《原主題波蘭幻想曲》為波蘭作曲家帕德列夫斯基所創作的兩首鋼琴協奏曲其中一首，此作品利用幻想曲多段落的方式以及波蘭民族舞曲獨特的節奏、旋律特性所創作，結合了波蘭民族舞曲的特色、幻想曲的風格以及單樂章協奏曲的形式。
本文的第一章將詳細介紹帕德列夫斯基的生平，以了解其鋼琴演奏與政治生涯、重要作品的創作以及學習音樂的過程。第二章主要討論幻想曲的發展與特色，以及促成單樂章協奏曲發展之主要音樂家與作品特色。除此之外，波蘭民族舞曲的風格與特色也將在此章中做討論。最後在第三章中，則探討《原主題波蘭幻想曲》的創作背景，研究此作品的創作手法，並討論幻想曲、單樂章協奏曲與波蘭民族舞曲在此作品中的應用與影響。

Polish Fantasy on Original Theme is one of the two piano concertos composed by the Polish composer─Ignacy Jan Paderewski. Affected by the sectional manner of the fantasy, unique rhythm and the melody of Polish dance music, Polish Fantasy on Original Theme presented the feature of Polish dance music, the style of the fantasy and the form of single movement concerto.
This research includes three chapters. In order to comprehend Paderewski’s compositions, his music study, the career as a pianist, and as a statesman; the first chapter will investigate the life of Paderewski. The second chapter presents the development and the characteristic of fantasy, the advance of single movement concerto, the style and the feature of Polish dance music. The background of Polish Fantasy on Original Theme should be examined in detail in the last chapter. In the meanwhile the composition manner, the influences of the fantasy, single movement concerto and Polish dance music will also be discussed in the content.

前言…………………………………………………………1

第一章 帕德烈夫斯基的生平與音樂學習歷程…………3

第二章 歷史背景探討
第一節 幻想曲的發展……………………………………11
第二節 單樂章鋼琴協奏曲的發展………………………17
第三節 波蘭民族舞曲的特色……………………………20

第三章《原主題波蘭幻想曲》的創作背景及樂曲風格與分析
第一節 創作背景…………………………………………30
第二節 樂曲風格與分析…………………………………33

結論………………………………………………………56

參考書目…………………………………………………58

附錄
帕德烈夫斯基作品年表………………………………60

參考書目

Bach, Carl Philipp Emanuel. Essay one the True Art of Playing Keyboard Instruments. Translated and edited by William Mitchell. New York: W. W. Norton, 1949.
Choi, Yun Jung. “The Use of the Polish Folk Music Elements and the Fantasy Elements in the Polish Fantasy on Original Themes in G-Sharp Minor for Piano and Orchestra Opus 19 by Ignacy Jan Paderewski.” DMA dissertation, University of North Texas, 2007.
Czekanowska, Anna. Polish Folk Music: Slavic Heritage, Polish Tradition, Comtemporary Trends. Cambridge: Cambridge University Press, 1990.
Donaldson, Bryna. “Pianist Paderewski: Poland’s Premier.” Music Journal, 31:2 (Feb. 1973): 22.
Eigeldinger, Jean-Jacques. Chopin: Pianist and Teacher as Seen by His Pupils. Translated by Naomi Shohet with Krysia Osostowicz and Roy Howat. Cambridge: Cambridge University Press, 1986.
Finck, Henry T. Success in Music and How It Is Won. New York: Charles Scribner’s Sons, 1909.
Finck, Henry T. Paderewski and His Art. New York: Whittingham & Atherton, 1895.
Hobkins, Janina W. Ignacy Jan Paderewski: A Biographical Sketch and a Selective List of Reading Materials. Washington: Library of Congress, 1984.
Keefe, Simon P., ed. The Cambridge Companion to the Concerto. Cambridge: Cambridge University Press, 2005.
Kellogg, Charlotte. Paderewski. New York: Viking Press, 1956; Seventh printing in 1969.
Krehbiel, Henry E. “Analytical Notes on M. Paderewski’s Programmes.” ed. Maja Trochimczyk. Polish Music Journal 4 (Winter 2001).
Landau, Rom. Ignacy Paderewski: Musician and Statesman. New York: Crown Publishers, 1934.
Lang, Paul Henry, ed. The Concerto: 1800-1900. New York: W. W. Norton, 1969.
Layton, Robert, ed. A Companion to the Concerto. New York: Schirmer Books, 1989.
Steinberg, Michael. The Concerto: A Listener’s Guide. New York Oxford University Press, 1998.
Milligan, Thomas B. The Concerto and London's Musical Culture in the Late Eighteenth Century. Ann Arbor: UMI Research Press, 1983.
Nelson , Anne Marie. “Ignacy Jan Paderewski’s Piano Sonata in E-Flat Minor, Opus 21: Insights Into his Compositional Technique and Performance Style.” DMA dissertation, University of North Texas, 2003.
Paderewski, Ignacy Jan and Mary Lawton. The Paderewski Memoirs. New York: Charles Scribner’s Sons, 1939.
Parker, Jesse. “A Clavier Fantasy from Mozart to Liszt: A Study in Style and Content.” Ph. D. dissertateion, Stanford University, 1974.
Phillips, Charles. Paderewski: The Story of a Modern Immortal. New York: Da Capo Press, 1978.
Riedel, Johannes. Music of the Romantic Period. Dubuque: WM. C. Brown Company Publishers, 1969.
Roeder, Michael Thomas. A History of the Concerto. Portland: Amadeus Press, 1994.
Stojowski, Zygmunt. “Program Notes on Polish Music.” Polich Music Journal 5 (Winter 2002).
Swartz, Anne. “The Polish Folk Mazurka.” Studia Musicologica Academiae Scientiarum Hungaricae, T. 17, Fasc. 1/4 (1975): 249-255.
The New Grove Dictionary of Music and Musicians (2001). S. V. “Paderewski, Ignacy Jan” by Jim Samon.
The New Grove Dictionary of Music and Musicians (2001). S.V. “Fantasia” by E. Eugene Helm and William Drabkinr.
The New Grove Dictionary of Music and Musicians (2001). S. V. “Concerto” by Leon Botstein.
The New Grove Dictionary of Music and Musicians (2001). S. V. “Mazurka” by Stephen Downes.
The New Grove Dictionary of Music and Musicians (2001). S. V. “Krakowiak” by Stephen Downes.
The New Grove Dictionary of Music and Musicians (2001). S. V. “Oberek” by Stephen Downes.
The New Grove Dictionary of Music and Musicians (2001). S. V. “Poland” by Jan Seeszewski.
Veinus, Abraham. The Concerto. Garden City: Doubleday, Doran and Company, Inc., 1944.
Zamoyski, Adam. Paderewski. New York: Adam Zamoyski Ltd., 1982.

樂譜
Paderewski, I. J. Polnische Fantasie für Klavier und Orchester, Opus 19. Berlin: Bote & Bock.