十六世紀威尼斯商業發達的環境使其印刷業出版量居歐洲之冠，加上樂譜印刷的技術也由多次印刷進展為單一程序印刷，降低樂譜印製成本使樂譜價格低廉，也擴大購買者的範圍。與此同時，原本盛行於佛羅倫斯及羅馬一帶的義大利牧歌也漸漸傳入威尼斯，在當地引起流行，這些因素在威尼斯的結合使當地樂譜印刷商大量印製義大利牧歌販售，促使義大利牧歌的廣為流傳。本文的論述主要在探討義大利牧歌流傳至威尼斯後，當地印刷商出版牧歌的情形，暸解印刷商與牧歌作曲家及贊助者之間的互動，以及牧歌購買的人士，進而探討威尼斯樂譜印刷商傳播義大利牧歌的過程。
本文除緒論及結論之外共有三章，第一章探討十六世紀威尼斯的社經情況、音樂展演環境、印刷業發展情形以及樂譜印刷技術的轉變過程。第二章以早期牧歌手抄稿及少數印刷出版樂譜的資訊，論述十六世紀義大利牧歌從一五二○年代於佛羅倫斯及羅馬興起至流傳威尼斯的經過。第三章探討威尼斯樂譜印刷業對牧歌普及之影響，以壟斷威尼斯樂譜印刷最具代表性的印刷商史考特與賈單諾兩家族為主，探究其印製牧歌的過程、牧歌的曲目來源，以及當時贊助牧歌印刷出版的贊助者，進而研究其牧歌行銷的商業手段、當時購買者的類別以及牧歌販售的途徑，以論證威尼斯樂譜印刷業對牧歌普及的重要性。

In the sixteenth century, because of the prosperous environment of commerce, the parpularity of printing was obvious. Moreover, the technique of the music printing was changed from multiple printing to one impression, and it made the music scores cheaper. The Italian madrigal of Florence and Rome were disseminated to Venice . A large number of madrigals printed in Venice. The main part of the thesis discuss the circumstances of publishing madrigal in Venice. The interaction among composer, assistance, patrons and the purchaser.
The thesis consist of three main chapters, in addition to the introduction and conclusion. Chapter one exams the society and economic background, the music in relation to environment. The develop of printing industry and the transfermance of music printing technique in the sixteen century Venice will be explore as well. Chapter two focus on the process of madrigal expanded from Florence and Rome to Venice which is based on the informantion early madrigal manuscripts and a few printed score. Chapter three deal with the influences of the madrigal in the music publishing industry. The main contents focus on two music printing families who monopolized music publishing market in Venice, discussing the process of their madrigal score printing and locating the works. In addition the study will further discuss the business skill they used for selling madrigal, the customers who was willing to buy madrigal score and the route the printers selling the madrigal works, in order to demonstrate the importance of music printing to the prevalence of Italian madrigals.

緒論 1

第一章 十六世紀威尼斯社會音樂環境 10
第一節 社會背景 10
第二節 音樂展演環境 13
第三節 印刷業經營情形 16
第四節 樂譜印刷技術的轉變 19

第二章 早期義大利牧歌發展源流 24
第一節 牧歌手抄搞 25
第二節 牧歌樂譜印刷 30
第三節 牧歌傳播贊助者 35

第三章 威尼斯樂譜出版對牧歌流傳的影響 43
第一節 樂譜出版商史考特與賈丹諾 44
1. 史考特家族印刷事業 46
2. 賈丹諾家族印刷事業 51
第二節 牧歌樂譜出版曲目來源 56
1. 史考特的牧歌曲目來源 57
2. 賈丹諾的牧歌曲目來源 61
第三節 牧歌作曲家、印刷商、與贊助者之互助關係 64
1. 樂譜出版業對牧歌作曲家的影響 65
2. 牧歌樂譜出版與贊助者的相互關係 69
第四節 牧歌樂譜的銷售情形 74
1. 樂譜出版商印製牧歌樂譜的商業策略 74
2. 牧歌印刷樂譜的購買者 80
3. 牧歌出版樂譜的傳播 84

結論 88
附錄一 94
附錄二 95
附錄三 96
附錄四 97
附錄五 98

參考書目 99

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