《降B大調低音管協奏曲K. 191》（Bassoon Concerto in B-flat major K. 191）完成於1774年，為沃夫岡•阿瑪迪斯•莫札特（Wolfgang Amadeus Mozart, 1756- 1791）早期的作品。
本論文首先從莫札特《降B大調低音管協奏曲K.191》的創作背景展開，並依序探討其樂曲結構、管弦樂版本及鋼琴版本之間的差異以及樂曲詮釋。第三章管弦樂版本和鋼琴版本比較部份，參考了伊凡•寇斯特納（Ivan Kostlan, 1877- 1963）所編輯，由音樂萊萊（Musica Rara）出版社於1961年出版之鋼琴版本；以及亞瑟•威森伯格（Arthur Weisberg, 1931-2009）所編輯，由國際音樂公司（International Music Company）出版社於1964年出版之鋼琴版本。而樂曲詮釋章節則針對樂句處理、裝飾奏（Cadenza）以及特殊指法三部份的探討供讀者參考。

Wolfgang Amadeus Mozart’s Bassoon Concerto in B-flat major K. 191 was composed in 1774, in Mozart’s early life period.
This thesis starts from the introduction of the composing background of Bassoon Concerto in B-flat major K. 191. Then discusses the structures of the concerto, the differences between the orchestral and the piano edition, and the interpretation of the performance. The third part of this thesis is to discuss the differences between Mozart's original version and the two piano versions arranged by Ivan Kostlan in 1961 and Arthur Weisberg in 1964. The first piano verstion which published by Musica Rara in 1961 was arranged by Ivan Kostlan. The second piano version which published by International Music Company in 1964 was arranged by Arthur Weisberg. The final part of this thesis is to discuss the musical phrases, cadenzas and special fingering.

致謝辭......................................................................... i
摘要............................................................................. ii
英文摘要.................................................................... iii
目錄............................................................................. iv
前言............................................................................. 1
第一章 莫札特《降B大調低音管協奏曲K. 191》. 3
第一節 創作背景........................................................ 3
第二節 由來及出版.................................................... 5
第二章 樂曲結構探討................................................ 7
第三章 管弦樂版本與鋼琴版本相異之處................ 40
第四章 樂曲詮釋........................................................ 54
第一節 樂句處理........................................................ 54
第二節 裝飾奏（Cadenza）................................... 61
第三節 特殊指法........................................................ 65
結語............................................................................. 68
參考文獻..................................................................... 69

西文書目
Badura-Skoda, Paul. Interpreting Mozart: The Performance of His Piano Pieces and other Compositions. New York: Routledge, c2008.
Burkhart, Charles. Anthology for Musical Analysis. Thomson/Schirmer, 1994.
Caplin, William Earl. Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven. New York: Oxford University Press, 1998.
Dimond, Peter. A Mozart Diary: A Chronological Reconstruction of the Composer's Life, 1761-1791. Westport, Conn.: Greenwood Press, 1997.
Eisen, Cliff and Simon P. Keefe. The Cambridge Mozart Encyclopedia. Cambridge, [England]: Cambridge University Press, 2006.
Green, Douglass M. Form in Tonal Music: An Introduction to Analysis. Harcourt Brace Jovanovich College Publishers, 1979.
Grout, Donald Jay, and Claude V. Palisca. A History of Western Music. New York: W. W. Norton & Company, Inc., 1980.
Heartz, Daniel. Haydn, Mozart, and the Viennese School, 1740-1780. New York: W.W. Norton, c1995.
Jansen, Will. The Bassoon: Its History, Construction, Makers, Players, and Music.Vol.1-5. Buren, The Netherlands: Uitgeverij F. Knuf, c1978.
Joppig, Gunther. The Oboe and the Bassoon. Portland, Or.: Amadeus Press, 1988.
Marty, Jean-Pierre. The Tempo Indications of Mozart. New Haven: Yale University Press, c1988.
Morris, James M. On Mozart. Cambridge; New York: Cambridge University Press, 1994.
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Rosen, Charles. Sonata Forms. New York: W. W. Norton, c1980.
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The New Grove Dictionary of Music and Musicians. (2001), S.V. “Wolfgang Amadeus Mozart,” by Eisen, Cliff and Stanley Sadie.
The New Grove Dictionary of Music and Musicians. (2001), S.V. “Bassoon.” by Waterhouse, William.

中文書目
邵義強。 《 協奏曲欣賞（上）》。台北：全音樂譜出版社，民國81年。
邵義強。 《 管弦樂淺釋（上）》。台北：全音樂譜出版社，民國80年。
林勝儀 譯。 《 作曲家別名曲解說珍藏版13: 莫札特1》。台北：美樂出版社，民國90年。
林勝儀 編譯。 《 名曲指南3：協奏曲（上）》。台北：天同出版社，民國77年。
音樂之友社。 《 古典名曲欣賞導聆3:協奏曲》。台北：美樂出版社，民國86年。
許麗雯。 《 你不可不知道的100首協奏曲及其故事》。台北：高談文化事業股份有限公司，民國94年。
許茂松 主編。 《世界36大音樂家：偉大的樂章》。台北：藍保實業有限公司。
格勞特（D. J. Grout）、帕利斯卡（C. V. Palisca）。 《西方音樂史》，汪啟璋等翻譯。北京：人民音樂出版社，1996年。
劉志明。 《西洋音樂史與風格》。台北：全音樂譜出版社，民國88年。
徐家駒。 《低音管指法研究》。台北：全音樂譜出版社，民國77年。
張友珊。 《西方音樂家的故事》。台北：林鬱文化，1993年。
楊沛仁。 《音樂史與欣賞》。台北：美樂出版社，2001年。


有聲資料
Chapman, Michael. Mozart. Clarinet Concerto, Oboe Concerto, Bassoon Concerto. Germany: Philips Classics Productions, 1972.
Sharrow, Leonard. Symphony no. 35 "Haffner", Divertimento no. 15, Bassoon concerto. New York: BMG Music, 1992.
Thunemann, Klaus. Mozart. Clarinet Concerto, Oboe Concerto, Bassoon Concerto. Germany: Philips Classics Productions,1989.
Turkovic, Milan. Mozart, Haydn, Villa-Lobos, Francaix, Gershwin: Fagotto Concertante. Germany: ORFEO International Music GmbH, 1991.

樂譜
Mozart, Wolfgang Amadeus. ed by von Franz Giegling. Neuen Mozart-Ausgabe. Serie V, Werkgruppev 14, Band 3. Germany: Barenreiter, 1981.
Mozart, Wolfgang Amadeus. ed. by Ivan Kostlan. Bassoon Concerto in B-flat major, K.191 for Bassoon and Piano. Londo: Musica Rara, 1961.
Mozart, Wolfgang Amadeus. ed. by Arthur Weisberg. Bassoon Concerto in B-flat major, K.191 for Bassoon and Piano. New York: International Music Company,1964.