方當戈（Fandango）為西班牙傳統舞蹈，在十七和十八世紀期間流行於西班牙各個區域。方當戈常見的舞蹈特色為吉他伴奏、優雅的姿態以及在每段落結尾的部分逐漸加快的速度。方當戈歡樂與熱情的舞蹈風格，使它成為西班牙具代表性的舞蹈之一。
在西班牙悠久的歷史中，經歷過數個民族的殖民與統治，造就音樂與文化呈現豐富多樣性。自十五世紀起，大批吉普賽人抵達西班牙安達魯西亞地區，吉普賽人將西班牙傳統音樂與舞蹈結合至吉普賽歌舞中，使之漸漸融合成為佛朗明哥，而方當戈即為眾多被運用到佛朗明哥的西班牙歌舞之一。
本研究分為四個部分，第一部分闡述方當戈的起源與發展、包含表演形式與舞蹈特性，以及與佛朗明哥之關聯；第二部份為分析十七至十八世紀音樂手抄本中的方當戈；第三部分則是針對十八世紀西班牙作曲家，史卡拉第與索列爾所創作的鍵盤方當戈進行探究，藉由分析來探討傳統方當戈的音樂與舞蹈元素在鍵盤上的運用與影響；最後部分將研究內容作總結。

Fandango, a traditional Spanish dance, became popular in various regions of Spain in the seventeenth and eighteenth centuries. The features of fandangos at the time were guitar accompaniment, graceful gesture and gradually increasing speed at the end of each section. The joy and passion in fandango led itself one of the most representative dances in Spain.
Due to the colonization and domination of several nationalities, the culture of Spain developed into diversity and integration. In the fifteenth century, a large number of gypsies arrived in Andalusia, they blended Spanish music and dance at the time with gypsy turning into Flamenco. Fandango was one of the dances applied to Flamenco.
This research is divided into four parts. The first part contains the origin and development of Fandango, including performance style, dancing characteristic, and relationship to Flamenco. The second part is the analysis of Fandango music manuscripts in the seventeenth and eighteenth centuries. And the third part will explore Fandango on keyboard in the eighteenth century by analyzing works of two composers, Domenico Scarlatti and Antonio Soler. Finally, a short summary will end the thesis.

中文摘要…………………………………………………………………… i
英文摘要…………………………………………….…………………….. ii
目錄…………………………………………………………………………iii
表次....…………………..………………………………………………….iv
圖次....………………………………………..……………………………..v
譜例目次…………...………………………………………………………vi
前言…………………………………………………………….……………1
壹、 方當戈起源與發展........................................................................2
一、方當戈起源與發展………………………………..…………………..2
二、方當戈表演形式與舞蹈特性……………………..……………......…4
三、方當戈與佛朗明哥之關聯……………….……….…………………..5
貳、 十七至十八世紀音樂手抄本中的方當戈………………..…………13
一、手抄本中的方當戈………………………………..………………....13
二、慕西亞〈方當戈〉之分析……………………..…………………....20
參、 十八世紀鍵盤方當戈……………………………………..…………25
一、史卡拉第〈方當戈〉之分析…………….....................………..….25
二、索列爾〈方當戈〉之分析……………..........................................32
結論………………………………………………………………….…….42
參考文獻…………………………………………………………………..44

外文書目
Arsenyan, Hayk. “Performance guide to three keyboard sonatas of Antonio Soler.” D.M.A diss.,University of Iowa, 2009.
Bellman, Jonathan D. “Ongherese, Fandango, and Polonaise: National Dance as Classical-Era Topic.” Journal of Musicological Research 31.2-3 (2012): 70-96.
Bobri, Vladimir. The Segovia Technique. New York: The Macmillan Company, 1972.
Boyd, Malcolm. Music in Spain during the eighteenth century. Cambridge University Press, 1998.
Buendía, Guillermo Castro. “A vueltas con el fandango Nuevos documentos de estudio y análisis de la evolución rítmica en el género del fandango.”
Carroll, Frank Morris. An Introduction to Antonio Soler. Diss. University of Rochester., 1960.
Chase, Gilbert. The Music of Spain. New York: W.W. Norton & Company Inc., 1941.
Craig H. Russell and Monica Hall. “Murcia, Santiago de.” Grove Music Online. (Acessed May 15, 2017) http://www.oxfordmusiconline.com/subscriber/article/grove/music/41508.
D. C. Ibănescu, “The Poetics of Soler’s Sonata.” Bulletin of The Transilvania University of Braşov Series VIII: Art‧Sport‧Vol.4, No.2 (2011):51
Esses, Maurice. Dance and Instrumental Diferencias in Spain During the 17th and Early 18th Centuries: History and background, music and dance. Pendragon Press, 1992.
Frederick Marvin. “Soler, Antonio.” Grove Music Online. (Accessed May 15, 2017) http://www.oxfordmusiconline.com/subscriber/article/grove/music/26133
Israel J. Katz. “Fandango.” Grove Music Online. (Accessed May 15, 2017) http://www.oxfordmusiconline.com/subscriber/article/grove/music/09282
Israel J. Katz. “Flamenco.” Grove Music Online. (accessed May 15, 2017) http://www.oxfordmusiconline.com/subscriber/article/grove/music/09780
Johnson, Thomas. Selected Harpsichord Sonatas by Antonio Soler: Analysis and Transcription for Classical Guitar Duo. Diss. University of North Texas, 2008.
Kirkpatrick, Ralph. Domenico Scarlatti: Revised Edition. Princeton University Press, 1983.
Manuel, Peter. “From Scarlatti to ‛Guantanamera’: Dual Tonicity in Spanish and Latin American Musics.” Journal of the American Musicological Society 55.2 (2002): 311-336.
Marvin, Frederick. “Antonio Soler.” The Consort, no. 39, (1983)
Meri, La. Spanish Dancing. Literary Licensing, LLC, 2013.
Sadowsky, Reah. “Antonio Soler: Creator of Spain's Fifth Century of Musical Genius.” American Music Teacher 28.1 (1978): 10-15.
Schreiner, Claus. Flamenco. New York: Amadeus Press, 1998.
Vittucci, Matteo Marcellus. The Language of Spainsh Dance. Canada: Princeton Book Company, 2003.

樂譜
Soler, Antonio. Fandango. New York: Dover Publications, Inc., 1997
Scarlatti,Domenico. Fandango. Maurizio Machella, ed.

中文書目
朱象泰。《史卡拉第奏鳴曲研究》(台北: 大呂出版社，2001)
李美文。〈阿爾班尼士鋼琴音樂中的吉他聲–以西班牙組曲為例〉。《1850年至21世紀法國與西班牙古典音樂作品國際學術研討會》東海大學音樂系，台中(2009年7月)