蕭斯塔高維契是二十世紀俄國重要的作曲家、鋼琴家，在蕭斯塔高維契大量的作品中，鋼琴獨奏曲數量雖不多，但在其創作上鋼琴始終佔有重要的地位，如第一、第五、與第七交響曲在配器上都加入鋼琴，此外，亦創作多首弦樂與鋼琴的室內樂作品及兩首鋼琴協奏曲。
此篇文章所要討論的是創作於一九三二年至一九三三年屬於蕭斯塔高維契早期的一組作品---作品三十四的《二十四首前奏曲》。本文內容除了前言之外，將從以下幾方面來論述此作品，第一部分簡述二十世紀初期至中葉俄國的時代背景，第二部分為蕭斯塔高維契之生平，第三部分為本文的主要部分，包括前奏曲的發展歷史、《二十四首前奏曲》創作背景之敘述、創作手法與音樂風格之探討，進而討論關於此組前奏曲的演奏技巧與樂曲風格詮釋。蕭斯塔高維契的《二十四首前奏曲》不僅具有對前人的繼承亦加入作曲家創新的精神。

Dmitry Shostakovich was an important Russia composer and pianist in the 20th century. In compare the quantity of his complete outputs, the numbers of the solo piano pieces was a small amount, but the use of the piano instrument occupies a major part within his compositions. For instance, Shostakovich employs piano in his symphonies, nos. 1, 5, and 7. Moreover, he also wrote many chamber music works with piano, and two piano concertos.
The study of the lecture recital document focus on the discussion of Shostakovich early piano composition, Twenty-Four Preludes, op. 34, written between 1932 and 1933. In addition to the introduction, the discussion includes: the historical background of Russian music of early and middle twentieth century, the life of Shostakovich, the brief of the development of the prelude, the writing techniques, performance techniques, and the interpretation of Twenty-Four Preludes. Twenty-Four Preludes does not only present the previous traditions of stylistic features, but also permeated with the spirit of innovation.

前 言…………………………………………………………………………3

時代背景………………………………………………………………………4

蕭斯塔高維契之生平…………………………………………..…………….8

蕭斯塔高維契《二十四首前奏曲》………………………………………..12
前奏曲之發展歷史……………………………………………………….12
《二十四首前奏曲》之創作背景………………………………………..15
《二十四首前奏曲》之創作手法………………………………………..18
《二十四首前奏曲》之音樂風格………………………………………..23
《二十四首前奏曲》演奏技巧與詮釋…………………………………..31

結語……………………………………………………………………………37

參考書目……………………………………………………………………...39

中文書目：
史特拉汶斯基(Stravinsky, Igor)。 《音樂七講》。許常惠譯。臺北市：樂韻出版社。1988。
旬白格(Schonberg, Harold C.)。 《現代樂派》。陳琳琳譯。臺北市：萬象出版社。1994。
李明濱。 《俄羅斯文化史》。臺北市：亞太出版社。2000。
洪祖顯。 《近代西洋音樂思潮》。臺北市：天馬出版社。1977。
目黑 惇。 《蕭士塔高維契》。林勝儀譯。臺北市：美樂出版社。2000。
許鐘榮。 《現代樂派的大師》。臺北縣：錦繡出版社。2000。
馬清。 《二十世紀歐美音樂風格》。臺北市：揚智文化出版社。2000。
陳玫琪。 〈新世紀的舊樂章--蕭士塔高維契的十五首交響曲(一)〉，《古典音樂》35(1995)：150-155。
陳玫琪。 〈新世紀的舊樂章--蕭士塔高維契的十五首交響曲(二)〉，《古典音樂》36(1995)：138-144。
陳玫琪。 〈新世紀的舊樂章--蕭士塔高維契的十五首交響曲(三)〉，《古典音樂》40(1995)：126-132。
張己任。 《音樂、人物與觀念》。臺北縣：時報文化出版社。1985。
童忠良。 《現代樂理教程》。北京市：湖南文藝出版社。2004。
楊忠衡。 〈蕭士塔高維契逝世廿週年特輯---謎樣的蘇聯頭號作曲家〉，《音樂時代》84(1995)：44-51。
顏心童。 〈擺盪於抗拒與妥協之間的蕭士塔高維契〉，《古典音樂》48(1996)：48-51。
顧爾丁(Goulding, Phil G.)。 《作曲家排行榜：古典音樂入門》。雯邊等譯。臺北市：世界文物出版社。1996。


