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博碩士論文 etd-0716102-152103 詳細資訊
Title page for etd-0716102-152103
論文名稱
Title
德布西鋼琴曲集"映像"
Debussy piano works "Image"
系所名稱
Department
畢業學年期
Year, semester
語文別
Language
學位類別
Degree
頁數
Number of pages
37
研究生
Author
指導教授
Advisor
召集委員
Convenor
口試委員
Advisory Committee
口試日期
Date of Exam
2002-06-25
繳交日期
Date of Submission
2002-07-16
關鍵字
Keywords
德布西
Debussy
統計
Statistics
本論文已被瀏覽 5714 次,被下載 2999
The thesis/dissertation has been browsed 5714 times, has been downloaded 2999 times.
中文摘要
摘 要
德布西是代表印象樂派的重要作曲家,在二十世紀初的鋼琴音樂佔有一席之地。整個創作生涯裡不斷地寫作鋼琴音樂作品,從這些作品中,可以深刻的感受他對鋼琴音響的試驗,並以自由創新的手法在音色上調以濃淡色彩。聽覺上製造出多層次的音樂世界。兩集《映像》寫作於1905至1907年間,是屬於德布西第二時期的作品,此時期的音樂風格是他探索鋼琴音響的顛峰期,作品深具想像力。第一集《映像》共包含三首樂曲,分別是《水的反光》、《拉摩讚歌》及《運動》,第二集亦是由三首作品組成:《葉之鐘聲》、《月下荒廟》及《金魚》。本文一共分為五個部份作論述:第一、是德布西的生平及創作生涯,第二、是印象主義與象徵主義對其創作風格的影響,第三、關於《映像》曲集的創作背景,第四、就《映像》的樂曲結構作探討,並分為曲式結構與創作素材、調式與旋律、和聲語法及特殊節奏作為分述,第五部份;就筆者彈奏《映像》一些技巧練習和詮釋作分析。彈奏德布西的作品,先是對於聲音的掌握與想像的結合,進而表現出作品的完整性與內涵,期待在技巧練習之餘,想法上能有更大的幫助與了解。

Abstract
Abstract
As a leading composer of Impressionism, Debussy constantly wrote works of piano music over his whole creative life and held an influential position in piano music of the early twentieth century. In his works, we can easily recognize his experiments on pianistic sounds as well as his liberally innovative techniques, which add dense and light colors in timbre and invent a multilayerd musical world in audition. Images I and II, written between 1905 and 1907, are works of Debussy's second period. This period is the zenith of Debussy's exploration in pianistic sounds, and furthermore works of this period are rich in imagination. Images I include three musical pieces “Reflect dans l’Eau” 、“Hommage a Rameau” and “Mouvement”, So do Images II “Cloches a travers les Feuilles” 、 “Et la Lune descend sur le Temple qui fut” and “Poissons d’Or”. This thesis comprises five sections. The first is about Debussy's life and his creative career; the second about influences from Impressionism and Symbolism on Debussy's styles; the third about the background of Images; the fourth about the structures of Images, which will be discussed respectively according to the following categories: structures of musical forms and raw materials, modes and melody, harmonies, and special rhythms; the fifth about analyses, based on my own experiences in playing Images, of some technical practices and interpretations. Playing Debussy's works first necessitates imagination of the player and a good command of sounds so that the works are able to display their spirits completely. I also expect for a further understanding about Debussy's music through technically practicing.

目次 Table of Contents
目 錄
一、德布西的生平…………………………………………………………1
二、印象主義與象徵主義對其創作風格的影響…………………………4
三、德布西鋼琴曲集《映像》創作背景……………………………………5
四、鋼琴曲集《映像》之結構………………………………………………7
1. 曲式結構與創作素材
2. 調式與旋律
3. 和聲語法
4. 節奏
五、鋼琴曲集《映像》之彈奏技巧和詮釋…………………………………29
六、結語………………………………………………………………………34
參考書目
參考文獻 References
外文部分
Burge, David. Twentieth-Century Piano Music. New York: Maxwell Macmillan International, 1990.
Briscoe, James R. Debussy in Performance. New Haven and London: Yale University Press, 1999.
Cortot, Alfred. French piano music. New York: Da Capo Press, 1977.
Cooper, Martin. The New Oxford History of Music X:The Modern Age 1890-1960. New York: Oxford University Press, 1974.
Dietschy, Marcel. A Portrait of Claude Debussy. New York: Oxford University Press Inc., 1990.
Howat, Roy. Debussy in Proportion. Cambridge: Cambridge University Press, 1983.
Nichols, Roger. Debussy Remembered. North America: Amadeus Press. 1996.
Park, Richard S. The Music of Claude Debussy. New Haven and London: Yale University Press, 1989.
Robert, Paul. Image: The Piano Music of Claude Debussy. North America: Amadeus Press, 1992.
Rowland, David. The Cambridge companion to the piano. New York: Cambridge University Press, 1998.
Raad, Virginia. "The Cathedrals of Monet and Debussy." Clavier (March 1986): 11-14
Sadie, Stanley. The New Grove Dictionary of Music and Musicians. 6th ed., S. V. "Claude Debussy", by Roger Nichols. London: Mcmillan Publishers Limited, 1980.
Sabaneer, Leonid. "Claude Debussy." Music and Letters (January 1929): 1-34
Schmitz, Robert E. The Piano Works of Claude Debussy. New York:Dover Publications, Inc., 1996.
Seaton, Doiglass. Ideas and Styles in the Western Musical Tradition. California: Mayfield Publishing Company, 1991.
Stolba, K. Marie. The Development of Western Music: A History. Wisconsin: Brown & Benchmark, 1990.
Trezise, Simon. La Mer. Cambridge University Press, 1994.
Vallas, Léon. Claude Debussy: His Life and Works. New York:Dover Publications, Inc., 1973.
Wenk, Arthur B. Debussy and the Poets. Berkeley: University of California Press, 1976.
中文部分
艾嘉蕙著。 《鋼琴水曲之研究─美學觀點與創作技巧之探討》。初版。台北市:捷太出版社。民國八十二年。

