摘要

斯特拉溫斯基於一九一九年因迪亞格列夫的建議下而著手創作芭蕾舞劇《普欽奈拉》。斯氏在這首作品中使用巴洛克時期大協奏曲的音樂形式，旋律來源大多數取自斐哥雷西和其他同時期之作曲家，再加上斯氏特有之不諧和音與不正規節奏，並加以修飾、改寫，展現出新古典主義的風格。斯氏於一九二五年，將《普欽奈拉》改編成小提琴版本，但現今所拉奏的版本為一九三三年，斯氏為小提琴家杜希金所改寫而成的。這首《義大利組曲》一共有六個段落：分別為序曲、小夜曲、塔朗泰拉舞曲、含有變奏的嘉禾舞曲、詼諧曲、小

Abstract


Igro Stravinsky composed“Pulcinella”ballet under the suggestion of Diaghilev in 1919. In this work, most of the melodies are based on Pergolesi as well as his contemporary composers, in addition to Stravinsky' unique features, such as dissonance intervals and unusual rhythmic patterns. The baroque concerto grosso form was used as a vehicle to describe his ideal of neo-classicism. The violin version of“Suite Italienne”was composed in 1925. It's six sections: Introduzione、 Serenata、 Tarantella、 Gavotta con due Variaziono、 Scherzino、 and Minuetto & Finale, were all selected from the “Pulcinella”. The current violin version was adapted by Dushkin in 1933. Besides the violin version, there are two other versions, one for cello and the other one for orchestra .
In addition to the introduction and the conclusion, the main part of this thesis is divided into three chapters. Chapter one is an overview of Stravinsky's background of music composition. The Ballet Russes's director Diaghilev and violinist Dushkin are also mentioned. Chapter two is a comparison of the two different versions between“Pulcinella”and“Suite Italienne”. The plot of“Pulcinella”is also included. The last chapter is a technical analysis of violin playing as well as musical interpretation of “Suite Italinne”.

目 錄

前言 ………………………………………………… 2

第一章 創作背景
第一節 作曲家簡介…………………………………… 3
第二節 迪亞格列夫和俄國芭蕾舞團對斯特拉溫斯基
的影響………………………………………… 8
第三節 斯特拉溫斯基和杜希金………………………10

第二章 《普欽奈拉》和《義大利組曲》之比較
第一節 創作《普欽奈拉》的過程……………………11
第二節 故事大綱………………………………………14
第三節 芭蕾舞劇、管絃樂組曲、小提琴曲和大提琴
曲之比較………………………………………16

第三章 《義大利組曲》小提琴的演奏技巧及詮釋方式
第一節 序曲……………………………………………20
第二節 小夜曲…………………………………………24
第三節 塔朗泰拉舞曲…………………………………27
第四節 嘉禾舞曲與變奏曲……………………………32
第五節 詼諧曲…………………………………………35
第六節 小

參考書目
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史特拉汶斯基。 《春天加冕》。施寄青譯。台北市：北辰文化，民國七十七年元月。

伍蠡甫主編。 《音樂美學》。台北市：洪葉文化事業有限公司，民國八十七年四月。

葛利菲斯。 《現代音樂史》。林勝儀譯。台北市：全音樂譜出版社，民國七十六年七月。

許鐘榮主編。 《現代樂派的大師》。台北縣：錦繡出版社，民國九十年。

廖戡夷主編。 《黎明音樂辭典》。台北市：黎明文化事業股份有限公司，民國八十三年。


西文

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樂譜
Sevcik, Otakar. Violin studies school of bowing technique. London: Bosworth, 1982.

Stravinsky, Igor. Suite Italienne for violin and piano.. London: Boosey & Hawkes, 1934.

-------. Pulcinella. London: Boosey & Hawkes, 1965.