法抹滅的,並為日後交響曲的發展奠定下良好的基礎。


Abstract

英文提要:
The pre-classical era is the crucial stage for the development of the symphony. At this stage, the works are plentiful but with no explicit definition and forms. Also, with the various terminologies set by composers, it causes a chaotic situation at the early development of the symphony. Therefore, this thesis focuses on the issues of
symphony development in the pre-classical era and the problems caused by the uncertain terminology.
The thesis consists of four chapters. Chapter One is the discussion of the relevant contexts, including the background of that era, the social status of composers, the development of the orchestra, and the forming of the core of the symphony. At the very beginning, the thesis discusses the transition of the whole society at the early eighteenth-century. Many new concepts affected by the Enlightenment were being produced at that times especially in music and the composition was diversified. What should take into consideration is the social status of the composers at that times. It is because most of them were employed by the aristocrats or bourgeoisies; hence, these composers had produced plenty of works. This affected the organization of the orchestra and the five great symphonies development. Chapter Two defines the various terminologies prevalent at the time and clarifies their conceptual differences. The origin of the term "symphony" and the meaning it represents in the pre-classical era is first presented. Then, it discusses the various terminologies step by step. Chapter Three elaborates the content of the symphony. That is the manipulation of the orchestration and of the integral elements (including movements, musical forms, texture, and harmony). The discussion is made in two areas: these musical pieces entitled "symphony" and those "non-symphony". Chapter Four concludes the discussion of the effects of the pre-classical era as well as its subsequent influences.
Music terminology is extremely important. Not only it represent what music but it also gives the audience the foremost impression as well. Unfortunately, due to the inconsistency of terminology and the unconformity of the orchestration rendered to the prototype symphonies, much misunderstanding resulted. Through the orchestration and the content of works, we perceived the works in pre-classical era would be titled with a variety of terminologies. Also, they made great contribution for the composition improvement and established a good foundation for the orchestra development.

目次 Table of Contents
目 錄
序論………………………………………………………………………2
第一章 十八世紀初期社會環境與交響曲之興起…………………...11
第一節 啟蒙時期的新觀念潮流…………………………………………….12
第二節 音樂家的社會地位………………………………………………….19
第三節 樂團組織之改變與交響曲的產生………………………………….25
第四節 交響曲發展中心…………………………………………………….36

第二章 交響樂曲的名稱……………………………………………..49
第一節 交響曲的定義……………………………………………………….50
第二節 多樂章的樂曲名稱………………………………………………….55
第三節 已絕跡的樂曲名稱………………………………………………….71

第三章 前古典時期交響曲內涵之探討…………………………….. 84
第一節 管弦樂團及語法運用……………………………………………….85
第二節 樂曲內涵之探討…………………………………………………..106

第四章 結論…………………………………………………………147

參考書目………………………………………………………………154
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