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博碩士論文 etd-0805108-155624 詳細資訊
Title page for etd-0805108-155624
論文名稱
Title
勃豪斯拉夫.馬悌努《雙簧管協奏曲,作品H. 三五三》 之研究與分析
A Study and An Analysis on Bohuslav Martinů’s Oboe Concerto, H. 353
系所名稱
Department
畢業學年期
Year, semester
語文別
Language
學位類別
Degree
頁數
Number of pages
114
研究生
Author
指導教授
Advisor
召集委員
Convenor
口試委員
Advisory Committee
口試日期
Date of Exam
2008-06-12
繳交日期
Date of Submission
2008-08-05
關鍵字
Keywords
馬悌努、雙簧管協奏曲、坦希布達克、尹德謬勒、雷森斯、霍利格、葛利茲奇、作品H. 三五三、克萊恩
Jiři Tancibudeck, Ingo Goritzki, Bohuslav Martinů, Heinz Holliger, Lajos Lencsés, Thomas Indermühle, Alex Klein, H. 353, Oboe Concerto
統計
Statistics
本論文已被瀏覽 5679 次,被下載 952
The thesis/dissertation has been browsed 5679 times, has been downloaded 952 times.
中文摘要
勃豪斯拉夫.馬悌努(Bohuslav Martinů, 1890-1959)於一九五五年創作的《雙簧管協奏曲,作品H. 三五三》,是二十世紀中雙簧管最重要的音樂作品之一。此樂曲在馬悌努死亡後一年才出版,作曲家的晚年亦因病而未能對樂譜做仔細的校對工作,使得現今樂譜版本內容的正確性有眾多分歧的不同想法。本研究主要針對樂譜音符之正確性,深入比較具有權威性的雙簧管演奏家之詮釋有聲資料版本,論敘吹奏音符與演奏詮釋之差異性,進而探究馬悌努對此晚年作品最原始音樂想法的可能性。
研究內容除緒論及結論以外,共分為三章。緒論裡面包含本論文之研究動機、目的、文獻探討以及名詞界定的部份。第一章為作曲家介紹,除了論述馬悌努的生平和音樂風格之外,並將《雙簧管協奏曲,作品H. 三五三》主要的特色簡述於其中。第二章則先敘述《雙簧管協奏曲,作品H. 三五三》之創作歷程,並做樂曲之分析,把此樂曲中主要運用的素材以表格呈現。在練習建議中,將《雙簧管協奏曲,作品H. 三五三》較困難樂段挑選出來並說明練習的方法、演奏的技巧以及可運用的練習教材。第三章是本論文要深入探討的重要章節,主要是著重在樂譜版本內容之正確性與有聲資料的版本比較。第一節是樂譜版本之比較,運用已出版的鋼琴及管絃樂團兩種樂譜版本做比對,並且參考文獻所提供的資料,將音符與演奏法之正確性做一整理。本人亦將《雙簧管協奏曲,作品H. 三五三》各版本中,不同之吹奏音符標示於本論文附錄中之樂譜上,以利讀者統整查閱。第二節為有聲資料的版本比較,以首演此曲之雙簧管演奏家及其它五位具權威地位之重要雙簧管演奏家:坦希布達克、葛利茲奇、霍利格、雷森斯、尹德謬勒和克萊恩的有聲資料做比較。在此章節中深入研究重要雙簧管演奏家們對此曲音符正確性的選擇及音樂風格特色的詮釋方式。本文之結論則將前面所探討的重點做一歸納與整理。
Abstract
Bohuslav Maritnů’s Oboe Concerto, H. 353 is one of the most important oboe works in the twentieth century. This Concerto is composed in 1995, in Maritnů’s later life period. There are numerous mistakes and controversies over the final published version. This has resulted various interpretation of the same piece by many performers throughout the decades. The main topic of this research concerns with the differences of the published editions and six recordings.
This thesis is consisted of introduction, conclusion, and other three main chapters. The introduction includes research motivation, purpose, literature review and components definition. The first chapter is the introduction of Maritnů’s life and music. Also, the important features of Oboe Concerto, H. 353 are briefly described in this chapter. The second chapter detailed described and the analyzed the Oboe Concerto, H. 353. The essential materials used in this piece are analyzed and organized in table charts. Nevertheless, for giving the instructions for practicing this piece, the play-skills and teaching-materials are suggested along with the difficult parts of the whole composition. Chapter three is the most important part of this thesis. This chapter mainly focuses on the comparison between scores and sound recordings, and discusses the accuracy of these versions. The scores including the piano version and the orchestra versions and those are expounded in the section one. Furthermore, according to the literatures, the correctness of musical notes and articulation are arranged in this section. I also mark the mistakes of each movement of Oboe Concerto, H. 353 in appendix for readers’ references. Section two in chapter three is the comparison of different sound recordings of this piece. The six important and accomplished oboists’ recordings are discussed in order to let readers realize these great oboists’ music style and their characteristics. These most influential performers are Jiři Tancibudeck, Ingo Goritzki, Heinz Holliger, Lajos Lencsés, Thomas Indermühle, and Alex Klein. The last part is the conclusion of this thesis which concluded and analyzed the whole thesis.
目次 Table of Contents
摘要……………………………………………………ii
英文摘要………………………………………………iii
目錄……………………………………………………iv
表圖目錄………………………………………………v
譜例目錄………………………………………………vi
緒論…………………………………………………… 1
第一章 馬悌努生平簡介與音樂風格…………………4
第二章 馬悌努《雙簧管協奏曲》……………………10
第一節 創作背景………………………………………10
第二節 樂曲分析………………………………………13
第三節 練習建議………………………………………35
第三章 版本比較………………………………………39
第一節 樂譜版本比較與正確性………………………39
第二節 有聲資料版本比較……………………………62
結論…………………………………………………… 90
參考文獻……………………………………………… 91
附錄一 馬悌努《雙簧管協奏曲》第一樂章,音符正誤與
差異性,鋼琴樂譜版本,雙簧管部份……………………93
附錄二 馬悌努《雙簧管協奏曲》第二樂章,音符正誤與
差異性,鋼琴樂譜版本,雙簧管部份……………………95
附錄三 馬悌努《雙簧管協奏曲》第三樂章,音符正誤與
差異性,鋼琴樂譜版本,雙簧管部份……………………97
參考文獻 References
西文
Beckerman, Michael. ed. Martinů’s Mysterious Accident: Essays in Honor of Michael Henderson. Hillsdale: Pendragon Press, 2007.
Burgess, Geoffrey and Haynes, Bruce. The Oboe. London: Yale University Press, 2004.
Hejzlar, Tomáš. ed. V Náručí Domova: Sborník Fotografií a Článků o Bohuslavu Martinů. Praha: Společnost Bohuslava Martinů, 1980.
Joppig, Gunther. The Oboe and the Bassoon. Portland: Amadeus Press, 1988.
Large, Brian. Martinů. London: Duckworth, 1975.
Mihule, Jaroslav. Bohuslav Martinů. Praha: Státní Hudební Vydavatelství, 1966.
__________. Bohuslav Martinů: Profil Života a Díla. Praha: Editio Supraphon, 1974.
Šafránek, Miloš. Bohuslav Martinů: His Life and Works. London: Allan Wingate, 1962.
__________. Bohuslav Martinů: The Man and His Music. London: Dennis Dobson Limited, 1946.

