亞歷山大•史克里亞賓(Alexander Nikolayevich Scriabin, 1872-1915)為十九世紀末俄國作曲家，他的作品可分為三個時期，分別為早期：一八八八年至一九○二年，受浪漫樂派及蕭邦影響，作品皆為調性音樂；中期：一九○三年至一九○八年，開始使用不和諧音及特殊和聲模糊調性；晚期：一九○九年至一九一五年，受神祕主義影響，發展出無調性音樂。史克里亞賓馬祖卡舞曲創作年代為一八八九年至一九○三年，作品有三組，共二十一首，創作年代橫跨早期至中期，風格上也有明顯的轉變。
　本文的研究內容為探討史克里亞賓馬祖卡舞曲，除了前言與結語，共分三個部分。第一部分為馬祖卡舞曲之起源與發展，透過歷史了解三種馬祖卡舞曲之風格以及蕭邦馬祖卡舞曲之特色。第二部分探討史克里亞賓馬祖卡舞曲之創作背景，包含十九世紀俄國的音樂環境及史克里亞賓三個時期的風格，第三部份則深入分析三組馬祖卡舞曲由早期至中期創作手法之轉變。

Alexander Nikolayevich Scriabin is a Russian composer in the late nineteenth century. His compositions can be divided into three periods. Influenced by the romantic music and Frederic Chopin, the early period is from 1888 to 1902 in which his works are tonal music. In the second period, 1903-1908, Scriabin started to use more dissonances and chromaticism resulting in lacking tonality. In the late period, 1909-1915, Scriabin was impacted by mysticism, and his music style became more atonal. Scriabin’s Mazurkas composed between 1889 to 1903, are in three sets, op.3, op.25 and op.40. The music style of these three sets is quite different and varied.
This thesis focuses on the analysis of Scriabin’s Mazurkas. Excluding the introduction and conclusion, there are three main parts. The first part stresses on the origin and history of the music genre “Mazurka.” According to the historical document, the styles of three types of Mazurka and Frederic Chopin’s Mazurka will be presented in this part. In the second part, the compositional background of Scriabin’s Mazurkas, musical background of late nineteenth century in Russia, and Scriabin’s music style in the three periods are fully discussed. The third part will give a detailed analysis of Scriabin’s three Mazurkas (op.3, op.25 and op,40 ) showing the specific changes in style and different characters between his early and middle period of works.

前言 …………………………………………………………… 1
馬祖卡舞曲之起源與發展　…………………………………… 2
　　蕭邦馬祖卡舞曲　………………………………………… 4
史克里亞賓馬祖卡舞曲創作背景之探討 …………………… 10
歷史背景　………………………………………………… 10
史克里亞賓生平及創作風格　…………………………… 10
史克里亞賓馬祖卡舞曲之風格及特色 ……………………… 17
馬祖卡舞曲作品三　……………………………………… 17
馬祖卡舞曲作品二十五 ………………………………… 23
馬祖卡舞曲作品四十 …………………………………… 35
結語 …………………………………………………………… 45
參考文獻 ……………………………………………………… 47

外文書目
Baker, James. The Music of Alexander Scriabin. Yale University Press, 1986.
Bower, Faubion. Scriabin: A Bilgraphy. New York: Dover Publications, 1996.
Brook, Donald. Six Great Russian Composers. London: Salisburg Square, 1946.
Brown, Malcolm. “ Skriabin and Russian Mystic Symbolism.”19th Century Music Vol. Ⅲ no. 1(July, 1979): 42-51.
Burge, David. Twentieth-Century Piano Music: Alexander Scriabin and Sergei Rachmaninoff. New York: Schimer Book, 1990.
Eonard, Richard Anthony. A History of Russian Music: Scriabin. New York: The Macmillan Company. 1957.
Garvelman, Donald. “A Talk With Faubion Bowers about Scriabin.”Clavier Vol.Ⅶ no.8 (November, 1969):21-33.
Kim, Heasun. “A Study of selected Preludes of Alexander Scriabin.” Ed D.diss., Columbia University Teachers College, 1996.
Lim, Seong-Ae. “The influence of Chopin in Piano Music on the Twenty-four Preludes for Piano, Opus 11 of Alexander Scriabin.” D.M.A., diss. The Ohio State University, 2002.
Perle, Geroge. “Scriabin’s Self-analyses.” Music Analysis Vol.Ⅲ no.2 (July 1984):101-122.
Randlett, Samuel. “Creating Special Effects Characteristic of the Music of Alexander Scriabin.”Clavier Vol.ⅩＩ no.1(January, 1972):10-16.
Schloezer, Boise de. Scriabin Artist and Mystic: The Music Language of Scriabin. Berkeley: University of California Press, 1978.
Schonberg, H. The lives of the great composers. New York: W. W. Norton & Company.

中文書目
李斯特 (Liszt, Franz, Frederdic)。《李斯特論蕭邦》，張澤民/高士彥譯。台北：世界文物出版社，1993。
岡田敦子，〈史克里亞賓的手法〉，《全音音樂文摘》1976：106-112。
吳雅婷，〈斯克里亞賓鋼琴音樂探索〉，《台中師院學報》，2005。
李欣恬，〈作為國族象徵的蕭邦 (F. Chopin) 馬祖卡節奏探討〉，《國立台北藝術大學音樂研究所2009年音樂學研討會論文》，台北，2009。
簡汝瑾，《蕭邦馬厝卡舞曲：傳統的沉澱與粹鍊》，台灣：台北藝術大學音樂學系博士論文，2011。
謝舒雅，《史克里亞賓鋼琴前奏曲作品十一之研究》，台灣：國立中山大學音樂系碩士論文，2004。
陳俞靜 ，《史克里亞賓前奏曲作品十六、三十七、七十四之分析與詮釋》，台灣：輔仁大學音樂系碩士論文，2009。

樂譜
Chopin, Fryderyk. Mazurkas. ed. by Paderewski. Warsaw: The Fryderyk Chopin Institute Polish Music Publications.
Scriabin, Alexander. Mazurkas, Florida: A Warner Music Group Company.