林勝儀譯,道斯(F. Dawes)著。 《德布希鋼琴曲》。三版。台北市:全音樂譜出版社。民國八十二年。

陳琳琳譯,荀伯克(Horold C. Schonberg)著。 《音樂瘋系列四:國民樂派》。初版。台北市:萬象出版社。民國八十二年。

葉松田發行。 《大英視覺藝術百科全書 第五卷藝術史:寫實主義─南非藝術》。初版。台北市:台灣大英百科股份有限公司。民國七十七年。

潘皇龍譯,黎翁斯坦(Leon Stein)著。 《音樂的結構與風格》。初版。台北市:全音樂譜出版社。民國六十四年。

樂譜
Debussy, Claude. Image I、II. New York: Dover Publications, Inc., 1992.

《德布西鋼琴曲集III》。 安川加壽子校訂。台北市:全音樂譜出版社。





參考書目
外文部分
Eisen, Cliff. Mozart Studies. New York: Oxford University Press, 1991.
Heartz, Daniel. Haydn, Mozart and the Viennese School 1740~1780. New York: W. W. Norton & Company. 1995.
Krehbiel, Henny. Mozart: The Man and the Artist Revealed in his Own Words. New York: Dover Publications, Inc. 1965.
Knepler, Geoge. Wolfgang Amade Mozart. Cambridge University Press. 1994.
London, H. C. Robbins. Mozart: The Golden Years 1781-1791. London: Thames and Hudson, 1990.
London, H. C. Robbins. The Mozart Compendium. New York: A Division of Macmillam, Inc. 1990.
Marshall, Robert L. Mozart Speaks: View on Music, Musicians, and the World. New York: A Division of Macmillam, Inc. 1991.
Rosselli, Charles. The Classical Style: Haydn, Mozart, Beethoven. New York: Norton, 1972.
Rosselli, John. The Life of Mozart. Cambridge University Press. 1998.
Sadie, Stanley. Wolfgang Amade Mozart: Essays on His Life and His Music. New York: Press Oxford University. 1996.
Rowland, David. The Cambridge companion to the piano. New York: Cambridge University Press, 1998.
Raad, Virginia. "The Cathedrals of Monet and Debussy." Clavier (March 1986): 11-14
Sadie, Stanley. The New Grove Dictionary of Music and Musicians. 6th ed., S. V. "Claude Debussy", by Roger Nichols. London: Mcmillan Publishers Limited, 1980.
Sabaneer, Leonid. "Claude Debussy." Music and Letters (January 1929): 1-34
Schmitz, Robert E. The Piano Works of Claude Debussy. New York:Dover Publications, Inc., 1996.
Seaton, Doiglass. Ideas and Styles in the Western Musical Tradition. California: Mayfield Publishing Company, 1991.
Stolba, K. Marie. The Development of Western Music: A History. Wisconsin: Brown & Benchmark, 1990.
Trezise, Simon. La Mer. Cambridge University Press, 1994.
Vallas, Léon. Claude Debussy: His Life and Works. New York:Dover Publications, Inc., 1973.
Wenk, Arthur B. Debussy and the Poets. Berkeley: University of California Press, 1976.

中文部分
艾嘉蕙著。 《鋼琴水曲之研究─美學觀點與創作技巧之探討》。初版。台北市:捷太出版社。民國八十二年。

林勝儀譯,道斯(F. Dawes)著。 《德布希鋼琴曲》。三版。台北市:全音樂譜出版社。民國八十二年。

陳琳琳譯,荀伯克(Harold C. Schonberg)著。 《音樂瘋系列四:國民樂派》。初版。台北市:萬象出版社。民國八十二年。

葉松田發行。 《大英視覺藝術百科全書 第五卷藝術史:寫實主義─南非藝術》。初版。台北市:台灣大英百科股份有限公司。民國七十七年。

潘皇龍譯,黎翁斯坦(Leon Stein)著。 《音樂的結構與風格》。初版。台北市:全音樂譜出版社。民國六十四年。

樂譜

Debussy, Claude. Image I、II. New York: Dover Publications, Inc., 1992.

《德布西鋼琴曲集III》。 安川加壽子校訂。台北市:全音樂譜出版社。
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