Responsive image
博碩士論文 etd-0723117-234328 詳細資訊
Title page for etd-0723117-234328
論文名稱
Title
交織的記憶與情感:威廉‧華茲華斯詩人自我身份認同
The Interwoven Memories and Feelings: William Wordsworth’s Sense of Identity
系所名稱
Department
畢業學年期
Year, semester
語文別
Language
學位類別
Degree
頁數
Number of pages
82
研究生
Author
指導教授
Advisor
召集委員
Convenor
口試委員
Advisory Committee
口試日期
Date of Exam
2017-07-20
繳交日期
Date of Submission
2017-09-04
關鍵字
Keywords
精神成長、身份認同、情感、威廉‧華茲華斯、詩人、記憶
spiritual growth, William Wordsworth, the poet, memory, feelings, sense of identity
統計
Statistics
本論文已被瀏覽 5921 次,被下載 0
The thesis/dissertation has been browsed 5921 times, has been downloaded 0 times.
中文摘要
在威廉‧華茲華斯詩作中,經常呈現記憶與情感的自然迸發交融。詩中描述他回憶童年的事件,揭露他情感的轉變,並且說明了詩人精神成長之過程。為了檢視華茲華斯如何建構自己詩人之身份,本文嘗試輔以心理分析之方法探討華茲華斯的詩作—〈丁騰寺〉(“TinternAbbey”)、〈永生的信息〉(“Ode: Intimations of Immortality”),以及華茲華斯自傳詩—《序曲》(The Prelude)。本論文主要分為三個章節:第一章,透過剖析《丁騰寺》以及《永生的信息》,討論華茲華斯對於詩人的定義;第二章延伸前一章的主題,將進而審視詩人自我身份建構與其詩作創作過程的關聯性;第三章將探討詩人1805年版本之《序曲》,試圖從詩人的自傳詩中探究他如何持續追尋自我身份認同,以及詩人自我身份認同是如何建構在他矛盾情感的轉變之中,使得詩人駐足於童年的回憶裡。整體而言,本論文旨在深入詮釋記憶與情感交織的過程中,華茲華斯如何建構詩人身份認同。
Abstract
Memory, inextricably interwoven with the spontaneous overflow of his feelings, plays a central role in the composition of William Wordsworth’s poetry. Looking back to the events of his childhood further reveals the transition of Wordsworth’s feelings and demonstrates the process of his spiritual growth. In order to examine how the poet composes the formation of the self, I turn to some practical psychological methods for the analysis of Wordsworth’s poems—“Tintern Abbey” and “Ode: Intimations of Immortality,” and more importantly, his autobiographical poem—the 1805 version of The Prelude. This thesis is divided into three chapters. Chapter One attempts to examine Wordsworth’s viewpoints of being a poet from textual analyses of “Tintern Abbey” and “Ode.” Chapter Two extends the discussion in the previous chapter and proves that Wordsworth’s identity-formation parallels the process of his composition. Chapter Three explores the 1805 version of The Prelude, with the intention to find out what inspires the continuous location of his sense of identity. This chapter will discuss how Wordsworth’s sense of self is developed during the transitions of his ambivalent “feelings” that make him linger on the state of childhood experiences. In general, this thesis aims to offer an in-depth interpretation of how Wordsworth constructs his sense of identity during the process of interweaving his memories and feelings.
目次 Table of Contents
論文審定書……………………………………………………………….i
Acknowledgments ……………………………………………………….ii
中文摘要………………………………………………………………...iii
Abstract………………………………………………………………….iv
Introduction……………………………………………………………....1
Chapter One: Wordsworth’s Sense of Self in Memories…….…………...9
Chapter Two: Wordsworth’s Self-Affirmation…………………...……..23
Chapter Three: Developing the Sense of Self: Wordsworth and The Prelude.....39
Conclusion………………………………………………………………67
Works Cited…………………………………………………..…………73
參考文獻 References
Chandler, David. “Life Writing in Wordsworth’s 1807 Poems in Two Volumes.” Charles Lamb Bulletin NS 139 (2007), 91-106. Print.
Darbishire, Helen. The Poet Wordsworth. Oxford : Clarendon Press, 1950. Print.
Eakin, Paul John. Living Autobiographically: How We Create Identity in Narrative. New York: Corrnell University, 2008. Print.
Faulkner, Joanne. “Vulnerability of ‘Virtual’ Subjects: Childhood, Memory, and Crisis in the Cultural Value of Innocence.” SubStance 42.3 (2013): 127-147. MUSE. Web. 6 Aug. 2014.
Lau, Beth. “Wordsworth’s The Prelude and Self-Defining Memories.” Recent Perspectives on European Romanticism. Ed. Larry H. Peer. Lewiston: Edwin Mellen P, 2002. Print.
---. “Wordsworth and Current Memory Research.” SEL 42.4 (2002): 675-92. MUSE. Web. 6 Aug. 2014.
