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博碩士論文 etd-0711107-013134 詳細資訊
Title page for etd-0711107-013134
論文名稱
Title
布拉姆斯《鋼琴小品》作品一一八研究
The Study of Johannes Brahms’ Klavierstücke, op. 118.
系所名稱
Department
畢業學年期
Year, semester
語文別
Language
學位類別
Degree
頁數
Number of pages
58
研究生
Author
指導教授
Advisor
召集委員
Convenor
口試委員
Advisory Committee
口試日期
Date of Exam
2007-06-25
繳交日期
Date of Submission
2007-07-11
關鍵字
Keywords
作品一一八、鋼琴小品、布拉姆斯
op. 118, Klavierstuck, Brahms
統計
Statistics
本論文已被瀏覽 5671 次,被下載 9126
The thesis/dissertation has been browsed 5671 times, has been downloaded 9126 times.
中文摘要
布拉姆斯是十九世紀德國重要的作曲家,其音樂傳承古典的形式與對稱均衡的手法,並融合浪漫的精神開創屬於自己的音樂風格,他獨特的音樂語彙,如多變的節奏、動機的轉換與組合、樂句的延伸與過渡、轉調及終止式的運用,使音樂變得更多采多姿。縱然布拉姆斯的音樂沒有絢爛的高超技巧與戲劇般誇張的對比,在浪漫時期依然成為別具風格的創作。
布拉姆斯晚期的作品擺脫冗長、龐大複雜的規模,轉變為簡潔的形式且不強調炫技的小品,此時的布拉姆斯以自由隨性的想法寫曲,有時會結合文學,以加強音樂意境。作品一一八《鋼琴小品》於一八九三年創作,與作品一一九同時出版,是布拉姆斯最後創作的鋼琴曲,在六首小曲中有許多心境的轉變,例如熱情、溫柔、活力、激動、優雅、憂傷,彷彿經歷了整個人生,布拉姆斯把不同的情緒串連在一起,讓人在聆聽的過程中一次嘗盡各種滋味。
本文第一章先簡述布拉姆斯在音樂史上的影響力與重要性,並逐一介紹各時期重要的鋼琴作品。第二章分析《鋼琴小品》一一八的曲式架構、主題動機、和聲及轉調。第三章著重在演奏時要注意的術語標示、各聲部的特性及踏板的應用。
Abstract
Johannes Brahms is an important composer of 19th Century German. His music style inherits from the classical form, symmetric equilibrium, and blend with the romantic spirit. His unique music language includes, “variable rhythm”, “transform, and combination of motive”, “extension, and transition of phrases”, as well as the “application of modulations, and cadences”. These unique characteristics make his music colorful. Although Brahms’ music does not have the brilliant techniques, and dramatic contrasts, but his work still finds its own position in the romantic period.
In the later period of Brahms, his work breaks free from the prolonged, massive, and complicated scale, and transforms into the simple form with no technique emphasized piano pieces. During this period, Brahms’ music is written by his free and unrestrained ideas. Sometimes, he would combine some literature in order to reinforce the depth of music conception. Klavierstücke op. 118 is composed in 1893, it is published at the same time with op. 119. They are both the last piano pieces. In op. 118, lots of moods change in these 6 pieces, for example, passion, enthusiasm, tenderness, excitement, grace, sadness…etc, as if you are experiencing one person’s life. Brahms connects different kinds of emotions together to allow audience experience all these feelings within one time.
The first chapter of this thesis is to briefly go through the influence, and importance of Brahms in the music history, and to introduce the important piano pieces in each period. The second chapter is to analyze the music structure, theme, motive, harmony, and modulations of Klavierstücke op. 118. The focus of third chapter is on the performance practice of expression marks, characteristics of each voice, and the application of pedal.
目次 Table of Contents
前言 04
壹、布拉姆斯鋼琴作品的特色與發展 05
一、鋼琴作品的分期 06
二、早期與中期的鋼琴作品 06
三、晚期鋼琴小品的特性 10
貳、以作品一一八為例之結構分析 15
一、一一八之一 間奏曲 15
二、一一八之二 間奏曲 18
三、一一八之三 敘事曲 22
四、一一八之四 間奏曲 27
五、一一八之五 浪漫曲 32
六、一一八之六 間奏曲 37
參、演奏詮釋 42
一、術語的運用 42
1. 速度與變化 42
2. 音樂個性 44
3. 力度 45
4. 觸鍵與抑揚 46
二、聲部的音響
1. 中間聲部旋律 49
2. 低音聲部的特性 50
三、踏板使用技巧 52
結論 54
參考書目 56
參考文獻 References
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