十八世紀中葉至十八世紀末的英國，因工業的繁榮與對外貿易的興盛，使得國家經濟富裕，人民也逐漸重視生活的品質，社交聚會時的業餘音樂會亦日趨盛行，然而，當時的音樂會除了獨奏的作品外，室內樂合奏形式的樂曲在業餘音樂會中特別受到歡迎，如伴奏鍵盤奏鳴曲，因為這樣的作品不僅能夠與客同歡，亦能展現演奏者的琴藝與音樂品味。克茲瓦拉的伴奏鍵盤奏鳴曲《布拉格戰役》即深受此時期英國業餘音樂愛好者喜愛的作品之一，其不艱深的彈奏技巧與深具音響效果的音樂內容描述，不僅適合業餘彈奏者的能力，更能作為帶領音樂會氣氛至高潮的作品。
本文主要分為三個部分，第一部份主要探討十八世紀中葉至十九世紀英國音樂環境的發展，包括此時期英國社會背景的概述，以及探索當時業餘音樂環境的情況。第二部份則探討盛行於古典時期，亦深受十八世紀後半業餘彈奏者喜愛的作品類型–伴奏鍵盤奏鳴曲，針對其樂曲類型的歷史背景、社會功能與樂器編制型態做深入的探討。第三部份則探索捷克作曲家克茲瓦拉的生平，並且針對其出版於一七八八年的伴奏鍵盤奏鳴曲《布拉格戰役》做樂曲內容的描述以及主奏和伴奏之間素材運用之關連，藉由這首作品，除了對於非現今所認知的主流作曲家能有更深刻的認識與瞭解，彷彿也能親身感受與體會當時英國業餘音樂生活附庸風雅的氛圍。

From the middle to the late eighteenth century, England prospered due to growing number of industries and revenues from foreign trade. Being economically available, people valued quality of lifestyle, including having amateur musical performances in social gatherings. Popular musical productions at the time, other than solo music, included also chamber music, such as accompanied keyboard sonatas. In these types of works, the performers could invite the guests to join in the performance, yet also demonstrating his or her own tastes and skills. František Kocžwara’s (1750-1791) The Battle of Prague was one of the most favored piece of works by the English amateur musicians. Due to its moderate level of required performance skills and magnificent effect of the sounds, the amateur musicians were able to perform well in front of their guests, while bring the atmosphere of musical gathering to a high peak.
This paper consists of three sections. The first section discusses the development of English music, its influences from local social factors, ands the rise of amateur musicians. The following section discusses the musical form which is mostly favored by amateur pianist in the late eighteenth century - accompanied keyboard sonatas - with depth into its historical background, social functions, and music arrangement. The final section discusses the life of Czech musician, František Kocžwara, and his accompanied keyboard sonatas published in 1788 The Battle of Prague. Through detailed description of the musical style and relationship between the main and the accompanying parts, a better understanding may be formed regarding the non main-trend composers and the elegant lifestyle of the English amateur musical life.

前言 ....................................................................................1
十八世紀中葉至十八世紀末英國音樂的發展 ................3
社會背景.........................................................................4
業餘音樂環境概述.........................................................7
伴奏鍵盤奏鳴曲..............................................................10
歷史背景概述..............................................................11
樂曲型態之功能..........................................................16
法蘭西斯．克茲瓦拉《布拉格戰役》..........................20
克茲瓦拉的生平..........................................................20
創作背景與樂曲內容描述..........................................23
主奏與伴奏素材運用之關聯......................................32
結語..................................................................................36
附錄..................................................................................38
參考書目..........................................................................40

西文
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中文
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