「特性小曲」，成為十九世紀作曲家的創作新取向，目的在於藉由具標題之小型曲式運用，巧妙地展現作曲家們個性化的情感。具有特殊節奏型態的「船歌」乃是鋼琴小品中，極具高度抒情性的樂曲。本文以十九世紀「特性小曲」的發展概況作前引，進而介紹鋼琴小品「船歌」的創作特性與代表作品，並針對孟德爾頌、蕭邦、佛瑞、拉赫曼尼諾夫等作曲家所創作的「船歌」作詳盡的風格探討比較。範圍包括曲式、調性、節奏型態、旋律結構、以及音響織度等，透過表格式的整理分析，呈現各作曲家之「船歌」創作手法的共通性與差異性。

In the 19th century, “Character Piece” became a new trend in piano composition. Without using large-scale formal structure, it illustrates successfully the individualities of emotional expression in music among different composers. “Barcarolle”—featuring special rhythmic patterns—represents unique elegancy and lyricism in this category. The historical development of “Character Piece” in the 19th century leads as an introduction in this thesis, followed by the compositional characteristics of “Barcarolle” in the second chapter. The major part of this topic focuses on “Barcarolles” written by four dominant composers in the 19th Cencury: F. Mendelssohn, F. Chopin, G. Faure and S. Rachmaninoff. The stylistic comparisons include the features of form, tonality, rhythmic pattern, melodic structure, and musical texture. The detailed analytical charts are provided to show the similarities and differences among these four remarkable “Barcarolles.”

前言 ..............................................1-2

第一章 「特性小曲」之起源與發展.....................3-6

第二章 「船歌」之特性與作曲家之創作景 .............7-11

第三章 孟德爾頌、蕭邦、佛瑞與拉赫曼尼諾夫
之「船歌」創作手法較 ......................12-45
第一節 伴奏態 ...........................12-22
第二節 織度變化 .........................23-26
第三節 旋律型態 .........................27-37
第四節 節奏型態 ............................38-45

第四章 結 論 ....................................46-47

第五章 參考書目 ...................................48-50

西文

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The New Grove Dictionary of Music and Musicians (2001). S.v.”Barcarolle.” by Maurice J.E. Brown, Kenneth L. Hamilton, S.v.”Chopin, Fryderk Franciszek.” by Kornel Michalowski, Jim Samson, S.v.”Characteristic.” by Maurice J.E. Brown, S.v.”Fauré, Gabriel.” by Jean-Michel Nectoux, S.v.”Rubinstein, Anton.” by Edward Garden, S.v.”Rachmaninoff, Serge.” by Adeodatas Tauragis, S.v.”Romanticism.” by Jim Samson, S.v.”Lyrics.” by Lewis Foreman, S.v.”Macdowell.” by Maurice J.E. Brown.

期刊

Bellman, Jonathan. “Frédéric Chopin, Antoine de Kontiski and the carezzando touch.” Early Music 29:3 (August 2001): 399-406.

Copland, Aaron. “Gabriel Fauré, a Neglected Master.” Musical Quarterly 35:4 (Winter 1991):48-50.

Landormy, Paul. “Gabriel Fauré” The Musical Quarterly 17:3 (Luly1931):293-301.

Lawrence Kramer, “The Mirror of Tonality: Transitional Features of Nineteenth-Century Harmony.” 19th Century Music 4:3 (Spring 1981):191-208.Smith, Joseph. “Rubinstein’s Barcarolle in F Minor.” Piano Today 16:5 (Fall 1996): 9-14.

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