論文
Yeon-Jee, Sohn. “A Diversified Selection of 20th Century Oboe and English Horn Concerti.” Ph. D. diss., University of Maryland. 2003.

期刊
Abbott, Graham. “The Tancibudek Story.” The Journal of International Double Reed Society, Vol. 28 No.2 (2005): 148-152.
Beckerman, Michael. “In Search of Czechness in Music.” 19th-Century Music, Vol. 10 No.1 (1986): 61-73.
Brody, James. “Corrections to the Martinů Oboe Concerto.” The Journal of International Double Reed Society, Vol. 13 No.1 (1990): 49.
Jepson, Barbara. “An Oboe Virtuoso Deffeats Clarinet Envy.” The Journal of International Double Reed Society, Vol. 7 No.1 (1984): 20.
Krause, Kathleen. “The Goritzki Oboe, Oboe d’amore, Bach Master Class.” The Journal of International Double Reed Society, Vol. 8 No.3 (1985): 6-10.
Šafránek, Miloš. “Bohuslav Martinů.” The Musical Quarterly, Vol. 29 No.3 (1943): 329-354.
Stolper, Daniel. “Obituary: Jiři Tancibudeck.” The Journal of International Double Reed Society, Vol. 27 No.2 (2004): 43-44.
__________. “The Martinů Oboe Concerto and John de Lancie.” The Journal of International Double Reed Society-To the World’s Oboists, Vol. 3 No.1 (1975): 6.
Tancibudeck, Jiři. “Bohuslav Martinů: Concerto for Oboe with a Small Orchestra (1955).” The Journal of International Double Reed Society, Vol. 13 No.1 (1990): 47.

電子資料
http://oberlin.edu/con/bkstage/200604/severance.html

有聲資料
Doherty, Diana. Haydn, Mozart, Martinů, Zimmermann: Oboe Concertos. Switzerland: Pan Classics, 1998. (510-090)
Feit, Pierre W. Oboenkonzerte. Germany: Preciosa Aulos, n.d. (Pre 66030 Aul)
Goritzki, Ingo. Oboe Concertos from Bohemia. Switzerland: Claves Records, 1990. (CD 50-9018)
Holliger, Heinz. Martinů, Honegger, Martin, Concertos. London: Philips Records, 1993. (CD 434 105-2)
Indermühle, Thomas. 4 Oboe Concertos. Japan: Camerata Records, 1994. (30CM-346)
King, Nancy Ambrose. Oboe Concertos by Mozart, Goossens, Vaughan Williams and Martinů. England: Cala Records, 2003. (CACD1035)
Klein, Alex. Twentieth Century Oboe Concertos. Chicago: Cedille Records, 2004. (CDR 90000 079)
Lencsés, Lajos. Oboe Concertos. Königsdorf: Capriccio Records, 1990. (Stereo-10 308)
Tancibudeck, Jiři. Jiři Tancibudeck: The Landmark Recordings. Aurstralia: Australian Broadcasting Corporation, 2001. (461 703-2)

樂譜
Martinů, Bohuslav. Concerto pour Hautbois et Orchestre. (M.E. 7094) Paris: Editions Max Eschig, 1960.
__________. Concerto pour Hautbois et petit Orchestre. (M.E. 7055) Paris: Editions Max Eschig, 1960.
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