Responsive image
博碩士論文 etd-0712115-114027 詳細資訊
Title page for etd-0712115-114027
論文名稱
Title
兒子的白日夢:愛倫坡作品中的非人類物種凝視與戀母情結
The Sons’ Daydreams: The Nonhuman Creatures’ Gaze and the Oedipus Complex in Edgar Allan Poe’s Works
系所名稱
Department
畢業學年期
Year, semester
語文別
Language
學位類別
Degree
頁數
Number of pages
78
研究生
Author
指導教授
Advisor
召集委員
Convenor
口試委員
Advisory Committee
口試日期
Date of Exam
2015-07-13
繳交日期
Date of Submission
2015-08-12
關鍵字
Keywords
戀母情結、精神分析、愛倫坡、白日夢、非人類物種凝視(含動物凝視與鳥類凝視)
the Oedipus complex, nonhuman creatures’ gaze (including animal gaze and birds’ gaze), daydream, psychoanalysis, Edgar Allan Poe
統計
Statistics
本論文已被瀏覽 5802 次,被下載 414
The thesis/dissertation has been browsed 5802 times, has been downloaded 414 times.
中文摘要
本論文聚焦於愛倫坡(Edgar Allen Poe)的四篇作品──包括了〈莫爾格街凶殺案〉、〈黑貓〉、〈梅琛葛斯坦〉、和〈黑鴉〉。此論文主要以精神分析的觀點來探討這四部文本中所有非人類物種凝視(nonhuman creatures’ gaze)──含動物凝視(the animal gaze)與鳥類凝視(the bird gaze)──的功能以及此凝視對男性角色言行的影響,進而呈現愛倫坡本人及其作品裡的男性角色在白日夢(daydream)中如何滿足他們的戀母情結(Oedipus complex)。
全書共有六章。第一章主要介紹全書的立論,並闡述了愛倫坡的生平、作品、和戀母情結三者間的連結關係。此外,本章闡釋了與戀母情結和凝視相關的精神分析理論,並且透過解釋愛倫坡的「美女之死」(“the death of the beauty”)與精神分析學家波拿巴公主(Princess Marie Bonaparte)的「被殺害的母親」(“murdered mother”)之關聯性來說明愛倫坡作品中的非人類物種凝視是愛倫坡本人與其作品中男性角色追求理想母親時所產生之想像,以用來滿足他們戀母的深層欲望。第二章聚焦於〈莫爾格街凶殺案〉中紅毛猩猩的凝視。在本章中紅毛猩猩的凝視代表理想父親,本章闡述紅毛猩猩如何化為殺手父親以切除戀母情結,展現理想中父親在家庭中的地位,同時本章亦討論了紅毛猩猩的凝視如何影響小說中的男性角色的行為和言論。第三章分析〈黑貓〉裡貓咪的凝視代表理想母親的凝視。本章探究〈黑貓〉這篇短篇小說中的黑貓如何代表男主角的理想母親並影響步入青春期男之主角的行為與心理。第四章則討論〈梅琛葛斯坦〉中駿馬的凝視和火的表徵。本章欲闡述駿馬的凝視和火的表徵乃是代表年輕男爵形成自我理想(ego ideal)的過程。在此章中,動物凝視代表「大他者凝視」(the gaze of big Other),此凝視是超越父母親的他者凝視,它促使了年輕男爵逐漸達到符合社會期望的自我理想。第五章討論〈黑鴉〉這部作品中的鳥類凝視所反映的自我影像如何化身為男主角理想自我(ideal ego),並分析男主角如何透過黑鴉的凝視找到理想自我,同時探究愛倫坡本人與本故事男主角在面對理想母愛永不可得的事實之際如何透過白日夢來滿足對理想母親的欲望。第六章則為全書總結。
Abstract
From the perspective of psychoanalysis, this thesis explores the function and the influence of the nonhuman creatures’ gaze (including the animal gaze and the bird gaze) in Edgar Allan Poe’s four works—“The Murder in the Rue Morgue,” “The Black Cat,” “Metzengerstein,” and “The Raven.” Focusing on the function and influ-ence of the nonhuman creatures’ gaze, this book is concerned with how Poe and the male characters in these four works satisfy their desires for ideal maternal love and define their egos by daydreaming.