外文書目：
Burge, David. Twentieth-Century Piano Music. New York: Maxwell Macmillan International, 1990.
Braun, Joachim. “The Double Meaning of Jewish Elements in Dmitri Shostakovich’s Music.” The Musical quarterly. (January 1985) : 68-80.
Fanning, David, ed. Shostakovich Studies. New York: Cambridge University Press, 1995.
Fay, Laurel E. Shostakovich: A Life. New York: Oxford University Press, 2000.
Ferguson, Howard. Keyboard Interpretation from the 14th to the 19th Century : an Introduction. New York: Oxford University Press, 1975.
Gillespie, John. Five Centuries of Keyboard Music: An Historical Survey of Music for Harpsichord and Piano. New York: Dover Publications, 1972.
Graf, Max. From Beethoven to Shostakovich: The Psychology of the Composing process. New York: Philosophical Library, 1947.
Hulme, Derek C. Dmitri Shostakovich: A Catalogue, Bibliography, and Discography. New York: Oxford University Press, 1991.
Leonard, Richard Anthony. A History of Russian Music. New York: Macmillan, 1957.
Lukianova, N. V.. Shostakovich. New Jersey: Paganiniana Publications, 1984.
MacDonald, Ian. The New Shostakovich. Boston: Northeastern University Press, 1990.
Martynov, Ivan. Dmitri Shostakovich: The Man and His Work. Trans. T. Guralsky. New York: Philosophical Library, 1947.
Roseberry, Eric. Shostakovich. London: Omnibus Press, 1986.
Shostakovich, Dmitrii Dmitrievich. Testimony: The Memoirs of Dmitri Shostakovich. ed. by Solomon Volkov. Trans. Antonina W. Bouis. New York: Harper & Row, 1979.
Slonimsky, Nicolas. Music Since 1900. New York: Maxwell Macmillan International, 1994.
Wilson, Elizabeth. Shostakovich: A Life Remembered. Princeton: Princeton University Press, 1994.
The New Grove Dictionary of Music and Musicians(2003). S. V. “Russian Federation.” by Izaly Zemtsovsky.
The New Grove Dictionary of Music and Musicians(2001). S. V. “Prelude.” by David Ledbetter, Howard Ferguson.

The New Grove Dictionary of Music and Musicians(1980). S. V. “Prelude.” by Howard Ferguson.
The New Grove Dictionary of Music and Musicians(2001). S. V. “Shostakovich, Dmitry.” by David Fanning.
The New Grove Dictionary of Music and Musicians(1980). S. V. “Shostakovich, Dmitry.” by Boris Schwarz.

樂譜：
Shostakovich, Dmitri. Twenty-Four Preludes op. 34. New York: MCA, 1992.
_______. Preludes And Fugues For Piano. New York: Dover Publications, 1991.

有聲資料：
Shostakovich, Dmitri. 24 Preludes op. 34, performed by Dmitri Shostakovich. Revelation RV7007, 1998.
_______. 24 Preludes op. 34, performed by Olli Mustonen. Decca, 433 055-2, 1991.
_______. 24 Preludes op. 34, performed by Vladimir Viardo. DDD, 79234, 1990.
_______. 24 Preludes op. 34, performed by Tatiana Nikolayeva. Hyperion, 66620, 1992.
_______. 24 Preludes op. 34, performed by Colin Stone. Olympia, Ocd 574, 1995.