史克里亞賓於一八八六至一八八九年創作《鋼琴前奏曲》作品十一，此二十四首前奏曲被認為是史克里亞賓典型的早期作品，在《鋼琴前奏曲》作品十一中，史克里亞賓深受蕭邦音樂的影響，可看出他以蕭邦《鋼琴前奏曲》作品二十八為範本來創作。本研究首先探討史克里亞賓的生平與前奏曲的定義和發展；再者歸納史克里亞賓早期鋼琴作品之風格特色，並且將史克里亞賓《鋼琴前奏曲》作品十一與蕭邦《鋼琴前奏曲》作品二十八作比較，探討兩者之間的關聯性；最後針對史克里亞賓《鋼琴前奏曲》作品十一中的困難技巧之練習方式分門別類作說明。期望透過對《鋼琴前奏曲》作品十一之研究，讓學習者對史克里亞賓的早期作品之創作理念與手法，能有更深入的瞭解。

Scriabin composed the piano work “Prelude” Op.11 during 1886 to 1889. This set of 24 preludes is regarded as the essential early work of Scriabin. The composition is influenced by Chopin’s work “Prelude” Op.28. The first part of the thesis are discussed the life of Scriabin, then, the definition and the development of preludes. The second part generalize the early style of Scriabin and compare the relationship between Scriabin’s “Prelude” Op.11 and Chopin’s “Prelude” Op.28. Finally, the focus would be on analyzing difficult skills of the Scriabin’s “Prelude” Op.11 and explaining the practicing process. The main purpose of this research is to present the compositional technique and idea of Scriabin, so it will benefit the performers who are learning this piece.

目 次
前言

第一章 史克里亞賓《鋼琴前奏曲》作品十一背景探討........3

第一節 史克里亞賓的生平......................................................3
第二節 前奏曲定義與發展......................................................5

第二章 史克里亞賓早期鋼琴作品的風格..............................................8

第一節 早期鋼琴作品特色.................................................8
第二節 史克里亞賓《鋼琴前奏曲》作品十一
與蕭邦《鋼琴前奏曲》作品二十八之關聯性........................10

第三章 史克里亞賓《鋼琴前奏曲》作品十一彈奏技巧探討...........26

第一節 寬音域...................................................................................27
第二節 指法......................................................................................30
第三節 樂句.......................................................................................33
第四節 節奏......................................................................................34
第五節 觸鍵.......................................................................................35
第六節 踏板......................................................................................35

第四章 結語......................................................................................41

參考書目...........................................................................................43

西文參考書目

Bowers, Faubion. Scriabin: A Biography. New York: Dover Publications, 1996.

Brown , Malcolm. " Skriabin and Russian Mystic Symbolism." 19th Century Music Vol. Ⅲ no. 1(July, 1979): 42-51.

Burge, David. Twentieth-Century Piano Music: Alexander Scriabin and Sergei Rachmaninoff. New York: Schirmer Books, 1900

Cooper, M. " Scriabin's Mystical Beliefs." Music & Letters Vol. ⅩⅥ no. 2 (April, 1935) : 110-115.

Eonard , Richard Anthony. A History of Russian Music:Scriabin. New York: The Macmillan company.1957.

Friskin, James and Irwin Freundlich. Music for the piano. New York: Dover Publications. 1973.

Garcia , Susie Patricia. " Alexander Skryabin And Russian Symbolism: Plot and Symbols in the late Piano Sonatas." D.M.A. diss. , The University of Texas at Austin , 1993.

Garvelmann , Donald. " A Talk With Faubion Bowers about Scriabin." Clavier
Vol. VIII no. 8(November, 1969): 21-33.

Kim , Heasun. " A Study of selected Preludes of Alexander Scriabin." Ed. D. diss. , Columbia University Teachers College, 1996.

La Magra , Anthony James. " A Source Book For The Study of Rachmaninoff's Preludes." Ph. D. diss. , Columbia University, 1966.

LaRue , Jan. Guidelines for Style Analysis. New York: Norton,1970.

Lim , Seong-Ae. " The Influence of Chopin in Piano Music on the Twenty-four Preludes for Piano,Opus 11 of Alexander Scriabin." D.M.A. , diss. The Ohio State University, 2002.

Perle , George. " Scriabin's Self-analyses." Music Analysis Vol.III no. 2(July 1984): 101-122.

Randlett , Samuel. " Creating Special Effects Characteristic of the Music of Alexander Scriabin." Clavier Vol. XI no.1(January, 1972): 10-16.

Reise, Jay. " Late Scriabin: Some Principles Behind the Style." 19th Century Music Vol. Ⅵ no.3 (Spring, 1983): 220-231.

Schloezer, Boris de. Scriabin Artist and Mystic: The Musical Language of Scriabin.Berkeley: University of California Press, 1978.

Simms, Bryan R. Music of The Twentieth Century: Avant-Garde Composition in France and Russia. New York: Schirmer Books, 1986.

Yates , Peter. Twentieth Century Music: Scriabin, Rachmaninoff, Prokofiev. London: Photolithography, 1968.



中文參考書目


岡田敦子。 〈史克里亞賓的手法〉，《全音音樂文摘》 75(1976)：106-112。

廖玲惠。 《斯克里亞賓鋼琴奏鳴曲作品五十三之研究》，台灣：國立中山大學音樂系碩士論，1999。