This thesis contains six chapters. Chapter One expounds thematic concerns cov-ered, introducing the thematic structure and methodology of this book. This chapter introduces psychoanalytic theories related to the Oedipus complex and the gaze. By connecting Poe’s aesthetic idea of “the death of the beauty” to Princess Marie Bona-parte’s concept of “murdered mother,” this chapter contends that the nonhuman crea-tures’ gaze is the imagination created by Poe’s and the male characters’ desire for the ideal mother. Chapter Two focuses on the gaze of the ourang-utan in “The Murders in the Rue Morgue,” analyzing how the ourang-utan, as an ideal father, castrates the Oe-dipus complex of the male characters in the story and discussing how the ourang-utan’s gaze strengthens Poe and the male characters’ desires for the ideal mother. Chapter Three explores the black cat’s gaze in Poe’s “The Black Cat”; it examines how the black cat’s gaze, as the gaze of an ideal mother, affects the behavior and mind of the adolescent protagonist. Focusing on Poe’s another mysterious story titled “Metzengerstein,” Chapter Four discusses how the horse’s gaze becomes the gaze of “the big Other” to help the Baron, the protagonist in Poe’s “Metzengerstein,” to achieve the ego ideal. Chapter Five centers on “The Raven” and the bird gaze, argu-ing that the self-image in the raven’s gaze is the reflection of the speaker’s ideal ego and that the speaker is able to repetitively obtain the ideal mother only by day-dreaming of his ideal ego in an imaginary world. Chapter Six, the closing chapter, is a brief summation of the entire book.
目次 Table of Contents
論文審定書…………………………………………………………………… i
中文摘要……………………………………………………………………… ii
Abstract ………………..……………................................................................ iv
Chapter One Prologue: The Psychoanalytic Interpretation of Nonhuman Creatures’ Gaze in Poe’s Works ………………………………………….. 1
Chapter Two A Son’s Ideal Family in Childhood: The Paternal Animal Gaze in “The Murders in the Rue Morgue”.……………………………. 12
Chapter Three A Son’s Ideal Mother during Adolescence: The Maternal Animal Gaze in “The Black Cat”……………………………………………25
Chapter Four A Son’s Ego Ideal in Adulthood: The Animal Gaze and the Mother’s Spirit in “Metzengerstein”………………………………….... 40
Chapter Five “Quoth the Raven, ‘Nevermore’”: The Bird Gaze, the Ideal Ego, and a Son’s Daydreaming in “The Raven”………………………… 53
Chapter Six Epilogue: Poe’s Dreams of the Ideal Maternal Love………….... 65
Works Cited………………………………………………………………..……. 68
參考文獻 References
Anderson, Kay. “‘The Beast Within’: Race, Humanity, and Animality.” Environment and Planning D: Society and Space 18 (2000): 301-320. Web. 10 Aug. 2015.
Bachelard, Gaston. The Psychoanalysis of Fire. Trans. Alan C.M. Ross. New York: Quartet Books, 1987. Print.
Bonaparte, Marie. “Selection from The Life and Works of Edgar Allan Poe: a
Psycho-analytic Interpretation.” The Purloined Poe: Lacan, Derrida & Psycho-analytic Reading. Ed. John P. Muller and William J. Richardson. Baltimore: The Johns Hopkins UP, 1988. 101-32. Print.
Buranelli, Vincent. Edgar Allan Poe. 2nd ed. Boston: Twayne, 1977. Print.
Case, Caroline. Imagining Animals: Art, Psychotherapy and Primitive States of Mind. London: Routledge, 2005. Print.
Davidson, Edward H. “‘The Raven’ and Afterward: A Poetry Beyond Meaning.” Poe: A Critical Study. Cambridge: the Belknap Press of Harvard UP, 1957. 76-104. Print.
Derrida, Jacques. “The Animal That Therefore I Am (More to Follow).” The Animal That Therefore I Am. Ed. Marie-Louise Mallet. Trans. David Wills. New York: Fordham UP, 2008. Print.
Evans, Dylan. An Introductory Dictionary of Lacanian Psychoanalysis. New York: Routledge, 1996.
Foucault, Michel. “The Wisdom of Marriage.” The Use of Pleasure: Volume 2 of The History of Sexuality. Trans. Robert Hurley. New York: A Division of Random House, Inc., 1990. 143-51. Print.
Freud, Sigmund. The Standard Edition of the Complete Psychological Works of Sig-mund Freud. Trans and Ed. James Strachey. Vol. 9. London: the Hogarth Press, 1959. Print.