Lee, Chia-Jung. “Between Speech and Silence in Wordsworth’s The Prelude-Transformation of Self in Text.” RURAMERICA 44.2 (2015):193-238. Print.
---. “Locating the Self in Temporality: The Wordsworthian Self and The Prelude.” The Wenshan Review of Literature and Culture. 10.2 (2017): 135-163. Print.
Magnuson, Paul. “Wordsworth and Spontaneity.” The Evidence of the Imagination: Studies of Interactions between Life and Art in English Romantic Literature. Eds Donald H. Reiman, Michael C. Jaye and Betty T. Bennett. New York: New York University Press, 1978. Print.
Mahoney, John L.. William Wordsworth: A Poetic Life. Bronk, New York: Fordham University Press, 1997. Print.
Marcus, Laura. Auto / Biographical Discourses: Theory, Criticism, Practice. Manchester: Manchester University Press, 1994. Print.
McAdams, Dan P. The Stories We Live By: Personal Myths and the Making of the Self. New York: Morrow, 1993. Print.
Milnes, Tim. William Wordsworth: The Prelude. New York: Palgrave Macmillan, 2009. Print.
Miall, S. David. “Locating Wordsworth: “Tintern Abbey” and the Community with Nature.” Romanticism on the Net 20 (2000): n. pag. Web. 30 April 2017. <http://www.erudit.org/fr/revues/ron/2000-n20-ron432/005949ar/>.
---. “Wordsworth and The Prelude: The Problematics of Feeling.” Studies in Romanticism 31.2 (1992): 233-253. Print.
Ismail, J. S. Nafi. “The Prelude: A Spiritual Autobiography of William Wordsworth.” ELLS 5.2 (2015): 145-54. Print.
Newlyn, Lucy. “‘The Noble Living and the Noble Dead’: Community in The Prelude.” The Cambridge Companion to Wordsworth. Ed. Stephen Gill. New York: Cambridge University Press, 2003. Print.
O’ Neill, M. (2007). “‘The Tremble from It Is Spreading”: A Reading of Wordsworth's ‘Ode: Intimations of Immortality’.” The Charles Lamb Bulletin NS 139 ( 2007): 74-90. Print.
Salvesen, Christopher. The Landscape of Memory: A Study of Wordsworth’s Poetry. Lincoln: U of Nebraska P, 1965. Print.
Schacter, Daniel L. Searching for Memory: The Brain, The Mind, and The Past. New York: Basic Books, 1996. Print.
---. The Seven Sins of Memory: How the Mind Forgets and Remembers. Boston: Houghton Mifflin, 2001. Print.
Singer, Jefferson A., and Peter Salovey. The Remembered Self: Emotion and Memory in Personality. New York: Free Press, 1993. Print.
Stelzig, Eugene. “Narrative Identity in Wordswoth’s Home at Grasmere.” SEL 53.4 (2013): 743-64. MUSE. Web. 25 Mar. 2015.
Wordsworth, William, and Samuel Coleridge. Lyrical Ballads: 1978 and 1800. Eds. Michael Gamer and Dahlia Porter. Peterborough, Ontario: Broadview Press, 2008. Print.
Wordsworth, William. The Poems. 1 Vols. Ed. John O. Hayden. London: Penguin,1994. Print.
---. The Prelude, 1799, 1805,1850. Eds. Jonathan Wordsworth, M. H. Abrams, and Stephen Gill. London: Norton, 1979. Print.
Yu, Yu-san. “Wordsworth’s ‘Silent Poet.’” EURAMERICA 32. 4 (2002): 741-74. Print.
---. “Poetic Identity, Aesthetics and Landscape in Wordsworth’s Poetry.” Concentric: Literary and Cultural Studies 31.1 (2005): 193-215. Print.
---. “The Sense of Place, the Inscription and Wordsworth’s ‘Poems on the Naming of Places.’" RURAMERICA 28.3 (1998): 73-99. Print.
---. “The Fall-Redemption Theme and the Function of the ‘Spots of Time’ in Wordsworth’s Prelude.” Concentric: Literary and Cultural Studies 28.1 (2002): 99-131. Print.
電子全文 Fulltext
本電子全文僅授權使用者為學術研究之目的,進行個人非營利性質之檢索、閱讀、列印。請遵守中華民國著作權法之相關規定,切勿任意重製、散佈、改作、轉貼、播送,以免觸法。
論文使用權限 Thesis access permission:自定論文開放時間 user define
開放時間 Available:
校內 Campus: 已公開 available
校外 Off-campus:永不公開 not available

您的 IP(校外) 位址是 3.143.4.181
論文開放下載的時間是 校外不公開

Your IP address is 3.143.4.181
This thesis will be available to you on Indicate off-campus access is not available.

紙本論文 Printed copies
紙本論文的公開資訊在102學年度以後相對較為完整。如果需要查詢101學年度以前的紙本論文公開資訊,請聯繫圖資處紙本論文服務櫃台。如有不便之處敬請見諒。
開放時間 available 已公開 available

QR Code