保羅•亨德密特的早期創作，就如同一般作曲家的創作初期，難免受到當時的音樂環境或同時期音樂家的影響。亨德密特早期創作年代，正值浪漫樂派的尾聲，也是後浪漫音樂的狂熱時期，且隨著二十世紀的到來，眾多音樂家開始追求更新穎的聲響與創作技法，因而逐漸出現各種異於浪漫與後浪漫的音樂創作。亨德密特作品八《給大提琴與鋼琴的三首小品》正是處於如此音樂時代過渡期的作品，因而樂曲中所可能包含的各種浪漫、後浪漫與二十世紀後的新音樂風格與創作手法，成為本文欲探討的主要內容。
於本研究中的第一個章節，將先介紹亨德密特的生平及創作風格概要，爾後對於十九到二十世紀過渡期間的音樂環境做一整體的介紹，期望在對該作品之風格與特色的瞭解上能有所幫助。在第二章節中，則分別深入分析作品八的三首樂曲，尋求並探討當中所可能包含的十九到二十世紀過渡期間的音樂風格與手法，或許可由該曲的瞭解中，進一步勾勒出時代的背景與遷移。

The early compositions of Paul Hindemith, like those of other composers in their early years, were more or less influenced by contemporary musicians and musical environment. The early years of Paul Hindemith was right at the end of the romantic period as well as the enthusiastic period of post-romantic music. Moreover, with the coming of the 20th century, many musicians pursued the innovative sonority
and compositional techniques. Consequently, they composed many compositions which were different from those of the romantic or post-romantic styles. The opus 8, “Three Pieces for Cello and Piano”, of Paul Hindemith was composed at this transitional period. The various new musical idioms and compositional techniques of romantic, post-romantic and the 20th century, which may possibly be contained in this composition, will be the main concern of this essay.
In the first chapter of this dissertation, Paul Hindemith’s biography and brief abstract of his compositional style will first be introduced, and then followed by an overall introduction of the musical environment during the transitional period in the 19th and 20th century. In the second chapter, we will further analyze the three pieces in opus 8 individually, seeking and researching the musical style and compositional techniques in the transitional period between 19th and 20th century, in order to draft the background and transition of the times. Hopefully, this will help to understand the styles and characteristics of this piece.

目 錄
前言----------------------------------------------------------------1
第一章 亨德密特之傳統與創新------------------------------2
第一節 亨德密特生平概述------------------------------------2
第二節 創作與風格---------------------------------------------6
第三節 後浪漫與二十世紀初期之音樂風格與-----------11
第二章 亨德密特作品八之創作手法-----------------------17
第一節 亨德密特〈作品八，第一號，綺想曲〉--------18
第二節 亨德密特〈作品八，第二號，幻想小品〉-----27
第三節 亨德密特〈作品八，第三號，詼諧曲〉--------39
結論---------------------------------------------------------------50
參考書目---------------------------------------------------------51

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中文
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樂譜
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網站
亨德密特基金會（Hindemith Foundation）：http://www.hindemith.org.（瀏覽時間
民國98 年5 月3 日）
葛洛夫線上音樂辭典（Oxford Music Online）：http://www. Oxfordmusiconline.com.