—. The Ego and the Id. Trans. Joan Riviere. Ed. James Strachey. New York: W. W. Norton & Company, 1989. Print.
Harrison, James A. The Complete Works of Edgar Allan Poe: Volume I. Biography. Ed. James A. Harrison. Vol. 1. New York: AMS Press, Inc., 1979. Print.
Homer, Sean. “The Oedipus Complex and the Meaning of the Phallus.” Jacques
Lacan. London: Routledge, 2005. 51-64. Print.
Lacan, Jacques. The Seminar of Jacques Lacan: Book I, Freud’s Papers on Technique
1953-1954. Ed. Jacques-Alain Miller. Trans. John Forrester. Vol.1. New York:
W.W. Norton & Company. Print.
Lemay, J. A. Leo. “The Psychology of “The Murders in the Rue Morgue.”” American
Literature 54.2 (1982): 165-88. JSTOR. Web. 24 Oct. 2013.
Lestel, Dominique. “Strategies of Life.” Interviews with Research EU. By Christine Rugemer. Luxemburg: European Commission, 2008. Web. 10 Aug. 2015.
Poe, Edgar Allan. The Philosophy of Composition. Literary Criticism of Edgar Allan Poe. Ed. Robert L. Hough. Lincoln: U of Nebraska P, 1965. 20-32. Print.
—. Edgar Allan Poe: The Complete Stories. Alfred A. Knopf: Everyman’s Library, 1992. Print.
—. Spirits of the Dead: Tales and Poems. England: Penguin Popular Classics, 1997. Print.
Ragland-Sullivan, Ellie. “A Lacanian Theory of Cognition.” Jacques Lacan and the Philosophy of Psychoanalysis. Urbana: U of Illinois P, 1986. 130-95. Print.
Sartre, Jean-Paul. “The Encounter with the Other.” Basic Writing of Existentialism. Ed. & Trans. Gordon Marino. New York: The Modern Library, 2004. 391-409. Print.
Soave, Orland. “Historical Background.” The Animal/Human Bond: A Cultural Sur-vey. 2nd ed. Lanham: Austin & Winfield, Publishers, 2000. 4-39. Print.
Stedman, Edmund C. “Comment on the Poem.” The Raven. Ed. Edmund C. Stedman. New York: Harper & Brothers, 1884. 13-18. Print.
The New Oxford American Dictionary. Ed. Elizabeth Jewell and Frank Abate. New York: Oxford UP, 2001. Print.
Vanier, Alain. “The Symbolic.” Lacan. Trans. Susan Fairfiield. New York: Other
Press, 2000. 35-50. Print.
Zizek, Slavoj. “Fear Thy Neighbor as Thyself!”. Violence: Six Sideways Reflections. New York: Picador, 2008. 40-73. Print.
—. “Neighbors and Other Monsters: A Plea for Ethical Violence.” The neighbor: three inquiries in political theology. Chicago: U of Chicago P, 2005. 134-190. Print.
—. “The Detective and the Analyst—the Shift from Detective-Story to Detective-Novel in the 1920s.” Literature and Psychology. 1990. 27-46.
—. “The Interpassive Subject: Lacan Turns a Prayer Wheel.” How to Read Lacan. New York: Norton, 2007. 22-39. Print.
—. “Troubles with the Real: Lacan as a Viewer of Alien.” How to Read Lacan. New York: Norton, 2007. 61-78. Print.
—. “Ego Ideal and Superego: Lacan as a Viewer of Casablanca.” How to Read Lacan. New York: Norton, 2007. 79-90. Print.
—. “’I Hear You with My Eyes’; or, The Invisible Master.” Gaze and Voice as Love Objects. Ed. Renta Salecl and Slavoj Zizek. Durham: Duke UP, 1996. 90-126. Print.
電子全文 Fulltext
本電子全文僅授權使用者為學術研究之目的,進行個人非營利性質之檢索、閱讀、列印。請遵守中華民國著作權法之相關規定,切勿任意重製、散佈、改作、轉貼、播送,以免觸法。
論文使用權限 Thesis access permission:自定論文開放時間 user define
開放時間 Available:
校內 Campus: 已公開 available
校外 Off-campus: 已公開 available


紙本論文 Printed copies
紙本論文的公開資訊在102學年度以後相對較為完整。如果需要查詢101學年度以前的紙本論文公開資訊,請聯繫圖資處紙本論文服務櫃台。如有不便之處敬請見諒。
開放時間 available 已公開 available

QR Code