伊薩克•阿爾班尼士（Isaac Albéniz, 1860-1909）為十九世紀後半西班牙重要作曲家，更是致力於推廣西班牙民族音樂的作曲家之一。他於一九○五年至一九○八年間完成的鋼琴曲集《伊貝利亞》（Iberia）當中，利用傳統的曲式架構為基礎，融合西班牙佛朗明哥音樂元素，並以巧妙的手法，結合了二十世紀如全音音階、複和弦等創新的寫作技巧，讓此部作品呈現出多樣化的面貌。
本研究共包括三章，第一章針對十九世紀西班牙鋼琴音樂與阿爾班尼士生平作討論，藉此可更清楚瞭解阿爾班尼士寫作風格形成的歷史因素；第二章介紹《伊貝利亞》的創作背景，同時在《伊貝利亞》曲集第二冊當中，所使用的佛朗明哥音樂元素特徵深入的探討；第三章分析《伊貝利亞》曲集第二冊的〈隆德納舞曲〉（Rondeña）、〈阿美里亞〉（Almería）與〈特里亞納〉（Triana），瞭解這三首樂曲的曲式架構與寫作手法。

Isaac Albéniz(1860-1909) is one of important Spanish composers in the second half of nineteenth century. Like many Spanish composers, Albéniz devotes his musical language based on national materials. In his Iberia, composed from 1905 to 1908, Albéniz not only combines the traditional formal structure and flamenco musical elements, but also applies the twentieth century compositional techniques, such as whole-tone scales and polychords.
This research consists three chapters. The first chapter focuses on the nineteenth century Spanish piano music and the life and musical background of Albéniz. The second chapter deals with the compositional background and the musical elements of the flamenco used in the second book of Iberia. The final chapter analyzes the formal structure and compositional techniques of the three pieces from the second book of Iberia: Rondeña, Almería and Triana.

目 錄

前言


第一章、 阿爾班尼士與十九世紀西班牙鋼琴音樂
第一節 十九世紀西班牙國民樂派的鋼琴音樂 3
第二節 阿爾班尼士的生平 8


第二章、 阿爾班尼士《伊貝利亞》第二冊之創作背景
第一節 《伊貝利亞》之創作背景 15
第二節 《伊貝利亞》第二冊中的佛朗明哥元素 19


第三章、 《伊貝利亞》第二冊之樂曲分析 33


結論 47



參考文獻 49

西文書目
Baytelman, Pola. Issac Albéniz: Chronological List and Thematiccatalog of his piano work. Michigan: Harmonie Park Press, 1993.
Chase, Gilbert. The Music of Spain. New York: Dover Publication, 1959.
Clark, Walter Aaron. Issac Albéniz: A Guide to Research. New York: Garland Publishing Inc., 1998.
_____. Issac Albéniz: Portrait of a Romantics. Oxford: Oxford University Press, 1999.
Gillespie, John. Five Century of Keyboard Music. New York: Dover Publications, 1972.
Istel, Edgar, “Issac Albeniz.”The Musical Quartly, Vol. 15, No. 1(Jan., 1929): 117-148.
Jean-Aubry, G. “Issac Albeniz.”The Musical Times, No. 898(Dec. 1,1917): 535-538.
Lewis, Lisa Michele. “Twelve Nouvelle Impressions: Historical and Cultural Factors Relating to the Performance of Issac Albéniz "Iberia" Suite.” D.M.A. diss., University of Wachinton, 1998.
Mast, Paul Buck. “Style and Structure in ‘Iberia’ by Isaac Albéniz.” Ph.D diss., University of Rochester, 1974.
Mitchell, Timothy. Flamenco Deep Song. New Haven and London: Yale University Press, 1994.
Powell, Linton E. A History of Spanish Piano Music. Bloomington: Indiana Press, 1980.
Pohren, Donn E. The Art of Flamenco. Madrid: Society of Spanish Studies,1990.
Schreiner, Claus. Flamenco New Jersey: Amadeus Press, 1996.
Schonberg, Harold C. The Great Pianists. New York: Simon & Schuster, 1963.
Serrano, Juan. Flamenco, Body and Soul: An Aficionado’s Instruction. Fresno: California State University, 1990.
The New Grove Dictionary of Music and Musicians(2001). S. V. “Cante hondo” by Israel J. Katz.
The New Grove Dictionary of Music and Musicians(2001). S. V. “Copla” by William Gradante.
The New Grove Dictionary of Music and Musicians(2001). S. V. “Flamenco” by Israel J. Katz.
The New Grove Dictionary of Music and Musicians(2001). S. V. “Guajira” by William Gradante.
The New Grove Dictionary of Music and Musicians(2001). S. V. “Fandango” by William H. Rosar.
The New Grove Dictionary of Music and Musicians(2001). S. V. “Seguidilla” by Jack Sage and Susana Friedmann.
Wang, Myungsook. Isaac Albeniz’s "Iberia" and the influence of Franz Liszt. D.M.A. diss., City University of New York, 2004.

中文書目
赫洛德．荀伯格（Harold C. Schonberg） 《國民樂派》。陳琳琳譯。 台北市：萬象，1994。
赫洛德．荀伯格（Harold C. Schonberg） 《不朽的鋼琴家》。顧連理，吳佩華譯。 台北市：世界文物，1998。
朱象泰。《史卡拉第奏鳴曲研究》。台北：大呂出版社，2001，再版。
朱象泰。〈法雅鋼琴音樂與西班牙吉他音樂的關係〉《鋼琴音樂三百年—國際學術研討會論文集》。台北：中華民國音樂教育學會，2001年。

樂譜
Albéniz, Issac. Iberia: Zweites Heft. Germany: G. Henle Verlag, 2007.