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博碩士論文 etd-0724112-155754 詳細資訊
Title page for etd-0724112-155754
論文名稱
Title
石黑一雄《浮世畫家》中的權力與衝突
Authorities and Conflicts in Kazuo Ishiguro’s An Artist of the Floating World
系所名稱
Department
畢業學年期
Year, semester
語文別
Language
學位類別
Degree
頁數
Number of pages
88
研究生
Author
指導教授
Advisor
召集委員
Convenor
口試委員
Advisory Committee
口試日期
Date of Exam
2012-07-05
繳交日期
Date of Submission
2012-07-24
關鍵字
Keywords
怪物電影、意識型態、被妖魔化的他者、美國占領、石黑一雄、二戰後日本、歷史、《浮世畫家》
American Occupation, Postwar Japan, history, Kazuo Ishiguro, An Artist of the Floating World, Ideology, Monster film, the demonic Other
統計
Statistics
本論文已被瀏覽 5773 次,被下載 2196
The thesis/dissertation has been browsed 5773 times, has been downloaded 2196 times.
中文摘要
本論文旨在以歷史觀點探索石黑一雄之作品《浮世畫家》中,充斥於主角小野鳟二生活中的家庭、美學與文化衝突。小野的記憶敘事揭露他在二戰前從一位反體制的藝術家搖身一變為激進的愛國與軍國主義者的過程,以及他如何透過模稜兩可的回憶面對與接受突如其來的社會地位轉變。以歷史背景佐以小野之敘事,可見小野職業生涯的轉變如何反映日本從亞洲新興國家轉變為崇尚軍國主義之帝國,繼而在二戰戰敗後臣服於美國之過程,以及隨之而起的一連串社會變遷。美軍的民主化及裁撤軍備政策澈底破壞包括天皇崇拜,父權至上思想以及傳統社會階級等日本價值體系。風起雲湧的社會變遷迫使日本民眾重新省思以及定義自我,同時處理視日本天皇為國家唯一領導者卻也是背叛者的矛盾情感。面對年輕世代對於其身為父親與繪畫名師之威權的挑戰與質疑,小野實為日本天皇之縮影。小野與其浸淫在美國文化環境中的外孫一郎的互動與對話,也揭示了日本民眾既歡迎美國占領勢力,卻也視其為格格不入之怪物的自相矛盾態度。本論文欲藉由檢視小說中重覆出現的三個權力象徵:父親、師傅與怪物,探討石黑一雄如何透過一位長者的自述,呈現歷史事件與時代的變遷對個人造成的深刻影響,以及個人如何回應與詮釋歷史。
Abstract
Adopting historical perspectives, this thesis explores domestic, aesthetic, and cultural conflicts in modern Japan surrounding Masuji Ono, the protagonist in Kazuo Ishiguro’s An Artist of the Floating World, as he looks back on his past. His memory narrative reveals his transformation from an iconoclastic young artist to a militarist propagandist in pre-war time, and finally to an old man who comes to terms with the loss of his prestige through none too reliable remembrances. Reading Ono’s narrative in cross reference to historical texts, I argue that his transformation is in step with Japan’s shift from a thriving nation to a militarist empire, and ultimately to a defeated nation subject to the Occupation after World War II and subsequent social changes. These changes are induced by democratization and disarmament engineered by the American army, which drastically undermine Japanese values, including the apotheosis of the Emperor, patriarchy, and social hierarchy. Forced to redefine themselves in the midst of the drastic social transformation, the Japanese harbor mixed feelings toward the emperor, regarding him as a guardian of the nation and a traitor. This ambivalence is profoundly felt by Ono, whose fall parallels the emperor’s, since his authority as a father and a painting master is interrogated by the younger generation, most notably his daughter. In particular, his interaction with his grandson, who is brought up with American values, registers the Japanese attitudes toward the American, considering the occupier as both a welcomed authority and an alien monster. By examining three prominent authority figures in the novel—father, master, and monster—this thesis uncovers Ishiguro’s agenda for negotiating an interface between history and personal memory.
目次 Table of Contents
論文審定書…………………………………………………………………………..i
Acknowledgment…………………………………………………………………….ii
摘要…………………………………………………………………………………iii
Abstract……………………………………………………………………………...iv
Chapter One: Introduction…………………………………………………………...1
Chapter Two: Domestic Conflicts-Gender and Generation………………………..18
Chapter Three: Aesthetic Conflicts and National Ideology………………………….37
Chapter Four: Cultural Conflicts-Samurai vs. Monster…………………………....56
Chapter Five: Conclusion…………………………………………………………….74
Works Cited…………………………………………………………………………..78
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