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論文名稱 Title |
維吉妮亞•吳爾芙的陰性書寫 Towards a Feminine/Feminist/Female Discourse of Virginia Woolf |
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系所名稱 Department |
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畢業學年期 Year, semester |
語文別 Language |
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學位類別 Degree |
頁數 Number of pages |
166 |
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研究生 Author |
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指導教授 Advisor |
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召集委員 Convenor |
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口試委員 Advisory Committee |
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口試日期 Date of Exam |
2004-06-21 |
繳交日期 Date of Submission |
2004-09-08 |
關鍵字 Keywords |
維吉妮亞•吳爾芙、陰性書寫 Feminine Writing, Virginia Woolf |
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統計 Statistics |
本論文已被瀏覽 6264 次,被下載 33425 次 The thesis/dissertation has been browsed 6264 times, has been downloaded 33425 times. |
中文摘要 |
本文探討維吉妮亞•吳爾芙對「女性句子」和「女性語言」的理解與表達。 西方文明是父權統治的,歷史敘述的是「他」的故事,文學是以男性為中心,語言是男性創造的,就連科學,吳爾芙認為也非中性,而是男性。文學史上獨斷、壓制、恫嚇的男性語言,已根深蒂固,雖然吳爾芙承認當代對女性的不公平和偏見,的確已漸漸消蝕,但她堅持這條路還很漫長,而且歧視女性的想法仍然存在 於男人心中。 女性作家能否找到足以表達自己的語言,而不要借用男性句子來表達她們截然不同的特質;我们可以說終其一生,吳爾芙都在找這個句子。對吳爾芙而言,陰性書寫(women’s writing/righting)的意義有二,一為撥亂返正,反威權反体制的抗爭,糾正男性不當的思維,為女性爭取應得的權利﹔二為銘刻女性特質的語言,玩句造詞,充分展現女性變化莫測之文類界限、語言律動和書寫空間。 本文藉由吳爾芙在其作品中所使用的「意識流」、「雌雄同體」與「水的意像」三項主要敘述技巧,指出她實驗和實踐銘刻女性特質的新書寫形式,有別於傳統的男性語言,展現多元、流動、多變的陰性書寫特質。 |
Abstract |
This dissertation explores Virginia Woolf’s concept of “a woman’s sentence” and the significance and possibility of “a woman’s language.” It demonstrates how Woolf finds a new way to write fiction that expresses women’s values and her resistance and disruption of a traditional discourse. |
目次 Table of Contents |
TABLE OF CONTENTS I.Polyphony and Heteroglossia of the Feminine 1 II. Stream of Consciousness and Feminine Writing 36 III. Androgyny and Feminine Writing 77 IV. Water Imagery and Feminine Writing 118 V. Approximation of the Feminine 145 Works Cited 157 |
參考文獻 References |
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