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博碩士論文 etd-0804116-160730 詳細資訊
Title page for etd-0804116-160730
論文名稱
Title
四部早期現代英國巫術劇本中的空間政治
Spatial Politics in Four Early Modern English Witchcraft Plays
系所名稱
Department
畢業學年期
Year, semester
語文別
Language
學位類別
Degree
頁數
Number of pages
72
研究生
Author
指導教授
Advisor
召集委員
Convenor
口試委員
Advisory Committee
口試日期
Date of Exam
2016-07-05
繳交日期
Date of Submission
2016-09-05
關鍵字
Keywords
《女巫》、《蘇浮妮絲芭的悲劇》、女巫、空間、騷亂、巫術、《埃德蒙頓的女巫》、《蘭開夏郡的女巫》
witch, witchcraft, space, disorder, The Witch of Edmonton, The Witches of Lancashire, The Tragedy of Sophonisba, The Witch
統計
Statistics
本論文已被瀏覽 5709 次,被下載 35
The thesis/dissertation has been browsed 5709 times, has been downloaded 35 times.
中文摘要
本文探討的是四部前近代時期英國戲劇中女巫及他人的關係及空間政治。女巫形象的建立,與宗教、政治、社會及經濟等的變革息息相關;無法符合社會規範者可能會被指責為巫術練習者。文中可見象徵騷亂的女巫及其他角色在劇中發生衝突和與社會價值觀產生排斥,進而影響到劇中自己其他人的空間及身體空間。藉著其他研究者的社會文化研究,筆者利用文本分析來探究台詞背後的社會意涵。
第一章筆者討論英國埃德蒙頓地區居民對於他人的看法是如何影響該地社會氛圍的建構。透過相互監視、耳語,所有人都被評價,也被分類。《埃德蒙頓的女巫》女主角索以爾太太便是此機制的受害者。而她的「女巫式」行為則是她空間受迫的原因。第二章則藉《蘭開夏郡的女巫》討論傑諾洛斯夫人及其女巫同夥,是如何利用女巫的身分達到破壞倫理、社會秩序、滿足個人慾望,而造成社區居民的恐懼及不安。而失序的蘭開夏社區是如何脫離女巫的混亂、魔咒並恢復秩序亦是本章討論的重點。第三章筆者將探討《蘇浮妮絲芭的悲劇》及《女巫》中女巫及類女巫所代表的混亂形象及其違反社會價值觀的表現。
考慮到當時的社會變化,女巫及大眾的衝突是無可避免的。因此在結論中,基於文學反映社會,透過文本研究一方面,筆者認為戲劇中對女巫及巫術的恐懼的描寫是反映當時民眾對那些不符合社會規範者的看法。另一方面,雖然這些劇本已流傳許久,但仍能起到關注現今的邊緣族群及其在社會中地位的議題的功能。
Abstract
The purpose of this thesis is to explore the relationship between witches and people and its spatial politics in four early modern English plays. The construction of witch’s image is closely related with the alterations of religions, politics, and social-economy. Who cannot be accordance with the social norms could be accused with practicing witchcraft. It can be seen that the witch, which symbolizes as disorderliness at that time, has conflicts with other characters and also contradicts with the social norms which further influence, not only theirs but others’ space and body space within the plays. Along with other researchers’ social-cultural research, I utilize textual analysis to see the social implications behinds lines.
In chapter one I discuss how Edmonton’s residents’ opinion on others influences the construction of social phenomenon. By mutual monitoring and gossiping everyone is judged and categorized. The female protagonist of The Witch of Edmonton Mother Sawyer is the victim of this mechanism. Her witch-like behaviors is the cause of her space being oppressed. In chapter two, I want to discuss how Mrs. Generous and her witches utilize the witch identity to disorder ethics and society, fulfill personal desire, and raise fear and panic within the community in The Witches of Lancashire. How Lancashire community disengages from witches’ disorderliness is another discussion point. In Chapter three I will focuses on the disordered images witches and witch-like women represent and the performance of violating social norms in The Tragedy of Sophonisba and The Witch.
Take the social changes at that time into consideration, the conflict between witches and the public is unavoidable. Therefore, in conclusion, on the one hand, since literature reflects the contemporary society, I suggest that through the study of texts, the description of fear and villainy to witches and witchcraft is the reflection of people’s opinion about whom fails to accord with the social norms at that time. On the other hand, although these plays are long-popular, they call attention to the issue of marginalized groups and their position in the society nowadays.
目次 Table of Contents
論文審定書 i
Acknowledgement ii
中文摘要 iii
Abstract iv
Introduction 1
Chapter One 15
The Victimized Witch in The Witch of Edmonton
Chapter Two 27
The Unruly Witches in The Witches of Lancashire
Chapter Three 40
Witches and the Witch-like Women in The Tragedy of Sophonisba and The Witch
Conclusion 55
Works Cited 59
Appendix 64
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